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Luxury Fashion Houses
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Luxury Fashion Houses

Luxury Fashion Houses run on history as much as product — names with decades or centuries behind them. On Visie, that craft spans campaign photography, runway coverage, and editorial shoots for marques like Louis Vuitton, Prada, Dior, and Chanel, shot from a fixed photographer's pit at every show.

5592 projects·6082 creatives·26 brands

This week's top Luxury Fashion Houses projects

This week's top Luxury Fashion Houses projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Project

Dior · Cruise 2027 Campaign

The Dior Cruise 2027 campaign presents a sophisticated study in textures and color, captured by photographer Sam Rock. The imagery features talent Jennifer Lawrence, Greta Lee, and Taylor Russell, who are set against deep, rich interior backgrounds adorned with impressionist-inspired landscape paintings and gilt-framed art. With styling by Benjamin Bruno, the campaign leverages an editorial aesthetic that balances formal tailoring with sculptural silhouettes. The use of soft, natural light emphasizes the depth of fabrics—from shimmering metallic fringe and grey tweed to pleated floral dresses—while accentuating the collection’s focus on structured handbags and artisanal accessories.

Project

Jacquemus · Le Palmier

Le Palmier represents a fashion editorial campaign for Jacquemus, captured through the lens of photographer Dudi Hasson. The project utilizes natural light to frame model Eva Herzigova against coastal and architectural settings, defined by a warm, Mediterranean-inspired palette. Featuring design by Simon Porte Jacquemus, the imagery leans into a cinematic aesthetic, alternating between candid, expressive portraits and structured, high-fashion staging. The editorial captures a series of outdoor moments, from sunlit city streets to resort-side balconies. Techniques such as analogue film and clean composition highlight the tactile quality of leather textures and architectural silhouettes, while the styling balances structured tailoring with oversized accessories.

Project

Valentino · FALL/WINTER 26 HERO

The Valentino Fall/Winter 26 Hero campaign presents a series of editorial images captured by photographer Tess Petronio. The project draws on an aesthetic of classical art and industrial juxtaposition, incorporating ornate stone statuary alongside controlled, modern environments to frame the latest collection. Art direction by Ezra Petronio and Lana Petrusevych establishes the visual language, utilizing techniques like creative framing and flash lighting to highlight the intricate details of the accessories and garments. Styling by Suzanne Koller rounds out the production, supported by hair styling from Esther Langham and makeup by Daniel Sallstrom. Models Apolline Rocco Fohrer, Dario Tonin, and Joe Bottomer are featured throughout the campaign.

Project

Balenciaga · SS26 VIP

Balenciaga’s SS26 VIP campaign centers on a series of character-driven portraits that lean into a stark, minimalist aesthetic. The project features actor Isabelle Huppert, actor Roh Yoonseo, and entertainer Juyeon, each captured within a clean, neutral studio environment that emphasizes sharp tailoring and material texture. Photographed by Lucie Rox, the imagery utilizes natural light and a restrained palette to focus on the structure of the apparel, including oversized leather jackets and precise silhouettes. These editorial portraits prioritize a candid yet composed mood, maintaining a cohesive look across the campaign through consistent studio lighting and monochromatic styling.

Project

Vogue Australia · Vogue Australia October 2026 Cover

Vogue Australia’s October 2026 cover features actor Sophie Wilde, captured in a clean editorial studio setting. The imagery frames the subject in a structured white long-sleeve jacket paired with a voluminous, layered green ruffled skirt, set against a muted sage backdrop. Photographed by Jamie Heath, the composition incorporates bold lime-yellow typographic elements to define the magazine's visual identity. Creative direction for the fashion styling was led by editor-in-chief Christine Centenera, with beauty work provided by hair stylist Sophie Roberts and makeup artist Victoria Baron.

Project

Carolina Herrera · A DAY WITH MATRYOSHKA POCKET

A Day With Matryoshka Pocket is a fashion editorial campaign for Carolina Herrera that captures the brand’s latest handbag silhouette within a curated urban landscape. Creative director Javier Ordax and photographer David Portela anchor the project in a series of observational, cinematic vignettes featuring model Grace Elizabeth. The imagery utilizes a blend of high-contrast monochrome and warm, natural light to emphasize the textures of luxury knitwear and structured leather. By grounding the accessories in authentic city environments—ranging from sunlit pedestrian crossings to moody dusk storefronts—the work leans into an analogue film aesthetic, prioritizing a tactile, gritty quality over artificial polish.

Project

Coach · Live Your Story

The Live Your Story campaign for Coach features PinkPantheress, capturing a series of lifestyle narratives across various transit and urban settings. Photographer Elaine Constantine employs an editorial approach that leans into an analogue aesthetic, utilizing natural light to frame the collection's leather apparel and accessories. The imagery emphasises candid movement and public spaces, balancing street-style authenticity with the luxury fashion house's focus on material texture. By integrating grainy textures and warm color grading, the campaign draws on a retro-inflected visual language to document the talent in transit.

Project

Harper's Bazaar España · Monica Bellucci

Harper's Bazaar España presents a comprehensive fashion editorial featuring actress Monica Bellucci. Captured by photographer Rocio Ramos, the series centers on a minimalist studio aesthetic, utilizing clean, directional lighting to emphasize sharp silhouettes and intricate textile details. Throughout the feature, the imagery leans into classic editorial portraiture, often employing monochrome grading and chiaroscuro techniques to heighten the dramatic quality of the poses. The session includes a variety of sartorial choices, from architectural tailored jackets and evening gowns to textured knitwear, complemented by a sleek, wet-look hair aesthetic. Production for the project was overseen by editor-in-chief Inmaculada Jiménez, with hair styling by John Nollet and makeup by Letizia Carnevale.

Project

Vogue España · Vogue España, Daisy Edgar Jones

Vogue España presents an extensive fashion editorial featuring actor Daisy Edgar-Jones, captured in a series of dynamic portraits. Under the creative direction of Raúl Martinez, the project leans into a raw, atmospheric aesthetic, utilising analogue film techniques to create a tactile and moody visual narrative. The editorial spans a range of high-contrast monochrome studies and rich, colour-saturated frames, set against both minimal studio backgrounds and textured, architectural installations. Photographer Agnes Lloyd-Platt employs varied lighting setups, from low-key chiaroscuro to soft directional glows, to emphasise the collection of garments styled by fashion editor Jeanie Annan-Lewin. The production features a collaborative creative team, with hair by Yumi Nakada-Dingle, makeup by Bea Sweet, manicures by Sabrina Gayle, and set design by Georgina Pragnell, resulting in a cohesive series of vertical editorial imagery.

Project

American Vogue · Dakota Johnson’s New World

American Vogue’s profile, Dakota Johnson’s New World, serves as a high-end editorial feature centered on actor Dakota Johnson. Through a series of carefully composed portraits, the project employs an aesthetic that bridges clean minimalism with bold color saturation. Photographer Larissa Hofmann captures the subject across diverse environments, utilizing a mix of natural light and studio flash to transition between the serene cool tones of an outdoor pool and the stark, moody atmosphere of monochromatic studio setups. Creative direction by Raúl Martinez ensures a cohesive visual language throughout the feature, further defined by fashion styling from Tonne Goodman that emphasizes fabric texture and architectural silhouettes. Technical execution relies on editorial vertical and horizontal framing, with select imagery utilizing analogue film to achieve its refined, artistic finish. The production is supported by contributions from hair stylist Mark Townsend, makeup artist Georgie Eisdell, manicurist Emi Kudo, and set designer Kelly Infield.

Project

Saint Laurent · Fall 26

Saint Laurent presents the Fall 26 campaign, a cinematic film directed by Talia Chetrit. This commercial project focuses on the refined tailoring of the seasonal collection, captured through a series of close-up portraits. The film features creative direction by Anthony Vaccarello and cinematography by Lucas Chemotti. The aesthetic is defined by its polished, live-action technique, centering on sharp details including wrap-around sunglasses and structured shirting. Additional production credits include fashion styling by Paul Sinclaire, hair by Benjamin Muller, and makeup by Dick Page, with grooming by Candice Birns.

Project

Zara · Atlas of Desire

Zara's Atlas of Desire campaign is a fashion editorial series that explores domestic intimacy through the lens of cinematic portraiture. Under the creative direction of Luca Guadagnino, the project features structured tailoring and rich textile layering captured by photographer David Sims. The imagery employs natural light and analogue film techniques to achieve a warm, textured aesthetic within classic interior settings. Styled by Robbie Spencer, the cast—including Mica Arganaraz, Jacqui Hooper, Athiec Geng, Douta Sidibe, Iben Seynaeve, Bai Ruien, Takfarines Bengana, and Roman Lenoir—is positioned against paneled wood, botanical illustrations, and deep-toned furnishings. The result is a consistent visual narrative that balances oversized garments with delicate floral accessories.