Mirror Mirror Magazine
Featured Mirror Mirror Magazine projects
This week's top Mirror Mirror Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Mirror Mirror Magazine · 'BACK TO THE OFFICE'
Mirror Mirror Magazine explores modern professional silhouettes in the fashion editorial 'BACK TO THE OFFICE.' Captured by photographer Alena Sazonova and produced by Michelle Carimpong, the series features model Maelys Garouis navigating a contemporary corporate landscape of polished concrete floors, minimalist hallways, and office interiors. The work leans into architectural clean lines and neutral tones, juxtaposing structured tailoring and sleek, form-fitting knits against the industrial backdrop. The editorial employs a mix of natural light and high-contrast monochrome treatments to emphasize the garment details and the sculptural presence of the subject within these sterile environments.
Project Mirror Mirror Magazine · Sculpted Beauty
Sculpted Beauty is a fashion editorial series for Mirror Mirror Magazine that focuses on structural forms and minimalist composition. The project explores the interplay between human anatomy and industrial accessories, using chunky silver jewelry to contrast against organic skin textures and slick, wet-look hair. Photographer Rebekka Eliza captures the series with a clean, graphic sensibility, frequently utilizing monochrome palettes and analogue film techniques to heighten the visual tension. Makeup artist Patricia Lima complements the aesthetic with precise, high-contrast applications, occasionally punctuated by vibrant red accents. The resulting imagery leans into directional lighting and deliberate, anatomical framing to maintain a consistent, refined tone throughout the editorial.
Project Mirror Mirror Magazine · Birds of a feather
Birds of a feather is a fashion editorial series produced for Mirror Mirror Magazine, captured by photographer Wendelien Daan. The series features model Elza Matiz in a collection of clean, highly conceptual compositions that explore texture through feathers, sheer fabrics, and layered accessories. The project incorporates elements of editorial photography, utilizing both natural light and precise beauty lighting techniques to highlight intricate styling details. Collaborators include editor Georgette Koning, hair stylists Hester Wernert and Kathinka Gernant, and makeup artists Ellen Romeijn and Sandra Govers.
Project Mirror Mirror Magazine · LUMINOUS LAYERS
Luminous Layers is a fashion editorial project commissioned by Mirror Mirror Magazine that explores texture, volume, and silhouette. The series relies on moody lighting and a desaturated palette to highlight the interplay of layered garments, ranging from oversized outerwear to structured tailoring and glossy technical fabrics. The imagery utilizes a clean, minimal aesthetic, frequently employing low-key chiaroscuro techniques to sculpt form against neutral studio backdrops. With an emphasis on analogue film sensibilities, the project balances soft, directional light with deep shadows to create a high-contrast, atmospheric presentation of contemporary styles.
Project Mirror Mirror Magazine · I’ll give a kiss
Mirror Mirror Magazine presents 'I’ll give a kiss,' an editorial photography project that explores intimacy through a series of close-up portraits. Photographer Paul Bellaart employs soft, natural light to document candid connections against a clean, minimalist background. The series features makeup artist Kathinka Gernant’s detailed cosmetic work, emphasizing skin textures and bold, pigmented accents such as burgundy lips and dramatic blush. Casting director Michiel van Maaren coordinates the diverse subjects, including model Lotka Lakwijk, to maintain a consistent aesthetic across the project. The work utilizes a macro lens technique and neutral composition to focus on human connection within a refined editorial framework.
Project Mirror Mirror Magazine · In the Light of Athena
Mirror Mirror Magazine’s In the Light of Athena is a multifaceted editorial project that explores portraiture through a blend of technical manipulation and naturalistic settings. The series leans into a diverse visual vocabulary, alternating between the sharpness of direct sunlight and hard light projections, and the softer, more abstract qualities found in multiple exposure and solarized effects. Photographer Evangelos Rodoulis and editor Georgette Koning orchestrate a series that balances architectural rigidity with delicate organic elements. The imagery makes frequent use of grainy, analogue-style film textures, alongside monochromatic palettes and layered botanical silhouettes, to build a tactile, atmosphere-heavy narrative across the editorial spreads.
Project Mirror Mirror Magazine · Cali
In the latest editorial feature for Mirror Mirror Magazine titled Cali, photographer Alina Gross masterfully captures a transformative exploration of human anatomy and aesthetic precision. This series leans into the intersection of avant-garde beauty and fine art, utilizing a refined visual language to challenge traditional perceptions of portraiture. Through the lens of Gross, the project strips away the extraneous to focus on the interplay between skin texture, hair architecture, and graphic makeup application. With Cali White serving as the lead talent, the imagery employs tight, macro-focused compositions that highlight everything from intricate, geometric eyeliner strokes to the raw, topography-like details of human skin. The execution relies heavily on the nuanced use of studio strobe lighting, which carves out sharp contours and brings a glossy, tactile quality to the subjects. These portraits, characterized by their minimalist and often high-contrast aesthetics, move beyond simple beauty documentation to function as conceptual studies of identity. Whether focusing on the sculptural curves of blonde hair or the uncanny, ink-drawn eyes masking a face, the work maintains a sophisticated, monochromatic discipline. By balancing natural light elements with controlled studio environments, Gross and editor Georgette Koning successfully push the boundaries of editorial minimalism, creating a cohesive visual narrative that is as clinical as it is poetic, cementing this project as a standout example of contemporary, detail-oriented creative direction.
Project Mirror Mirror Magazine · Alexander
In the latest editorial spread for Mirror Mirror Magazine, titled Alexander, the intersection of high fashion and conceptual storytelling is rendered with remarkable precision. This series of monochromatic studies, captured by photographer Evangelos Rodoulis, strips away the noise of traditional fashion photography to focus on raw, sculptural geometry and the nuances of the human form. Under the guidance of editor Georgette Koning, the project adopts a stark, minimalist aesthetic, leveraging low-key chiaroscuro lighting and cinematic framing to elevate the subject into an object of intense curiosity. Across the series, the imagery leans into a range of classic and experimental techniques, seamlessly blending analogue film textures with modern digital manipulations like double exposure and intentional motion blur. Whether utilizing crisp studio strobes to define the sharp lines of a tailored blazer or playing with high-key natural light to emphasize the delicate interplay between a sheer veil and leather accessories, the work remains anchored in a disciplined, polished vision. The result is a collection of editorial portraits that transcend mere showcase, instead inviting the viewer into a moody, dreamlike narrative where fashion serves as a structural element of the composition. By prioritizing high-contrast monochromatic palettes and meticulous focus on textile detail, the Alexander project stands as a masterful exercise in contemporary editorial minimalism and sophisticated visual language.
Project Mirror Mirror Magazine · Inspiration
Mirror Mirror Magazine’s 'Inspiration' editorial explores the intersection of marine-inspired motifs and high-fashion portraiture. Photographed by Alina Gross with editorial direction by Georgette Koning, the series leans into an ethereal aesthetic through the use of tactile, layered materials and avant-garde styling. The project features a collection of beauty and still-life compositions that emphasize sculptural silhouettes and iridescent textures. By pairing accordion-pleated organza in soft pastels with natural elements like conch shells and baroque pearls, the work achieves a visual narrative focused on organic forms. The production utilizes a mix of high-key and soft studio lighting to accentuate the translucency of the fabrics and the metallic luster of the jewelry featured throughout the editorial.
Project Mirror Mirror Magazine · Cosmic Cure
Cosmic Cure, a beauty editorial feature for Mirror Mirror Magazine, explores the interplay between avant-garde cosmetic artistry and atmospheric studio photography. The series leans into a moody, high-contrast aesthetic, utilizing low-key chiaroscuro lighting to isolate and amplify intricate textures. The project features model He Zhi in a collection of close-up portraits, with creative execution led by photographer Jacquetta Clark and makeup artist Tamara Darago. The visual language shifts between technical experimentation—incorporating multiple exposure and motion-blur techniques—and clean, graphic studio work. The resulting imagery showcases a range of cosmetic treatments, from crystal-studded lashes and metallic pigments to bold, gradient lip applications.
Project Mirror Mirror Magazine · surreal tension
Surreal Tension is a fashion editorial feature for Mirror Mirror Magazine, exploring avant-garde silhouettes and sculptural garment design. Through a series of highly composed portraits, the project leans into themes of theatricality and objectification, merging high-contrast monochrome studies with warm, opulent interior photography. Photographer Alina Gross directs the visual narrative, which uses architectural details and metallic accents to build a sense of heightened, otherworldly poise. Editor Georgette Koning provides the creative styling that defines the project’s distinct aesthetic. The imagery often features tactile materials like satin and structured wire, utilizing flash lighting and analogue film techniques to create an atmospheric, moody look across both studio and location portraiture.
Project Mirror Mirror Magazine · CANVAS
For their CANVAS project, Mirror Mirror Magazine explores experimental portraiture through a series of editorial features. The photography, led by Philippe Vogelenzang, focuses on high-contrast compositions and close-up perspectives. The series leans into a gritty and textured aesthetic, emphasizing intricate makeup artistry by Mascha Meyer. Through a clean vertical frame, the imagery showcases detailed facial work on models Jelle Haen and Ole Dautzenberg, highlighting the intersection of beauty and abstract form.
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