Les Echos
Featured Les Echos projects
This week's top Les Echos projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Les Echos · Joyaux grand angle
Joyaux grand angle is a high-jewellery editorial produced for Les Echos, focusing on the meticulous craftsmanship of luxury adornments. The series leans into a minimalist aesthetic, pairing intricate diamond and gemstone suites with clean, monochromatic styling to keep the focus strictly on the reflective surfaces and geometric compositions of the pieces. Photographer Alexandra Utzmann and art director Giorgio Martinoli employ soft, diffused studio lighting and a neutral, uncluttered backdrop to define the series' polished visual language. Model Loane Normand anchors the editorial, with beauty direction by Ossiel Ramos Abarca and manicuring by Cecilia Abbas providing a refined, understated finish that complements the ornate nature of the jewellery collection.
Project Les Echos · Au fil d'avril
Au fil d'avril for Les Echos is a menswear editorial series centered on a sophisticated, layered approach to contemporary tailoring. The project leans into a clean, minimalist studio aesthetic, using textured backdrops and intentional color blocking to highlight the structural details of the garments. With art direction by Giorgio Martinoli and photography by Mathieu Rainaud, the series maintains a consistent visual rhythm across a range of casual and formal ensembles. Featuring model Lorenzo Sutto, the editorial highlights a broad palette of seasonal textures, from cable knit sweaters and linen jackets to leather outerwear. Marine Chaumien’s fashion styling emphasizes a balance between relaxed silhouettes and precise tailoring, while hair styling by Bastien Zorzetto and casting by Jordan Mergirie refine the contemporary polish of the production.
Project Les Echos · L’Art de Déconstruire
L’Art de Déconstruire is a fashion editorial series produced for Les Echos, exploring the interplay between structured silhouettes and movement. Photographed by Olivia Arthur, the project features model Edwina Preston across a series of studio-based portraits that utilise moody, low-key lighting and tactile fabric textures to define the aesthetic. The series leans into a theatrical tone, incorporating techniques such as long exposure, multiple exposure, and chiaroscuro lighting to distort the subject's form. Styling by Aline De Beauclaire anchors the imagery, complemented by hair styling from Takuya Uchiyama and makeup artistry by Seunghee Yoo. The editorial draws on a monochromatic palette and soft, ethereal lighting shifts to emphasize the sculptural tailoring of the garments.
Project Les Echos · Les Echos - Weekend
This fashion editorial series for Les Echos Weekend features a refined, documentary-style approach to portraiture. Photographed by Valentin Hennequin, the project captures model Jeremy Young across a variety of domestic and rural settings, emphasizing tactile textures and a contemplative mood. The aesthetic is defined by its use of analogue film and natural light, creating a timeless, observational quality throughout the imagery. Fashion editor and stylist Laetitia Paul curated a restrained wardrobe featuring structured tailoring, knitwear, and trench coats, while hair stylist Joel Phillips provided clean, understated grooming. With casting by Vincent & Yasmine, the series leans into low-key lighting and monochromatic compositions to highlight both the subjects and the architectural surroundings.
Project Les Echos · Mode Metieres
Mode Metieres is a fashion editorial project for Les Echos, featuring a series of character-driven images that blend high-fashion silhouettes with rugged, coastal environments. The work leans into a gritty, analogue aesthetic, utilizing high-contrast monochrome and grainy film techniques to emphasize the tactile qualities of intricate beadwork, lace, and sculptural tailoring. Photographed by Tarek Mawad with fashion styling by Aline De Beauclaire, the series showcases model Charlotte Tomas in a variety of outdoor settings, ranging from weathered stone staircases to sweeping oceanic shorelines. The execution makes extensive use of hard natural light to cast sharp, architectural shadows, creating a raw and atmospheric study of form and texture. Casting was provided by Vincent & Yasmine.
Project Les Echos · Les Echos Série Limitée October 2026 ...
For the October 2026 issue of Les Echos Série Limitée, the publication presents a fashion editorial shot by photographer Fanny Latour-Lambert. The production features model Clément Laguardia styled by Marine Chaumien, with art direction provided by Giorgio Martinoli. The series leans into an outdoor setting, utilizing natural light to define the subject against a riverfront landscape. The aesthetic highlights maritime motifs through signal flags and thematic props, resulting in a clean, editorial look captured in a vertical format.
Project Les Echos · Sous le vent
Sous le vent is a fashion editorial series produced for Les Echos, exploring refined menswear through a documentary-style lens. Photographed by Fanny Latour-Lambert, the project features model Clément Laguardia captured in diverse, nautical-inspired settings ranging from industrial workshops to lakeside docks. The imagery relies on natural light and a muted, earthy color palette to emphasize the tactile quality of the layered knitwear and tailored outerwear featured throughout the spread. Art direction by Giorgio Martinoli brings a cohesive, minimalist structure to the layout, which balances interior wood-paneled scenes with outdoor lifestyle portraiture. Marine Chaumien provides the fashion styling, grounding the editorial in a sophisticated, classic aesthetic. The project utilizes a clean, editorial approach to highlight the construction and texture of the garments within a curated, thematic narrative.
Project Les Echos · Les Echos Série Limitée September 20 ...
This cover feature for Les Echos Série Limitée highlights the September fashion issue, centering on a portrait of model Liv Walters. Photographed by David Roemer, the editorial composition places the subject within a stark, rural landscape against natural rock formations. Art direction by Giorgio Martinoli frames the subject, incorporating bold typography into the vertical layout. The styling by Melanie Huynh focuses on textural contrast, complemented by hair styling from Nicolas Eldin and makeup artistry by Tatsu Yamanaka. This editorial work prioritizes a clean, minimalist aesthetic.
Project Les Echos · Classe Nature
Classe Nature is a fashion editorial series produced for Les Echos, captured by photographer David Roemer. The project features model Liv Walters in a range of natural, outdoor environments, spanning lush meadows to rugged, rocky woodland landscapes. Art directed by Giorgio Martinoli, the series leans into an organic aesthetic, defined by its use of natural light and an earthy color palette. The editorial is characterized by its use of analogue film techniques and grainy textures, which ground the contemporary styling of textured leather, ruffled dresses, and patterned outerwear curated by fashion editor Melanie Huynh. Rounding out the production team are hair stylist Nicolas Eldin, makeup artist Tatsu Yamanaka, and casting director Coco Liscia.
Project Les Echos · Dans la ville
Captured through the seasoned lens of photographer Fabien Montique, the Dans la ville project for Les Echos serves as a masterclass in modern European street style, grounding high-fashion sensibilities within the familiar rhythm of an urban landscape. Art director Giorgio Martinoli and fashion stylist Nora Bordjah collaborate to curate a series of looks that lean into an aesthetic of layered textures and sophisticated tailoring, ranging from structured plaid blazers and knit vests to sleek leather-on-leather ensembles. Model Constanze Van Rosmalen effortlessly anchors the narrative, moving through the city with a poise that balances candid charm and polished editorial minimalism. The production team, bolstered by the hair styling of Olivier de Vriendt and the nuanced makeup work of Aurelia Liansberg, emphasizes a look that feels both aspirational and deeply rooted in contemporary lifestyle trends. By utilizing natural light as a primary narrative tool, the campaign evokes a soft, daylight-drenched atmosphere that highlights the intricate details of the clothing, from the weave of the textiles to the hardware on the accessories. This collection of portrait and lifestyle imagery effectively channels an effortless, elevated attitude, demonstrating how luxury fashion houses can engage with the mundane beauty of city streets to create a lasting, visually resonant aesthetic impact.
Project Les Echos · Golden hour
Les Echos captures the essence of refined menswear in its latest editorial spread, Golden Hour, a project that masterfully leans into the warmth and intimacy of late-afternoon light. Through a series of meticulously composed lifestyle portraits, the feature highlights a sophisticated fusion of classic tailoring and contemporary knitwear. The project thrives on an editorial aesthetic defined by clean, minimalist architectural settings that allow the richness of fabrics—from textured wools to supple leathers—to take center stage. Under the guidance of Art Director Giorgio Martinoli, the imagery channels a calm, luxurious atmosphere, utilizing natural light to cast soft shadows that emphasize the subtle depth of the models' silhouettes. Fashion Editor and Stylist Marine Chaumien curates a versatile palette of earthy tans, creams, and muted greens, creating a cohesive visual narrative that balances structural rigor with casual ease. With contributions from Hair Stylist Leslie Thibaud, whose work ensures a polished yet organic finish, and Casting Director Jordan Mergirie, the spread presents model Youssef Rocha in a manner that feels both aspirational and grounded. The execution relies heavily on the interplay between soft, directional lighting and neutral interior backdrops, resulting in a magazine-style layout that is as much about the intentionality of the design as it is the clothing itself. This editorial demonstrates a sophisticated mastery of portraiture and typography, cementing Les Echos as a leader in high-end fashion storytelling.
Project Les Echos · Mise en lumière
Mise en lumière, a high-fashion editorial production for Les Echos, serves as a masterclass in the interplay between sartorial elegance and technical filmmaking. Under the guidance of art director Giorgio Martinoli and captured by the lens of photographer Gianluca Fontana, the project leans into a minimalist studio aesthetic to emphasize the tactile construction of luxury silhouettes. The editorial, brought to life through the rhythmic and poised presence of model Nyakong Chan, features a diverse range of looks—from crisp, architectural tailoring to shimmering, fringe-heavy ensembles. Stylist Marine Chaumien crafts a visual narrative that pairs structured blazers and pleated trousers with bold, metallic accessories, while the hair styling by Leslie Thibaud and makeup by Tiina Roivainen maintain a sharp, clean focus that complements the high-contrast lighting. By incorporating live-action technique elements, such as visible camera rigs and film equipment, the production breaks the fourth wall of traditional fashion photography. This stylistic choice adds a meta-layer to the imagery, suggesting a dynamic atmosphere where the act of creation is as essential as the final aesthetic result. With its polished composition and deliberate focus on texture, Mise en lumière channels an editorial minimalism that feels both modern and timeless, perfectly capturing the intersection of high-end fashion and deliberate cinematic precision within the pages of a premier publication.
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