Dazed MENA
Featured Dazed MENA projects
This week's top Dazed MENA projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Dazed MENA · Dazed MENA Issue 03
Dazed MENA Issue 03 features a comprehensive fashion editorial series centered on structural tailoring and textural complexity. Photographer Umit Savaci and fashion stylist Hanna Kelifa explore architectural silhouettes, juxtaposing clean studio environments with raw, urban outdoor settings. The visuals emphasize tactile details, from layered fringe and leather to intricate suiting patterns. The series leans into a distinct aesthetic, alternating between stark monochrome portraiture and vivid, graphic compositions. Hair stylist Amidat Giwa and makeup artist Laura Dominique contribute to the series' polished, sculptural focus, while set designer Haleimah Darwish shapes the minimal studio environments. The editorial captures a range of styles including minimalist and tactile fashion photography, unified by a precise, editorial approach to menswear and womenswear.
Project Dazed MENA · ISSUE 02
Dazed MENA explores intimacy and domesticity in ISSUE 02, a fashion editorial project captured by photographer Alexandra Alvarez Garcia. The series channels a nostalgic, raw aesthetic, utilizing vintage-inspired bathroom settings and soft light to frame its subjects in candid, textured compositions. Fashion styling by Omaima Salem leans into layered silhouettes, mixing graphic prints with mesh and structured knitwear. The editorial is supported by hair styling from Yumiko Hikage and detailed, polished makeup by Kanako Yoshida, with model Akuol Deng Atem featured prominently throughout the series.
Project Dazed MENA · Issue 02
Dazed MENA Issue 02 explores the intersections of subculture and performance, anchoring its narrative in the raw energy of urban motocross. Through a series of dynamic editorial sequences, the issue captures stunt riders in motion, juxtaposing high-fashion technical apparel with the grit of asphalt tracks and industrial backdrops. The imagery leans into the tactile nature of its subjects, utilizing heavy grain and long exposure techniques to convey a visceral sense of speed. By alternating between high-contrast monochrome portraiture and vivid, flash-lit action photography, the project documents the interplay between machine mechanics and personal style. The collection balances clean, minimalist studio shots with raw, live-action sequences to present a cohesive study of youth-led mobility.
Project Dazed MENA · Dazed MENA Issue 01 Spring 2025 Covers
Dazed MENA launches its debut edition with the Issue 01 Spring 2025 covers, a series of editorial portraits that traverse the landscape of fashion and contemporary identity. The project brings together a collaborative roster of photographers including Pegah Farahmand, Ilyes Griyeb, and Mohamed Bourouissa, alongside stylists and hair and makeup artists to document a diverse group of talent including Alek Wek, Nora Attal, and Paloma Elsesser. The series leans into a clean and often minimalist aesthetic, utilising natural light to foreground the intricate textures of the garments and subjects. From monochrome studio portraiture to high-angle analogue film captures of dance, the covers frame a variety of cultural perspectives. The visual language is defined by a blend of classic editorial composition and structured, bold typography that highlights the intersection of international style within the MENA region.
Project Dazed MENA · Dazed MENA Pop Issue 2026 Covers
Dazed MENA unveils its 2026 Pop Issue covers, presenting an editorial series captured on city streets. The photography, led by Eric Johnson, leans into a candid, street-level aesthetic that prioritises a naturalistic portrayal of movement and urban life. The editorial captures a sense of texture and depth through the integration of analogue film and grainy techniques. Styling by Becky Akinyode highlights structured silhouettes, complemented by the editorial hair styling of Jadis Jolie and makeup artistry by Raisa Flowers. The imagery utilises natural light and warm, vibrant colour grading to ground the subjects within a dynamic outdoor environment.
Project Dazed MENA · Yasmine Hamdan
In this evocative fashion editorial for Dazed MENA, musician Yasmine Hamdan serves as the central muse, anchoring a series of portraits that masterfully navigate the interplay between form, texture, and silence. Through the lens of photographer Joanna Wzorek, the project leans into a sophisticated, editorial minimalism that eschews the overtly commercial in favor of a narrative anchored by movement and quiet contemplation. Art directed by Daoud Tabibzada, the series oscillates between stark studio environments and lush, overgrown natural backdrops, utilizing natural light to define the silhouettes of pieces curated by fashion editor Omaima Salem. From the tactile complexity of layered feathers and intricate crochet to the reflective, polished surfaces of leather, the wardrobe becomes a study in material contrast. The imagery, which incorporates techniques ranging from analogue film aesthetics to rhythmic live-action sequences, effectively captures Hamdan in states of both repose and deliberate motion. With hair by Roger Cho and makeup by Adrien Pinault, every frame remains meticulously considered, prioritizing the sculptural qualities of the clothing against clean architectural lines. By integrating set design by Freya Wentworth that subtly introduces vintage technology and organic landscapes, the project achieves a cinematic intimacy. This collection stands as a testament to the power of deliberate composition, where the subject and space exist in a balanced, contemporary dialogue.
Project Dazed MENA · Greatest Love of All
Greatest Love of All for Dazed MENA serves as a masterclass in modern editorial fashion storytelling, bridging the gap between high-concept luxury styling and intimate, domestic reality. Captured through the lens of photographer Philip-Daniel Ducasse, the series leans into a refined aesthetic that marries the structural boldness of contemporary fashion with the warmth of natural light. The project leverages the creative vision of fashion editor and stylist Milton Dixon III, who masterfully juxtaposes avant-garde silhouettes—such as heavily embellished headwear and architectural faux fur—against the softness of vintage, mustard-hued velvet interiors. The visual narrative feels grounded yet aspirational, with the set design by Jacob Burstein providing a clean, minimalist backdrop that allows the complex layering of textures and colors to take center stage. With precise hair styling by E Williams and makeup by Allie Smith, the imagery highlights an effortless, chic sensibility that defines the current luxury fashion landscape. By balancing diverse on-camera talent within a sun-drenched, residential atmosphere, the project avoids the sterility of traditional studio work, opting instead for a portrait series that feels candid and emotionally resonant. It is a compelling exercise in editorial minimalism that celebrates both the individual subject and the tactile nature of high-end garments, solidifying the brand's place at the intersection of cultural relevance and sartorial excellence.
Project Dazed MENA · Dazed MENA Deliverance 2026 Covers
The Dazed MENA Deliverance 2026 covers represent a masterclass in editorial fashion photography, bridging the gap between high-concept art and contemporary magazine culture. Across these frames, the production leans into a sophisticated visual dialogue, blending the raw, cinematic textures of outdoor locations with the clinical precision of studio portraiture. Under the editorial guidance of Editor-in-Chief Ahmad Ali Swaid, the project balances high-key minimalism against moody, low-key chiaroscuro lighting to craft a distinct identity for the release. Photographers Dean Majd, Joanna Wzorek, Nick Sethi, and Philip-Daniel Ducasse employ diverse techniques, ranging from natural light on rain-slicked asphalt to controlled studio strobe setups, ensuring each cover feels both tactile and immersive. Set designer Jacob Burstein grounds these images with intentional, sculptural elements, from vintage television sets to retro furniture, while fashion editors like Ewa Kluczenko and Omaima Salem curate ensembles that play with dramatic silhouettes and rich, shaggy textiles. By placing talent like Yasmine Hamdan and models Perus Adolwi and Valentine Valero at the center of these curated environments, the series captures a pensive, avant-garde energy that feels distinctly timely. The resulting work is a cohesive, fashion-focused exploration that utilizes bold typography and stark composition to push the boundaries of modern media, proving that even within the constraints of a magazine cover, the scope for creative experimentation remains vast and compelling.
Project Dazed MENA · Imaan Hammam
In this evocative series for Dazed MENA, photographer Davit Giorgadze captures model Imaan Hammam through an uncompromisingly sharp lens, resulting in a fashion editorial that feels both immediate and timeless. The project leans into editorial minimalism, utilizing a high-contrast color palette where saturated backdrops in primary red, orange, and yellow serve as the perfect foil to structured, architectural silhouettes. Working closely with stylist Omaima Salem, the imagery strips away the unnecessary, favoring a focused, graphic aesthetic that allows the textures of leather, glossy patent, and fine pleating to take center stage. The execution moves seamlessly between light-flooded studio strobe setups and moody, low-key chiaroscuro lighting, highlighting the versatility of Hammam’s striking features. With the expert support of hair stylist Pawel Solis and makeup artist Anthony Preel, the series elevates the classic portrait format into something distinctly contemporary, underscored by a deliberate use of negative space and crisp framing. Throughout the portfolio, the collaboration between set designer Rafael Medeiros and the creative team results in a series of compositions that feel curated and intentional. Whether utilizing natural light to soften a profile or clinical studio lighting to highlight the metallic sheen of jewelry and zippers, the project stands as a sophisticated exploration of modern luxury fashion, defined by its poise, chromatic intensity, and precise art direction.
Project Dazed MENA · I’TIMAD
I’TIMAD, a striking fashion editorial campaign for Dazed MENA, masterfully navigates the intersection of narrative storytelling and high-end luxury fashion. Under the creative vision of Fashion Director Omaima Salem, the project eschews the conventional gloss of the industry in favor of a raw, cinematic aesthetic that prioritizes mood and texture. Captured through the lens of photographer Billel Ouazene, the work employs a deliberate use of natural light and chiaroscuro lighting to elevate its somber, atmospheric compositions. Whether situated in misty, ethereal woodlands or within the confines of dimly lit, antique-filled interiors, the imagery channels a profound sense of quiet stillness and theatricality. The project benefits significantly from the casting expertise of Esther Boiteux, whose selection of talent brings an understated, emotive gravity to the elaborate garments and structured silhouettes on display. By leaning into desaturated tones and intentional framing, the campaign transforms apparel into a performative element of a larger, mysterious drama. The result is a series of portraits and lifestyle vignettes that feel both timeless and deeply contemporary, proving that the most compelling fashion narratives are often those that leave room for silence and ambiguity, allowing the interplay of fabric, shadow, and architecture to speak for themselves in this evocative visual study.
Project Dazed MENA · Beauty Story - Editor
Dazed MENA elevates the traditional fashion spread in this striking beauty editorial, a project that masterfully bridges the gap between high-end luxury fashion houses and avant-garde beauty aesthetics. Through a series of sharp, deliberate compositions, photographer Jean Marques crafts a visual narrative centered on the interplay between deep texture and minimalist form. The series leans into editorial minimalism, utilizing natural light and high-contrast studio strobe techniques to define the subjects against stark, off-white backgrounds. Fashion editor Omaima Salem curates an array of tactile garments, from glossy leather puffers to shimmering sequins, creating a cohesive dialogue between clothing and silhouette. The beauty direction, executed with precision by makeup artist Marie Duhart, pushes the boundaries of traditional portraiture, introducing bold, saturated pops of color like matte orange and brilliant blue alongside experimental metallic finishes. Casting director Mischa Notcutt anchors the series by selecting talent whose features provide the perfect canvas for these graphic, high-contrast looks. By blending macro beauty shots with full-length editorial silhouettes, the project succeeds as a study in chiaroscuro, utilizing low-key lighting to isolate and amplify specific elements of fashion and form. Ultimately, the work serves as a sophisticated testament to the power of deliberate, clean aesthetic choices, transforming the editorial medium into a compelling, texture-rich exploration of modern style and high-impact beauty.
Project Dazed MENA · Khadija Lahmine
This fashion editorial for Dazed MENA highlights a series of portraits and full-body compositions featuring model Khadija Lahmine. The project oscillates between the controlled environment of a studio and the gritty texture of urban streetscapes, utilising soft, natural light and clean studio lighting to emphasise the intricate textures of the garments. From voluminous faux fur and layered fringe to structured tailoring and minimalist accessories, the styling leans into contemporary high-fashion aesthetics. Photography by Alexandra Alvarez Garcia anchors the shoot, with the visual narrative developed through styling by Cristina Firpo. The creative team is rounded out by hair stylist Roger Cho and makeup artist Elena Bettanello, who provide a cohesive beauty direction throughout the series. The work incorporates editorial, minimalist, and analogue techniques to create a versatile visual catalogue.
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