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Yasmine Hamdan wearing an oversized textured white feather coat leaning back against a pale studio wall beside vintage CRT televisions.
A person in an oversized white shirt and white trousers crouching over tangled blue and clear cables on a blue floor.
Yasmine Hamdan sitting on the floor in a black leather jumpsuit leaning against a panelled wall.
Yasmine Hamdan seated backwards on a modern chair leaning on her hand in all-black attire against a plain studio wall.
Six-panel black and white editorial sequence of a woman in a voluminous white textured coat posed beside stacked vintage CRT televisions.
Yasmine Hamdan in profile wearing a white open-knit crochet top under warm directional sunlight.
Yasmine Hamdan wears a voluminous white and black textured coat surrounded by green foliage for Dazed MENA.
Editorial grid of Yasmine Hamdan posing in white and grey attire across six sequential frames in a brightly lit room.
Yasmine Hamdan standing behind glass window frames wearing an oversized fuzzy patterned coat in front of overgrown garden greenery.
Yasmine Hamdan wearing an oversized textured white feather coat leaning back against a pale studio wall beside vintage CRT televisions.
A person in an oversized white shirt and white trousers crouching over tangled blue and clear cables on a blue floor.
Yasmine Hamdan sitting on the floor in a black leather jumpsuit leaning against a panelled wall.

Dazed MENA Yasmine Hamdan 2026

About

In this evocative fashion editorial for Dazed MENA, musician Yasmine Hamdan serves as the central muse, anchoring a series of portraits that masterfully navigate the interplay between form, texture, and silence. Through the lens of photographer Joanna Wzorek, the project leans into a sophisticated, editorial minimalism that eschews the overtly commercial in favor of a narrative anchored by movement and quiet contemplation. Art directed by Daoud Tabibzada, the series oscillates between stark studio environments and lush, overgrown natural backdrops, utilizing natural light to define the silhouettes of pieces curated by fashion editor Omaima Salem. From the tactile complexity of layered feathers and intricate crochet to the reflective, polished surfaces of leather, the wardrobe becomes a study in material contrast. The imagery, which incorporates techniques ranging from analogue film aesthetics to rhythmic live-action sequences, effectively captures Hamdan in states of both repose and deliberate motion. With hair by Roger Cho and makeup by Adrien Pinault, every frame remains meticulously considered, prioritizing the sculptural qualities of the clothing against clean architectural lines. By integrating set design by Freya Wentworth that subtly introduces vintage technology and organic landscapes, the project achieves a cinematic intimacy. This collection stands as a testament to the power of deliberate composition, where the subject and space exist in a balanced, contemporary dialogue.

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