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Three figures in a misty wooded landscape near water, with one pouring water from a bucket into a stream.
Woman wearing a satin dress and feathered headpiece holding a beaded necklace indoors for Dazed MENA I'TIMAD
A woman in a blue dress and large matching hat seated on a daybed in a dimly lit room for Dazed MENA I'TIMAD
Man in white tunic standing near a woman lying on a draped bed in a dark room for Dazed MENA I'TIMAD
Woman seated barefoot in an antique armchair wearing a dark voluminous garment in a room with gridded window panes
A man kneeling by a bed touching a woman's foot in a dimly lit room with a large window.
Model carrying bags and walking through tall iron gates at night under harsh lighting for Dazed MENA I'TIMAD
Model wearing a pink top and dark skirt lying on a wooden floor beside a red couch for Dazed MENA project I’TIMAD.
Woman seated in an ornate armchair wearing dark structured fashion, with a man kneeling beside her in an interior room.
A person in dark garments seated in an armchair inside a dimly lit room with a large grid window and dark walls.
Model lying on wooden floor wearing a pink sleeveless top and dark skirt near a red daybed for I Timad project
Three figures in muted attire near a misty wooded riverbank for the I'TIMAD project by Dazed MENA, photographed by Billel Ouazene.
Woman in draped pale blue dress descending a dark staircase holding a chain necklace for Dazed MENA I'TIMAD project
Three figures in a misty wooded landscape near water, with one pouring water from a bucket into a stream.
Woman wearing a satin dress and feathered headpiece holding a beaded necklace indoors for Dazed MENA I'TIMAD
A woman in a blue dress and large matching hat seated on a daybed in a dimly lit room for Dazed MENA I'TIMAD

Dazed MENA I’TIMAD 2026

About

I’TIMAD, a striking fashion editorial campaign for Dazed MENA, masterfully navigates the intersection of narrative storytelling and high-end luxury fashion. Under the creative vision of Fashion Director Omaima Salem, the project eschews the conventional gloss of the industry in favor of a raw, cinematic aesthetic that prioritizes mood and texture. Captured through the lens of photographer Billel Ouazene, the work employs a deliberate use of natural light and chiaroscuro lighting to elevate its somber, atmospheric compositions. Whether situated in misty, ethereal woodlands or within the confines of dimly lit, antique-filled interiors, the imagery channels a profound sense of quiet stillness and theatricality. The project benefits significantly from the casting expertise of Esther Boiteux, whose selection of talent brings an understated, emotive gravity to the elaborate garments and structured silhouettes on display. By leaning into desaturated tones and intentional framing, the campaign transforms apparel into a performative element of a larger, mysterious drama. The result is a series of portraits and lifestyle vignettes that feel both timeless and deeply contemporary, proving that the most compelling fashion narratives are often those that leave room for silence and ambiguity, allowing the interplay of fabric, shadow, and architecture to speak for themselves in this evocative visual study.

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