Acne Paper
Acne Paper's avant-garde fashion editorials and cinematic portrait series
Featured Acne Paper projects
This week's top Acne Paper projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Acne Paper · By Rafael Pavarotti
This fashion editorial series for Acne Paper, captured by photographer Rafael Pavarotti, features model Alek Wek in a collection of avant-garde looks. The imagery leverages a minimalist studio approach, utilizing neutral grey backdrops to emphasize the bold silhouettes and graphic textures of the high-fashion garments. Fashion editor George Krakowiak leads the styling, incorporating sculptural elements, vibrant color palettes, and intricate layering. Supporting the visual narrative, set designer Ibby Njoya crafts a clean, controlled environment that highlights the dramatic use of volume and contrast. Technical contributors include hair stylist Zhou Xue Ming, makeup artist Chiao Li Hsu, and manicurist Lauren Michelle Pires, who collectively refine the editorial aesthetic.
Project Acne Paper · LUX ET TENEBRAE
Acne Paper presents LUX ET TENEBRAE, a fashion editorial project that channels a classical, painterly aesthetic through a series of theatrical portraits. The series is defined by its use of rich textures, low-key lighting, and architectural set design, resulting in a dreamlike and moody atmosphere. Photographer Szilveszter Mako works alongside creative director Thomas Persson to explore a desaturated color palette and a gritty, analogue film finish across the imagery. Featuring model Raya Martigny, the project utilizes sculptural elements and elaborate styling by Lisa Jarvis to create surreal, avian, and masked silhouettes. The production is rounded out by hair styling from Pierpaolo Lai, makeup by Vanessa Icareg, and immersive set design by Edith di Monda, with production by Siyan Chen.
Project Acne Paper · Camaieu D'Or
Camaieu D'Or is a fashion editorial feature for Acne Paper that explores the intersection of metallic textures and abstract portraiture. Photographed by Sarah Moon, the series leans into an atmospheric and painterly aesthetic, utilizing moody, low-key lighting and long exposure techniques to capture fluid, sculptural forms. The project centres on a series of elaborate gold garments and headpieces worn by model Andrea Gutierrez, set against dark, tactile backgrounds that emphasize the reflective qualities of the fabrics. Creative collaboration defines the visual language of the shoot, with fashion editing by Patti Wilson, hair styling by Sebastien Richard, and makeup by Alice Ghendrih. Set designer Marie Malterre provides the environmental context, incorporating directional lighting and muted palettes to enhance the editorial's impressionistic quality. Throughout the series, the use of analogue film and grainy textures reinforces the dreamlike, cinematic tone of the work.
Project Acne Paper · Gildpunk
Gildpunk is a high-fashion editorial series produced for Acne Paper, centered on the intersection of historical sartorialism and futuristic industrial motifs. The project, captured by photographer Julia Hetta, leans into a painterly aesthetic defined by rich, moody color palettes of plum, olive, and deep charcoal. The imagery employs low-key chiaroscuro lighting to accentuate the tactile qualities of velvet, metallic foil, and intricate wire-based accessories. The production features avant-garde styling, with hair by Ali Pirzadeh and makeup by Ignacio Alonso, integrating industrial components like circuit boards and electrical wiring into the subjects' silhouettes. The project captures a narrative-driven tone across various portraits, utilizing raw analogue film and natural light to maintain a structured, sculptural quality throughout.
Project Acne Paper · Aureus
Aureus for Acne Paper presents a series of monochromatic fashion editorials that explore the intersection of classical architecture and contemporary design. Captured by photographer Julien Martinez Leclerc under the creative direction of Thomas Persson, the project utilizes the rugged, weathered stone of ancient amphitheaters and ruins to provide a stark, textured backdrop for sculptural silhouettes. The imagery employs high-contrast black-and-white grading and analogue film techniques to heighten the interplay between deep shadows and natural light. Styling by Katie Burnett emphasizes heavy textures, voluminous drapery, and structured garments, creating a dialogue between the monumental history of the settings and modern fashion sensibilities. Hair by Kim Rance and makeup by Thom Walker complete the refined, cinematic aesthetic.
Project Acne Paper · Solar
Solar, an expansive editorial project for Acne Paper, centers on the interplay of sculptural silhouettes and monochromatic atmospheric lighting. Under the creative direction of Thomas Persson, photographer Paul Kooiker captures a series of evocative, high-concept portraits that lean into a warm, sepia-toned palette to emphasize tactile textures and architectural form. Fashion editor Beat Bolliger shapes the series with a rigorous focus on avant-garde styling, utilizing layered leather, structured tailoring, and fluid drapery. The imagery, often characterized by low-key lighting and grainy analogue film aesthetics, frames models Helena Olmedo and Sonya Mohova in dynamic, expressive poses that command the minimalist studio space.
Project Acne Paper · Autoportrait
Acne Paper's latest project, Autoportrait, serves as a masterclass in avant-garde editorial photography, stripping away the clutter of traditional fashion spreads to focus entirely on the interplay between form, texture, and surrealist object placement. Through the lens of photographer Casper Sejersen, the series adopts a rigorous minimalist approach, utilizing natural light and stark studio settings to emphasize the sculptural qualities of the garments curated by fashion editor George Krakowiak. By pairing high-fashion staples like leather blazers and layered textiles with unexpected props—including vibrant balloon sculptures and foam pool noodles—the work leans into a playful, conceptual tension that challenges conventional portraiture. The casting, directed by Mollie Dendle, provides a neutral foundation for these eclectic ensembles, allowing for a high-contrast color block aesthetic that vibrates against the white backdrops. Whether through the clean lines of a slicked-back hairstyle or the deliberate distortion of a glass sheet placed before a subject, each image functions as a focused study of visual volume and material layering. This body of work highlights how deliberate composition and unconventional styling can transform a standard portrait into an artistic statement, proving that luxury fashion remains a fertile ground for experimental creativity and refined visual storytelling, all while maintaining a sophisticated, modern edge.
Project Acne Paper · Autoportrait II
Autoportrait II stands as a masterclass in the intersection of fashion and identity, showcasing the refined editorial vision synonymous with Acne Paper. This evocative portrait series leans into the intimacy of the self-portrait, inviting the viewer into a space where clothing acts as architecture. Through the lens of photographer Malick Bodian, the project explores form and texture with an unwavering focus on sculptural tailoring and minimalist aesthetics. The execution utilizes a blend of studio strobe and natural light, complemented by an authentic analogue film quality that lends a timeless, tactile weight to the work. By incorporating elements like medium format capture and deliberate high-contrast, low-key lighting, the series channels a cinematic depth that elevates standard fashion imagery into a study of human silhouette and presence. Central to this project is the sophisticated styling by Robbie Spencer, which navigates a dialogue between sharp, houndstooth-patterned structures and softer, draped textiles. With casting by Piergiorgio Del Moro and set design by Ibby Njoya, the visual narrative remains focused and restrained, allowing the talent, including Athiec Geng and Bodian himself, to inhabit their roles with composed vulnerability. As a definitive entry in contemporary luxury fashion, Autoportrait II succeeds by stripping away excess, leaving behind a profound meditation on the connection between the subject, the lens, and the fabric that defines them.
Project Acne Paper · A Blank Canvas
In the striking series A Blank Canvas for Acne Paper, photographer Carlijn Jacobs collaborates with fashion director Imruh Asha to explore the visceral intersection of human form and raw artistic expression. The project functions as a high-concept fashion editorial, where the body is treated as a sculptural vessel for a vibrant, multi-layered paint application. By utilizing a masterful blend of studio strobe lighting and fluid natural light, the team creates a tactile, cinematic environment where the boundary between model and medium dissolves entirely. Key creative figures, including hair stylist Laurent Philippon and makeup artist Celine Martin, contribute to this transformative aesthetic, turning model Lulu Tenney and her counterparts into living, breathing canvases coated in saturated pigments. Set designer Hella Keck reinforces this narrative by constructing minimalist backdrops that allow for explosive, abstract paint splatters to take center stage. Through the lens of portraiture and lifestyle photography, the imagery captures dynamic, athletic poses that emphasize both the fluidity of the wet paint and the structural precision of the styling. The result is a bold, performative editorial that channels a raw, fine art sensibility, challenging traditional fashion imagery by favoring textured, emotive chaos over polish. Every frame highlights the interplay of light and pigment, securing the project as an evocative exploration of contemporary creative identity.
Project Acne Paper · Acne Paper 'Autoportrait' Cover
The latest cover for the Acne Paper Autoportrait issue stands as a masterclass in editorial composition, pushing the boundaries of traditional portrait photography through a bold exploration of texture and chromatic intensity. By masking the human form under layers of vibrant, abstract splashes of multi-colored paint, photographer Carlijn Jacobs transforms the model, Lulu Tenney, into a living sculpture that defies conventional beauty standards. The creative vision is anchored by the precise fashion direction of Imruh Asha, which ensures the chaotic application of pigment remains balanced against the project's signature editorial aesthetic. The clean, pale pink background serves as a deliberate foil to the saturated hues, allowing the high-contrast imagery to dominate the frame with intentionality. Every element, from the deliberate casting led by Piotr Chamier to the structural work of set designer Hella Keck, converges to support a narrative of self-redefinition. Hair stylist Laurent Philippon and makeup artist Celine Martin work in tandem to ground the surreal, paint-drenched subject, while the subtle integration of crisp, white typography reinforces the publication’s status as a leader in media and entertainment. This project effectively bridges the gap between fine art and mainstream fashion, resulting in a striking, thought-provoking image that demands prolonged engagement from the viewer, proving once again that a magazine cover can operate as a powerful, singular piece of visual storytelling.
Project Acne Paper · Angels with Dirty Faces By Jordan He ...
In Angels with Dirty Faces, photographer Jordan Hemingway and stylist Nick Royal collaborate to craft a visceral exploration of the military-inspired uniform, pushing the boundaries of luxury fashion editorial through a lens of stark, monochromatic intensity. The series, curated for Acne Paper, leans into a rigorous aesthetic where the interplay between matte tailoring and high-gloss patent leather creates a deliberate, tactile friction. By utilizing medium format photography and precise studio strobe setups, the creative team captures a sequence of portraits that feel both cinematic and confrontational. The visual narrative relies on the severe geometry of the styling—featuring peaked caps, opera-length gloves, and metallic hardware—to evoke a sense of controlled, urban defiance. With casting direction from Mischa Notcutt and Theo Spencer, and a sharp performance by model Celeste Fitzpatrick, the project maintains an uncompromising editorial minimalism. The high-contrast, chiaroscuro lighting emphasizes the sharp angles of the garments, stripping away peripheral distractions to focus on the interplay of texture and shadow. Each image serves as an exercise in calculated precision, moving beyond mere garment presentation to document a distinct, aggressive mood. This body of work underscores how technical mastery in lighting and composition can redefine the visual language of contemporary luxury fashion, proving that even the most structured silhouettes hold profound emotional weight when framed with this level of stylistic intent.
Project Acne Paper · THE GOLDEN ISSUE
Acne Paper presents The Golden Issue, a fashion editorial project that explores sculptural form and metallic textures. The imagery, captured by photographer Vidar Logi, centers on a high-concept composition featuring model Gaia Orgeas interacting with an oversized gold egg. Styling by Edda Gudmundsdottir highlights the precise architecture of the metallic corset, complemented by hair styling from Ali Pirzadeh and makeup by Daniel Sallstrom. Utilizing soft, directional studio lighting, the work leans into a clean, editorial aesthetic that emphasizes contrast and clean lines.
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