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Model wearing a gold metallic neckpiece and sculptural headpiece in a fashion editorial portrait.
Rear view of a model in a gold textured gown against a dark golden-brown wall for Acne Paper
Model in a sculptural flowing metallic gown with voluminous collar against a textured dark background.
Model wearing a metallic hooded cape and pale draped garments standing before a dark textured wall with painted golden circles.
Model in shiny gold strapless dress and gold headband standing against dark background
Model seen from behind wearing a flowing dark gold gown with motion blur against a dark textured background
Model in a metallic gold pleated dress and matching hat posing against a dark background in an editorial fashion photograph.
Polished metallic gold sculpture with multiple human facial features set against a dark textured background
Model in a metallic coat shot with motion blur against a dark background with a circular glowing projection
Model in a vintage golden dress and cap posing against a dark textured wall in a soft-focus fashion portrait.
Model wearing a lustrous metallic gold trench coat against a dark textured background in an editorial fashion photograph.
Model wearing a gold metallic neckpiece and sculptural headpiece in a fashion editorial portrait.
Rear view of a model in a gold textured gown against a dark golden-brown wall for Acne Paper
Model in a sculptural flowing metallic gown with voluminous collar against a textured dark background.

Acne Paper Camaieu D'Or 2025

About

Camaieu D'Or is a fashion editorial feature for Acne Paper that explores the intersection of metallic textures and abstract portraiture. Photographed by Sarah Moon, the series leans into an atmospheric and painterly aesthetic, utilizing moody, low-key lighting and long exposure techniques to capture fluid, sculptural forms. The project centres on a series of elaborate gold garments and headpieces worn by model Andrea Gutierrez, set against dark, tactile backgrounds that emphasize the reflective qualities of the fabrics. Creative collaboration defines the visual language of the shoot, with fashion editing by Patti Wilson, hair styling by Sebastien Richard, and makeup by Alice Ghendrih. Set designer Marie Malterre provides the environmental context, incorporating directional lighting and muted palettes to enhance the editorial's impressionistic quality. Throughout the series, the use of analogue film and grainy textures reinforces the dreamlike, cinematic tone of the work.

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