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Split-screen advertising campaign image for Bally featuring a black studded handbag beside bare feet and a black and white outdoor scene.
Diptych layout featuring a black and white portrait on the left and a color fashion photograph on the right for Bally Fall 2024.
Bally Fall 2024 ad campaign spread featuring group portraits of young models and a close-up portrait with bold logo branding
Split view featuring a black-and-white group portrait on the left and a model in a red cardigan on the right for Bally.
Black and white split image showing people outdoors on the left and a close-up of feet in dark Mary Jane shoes with Bally text on the right.
Black and white split composition featuring laughing young men on the left and a model in a blue shirt on the right for Bally.
Model wearing a fuzzy red cardigan in a backstage setting for the Bally Fall 2024 campaign
Split-screen advertising campaign image for Bally featuring a black studded handbag beside bare feet and a black and white outdoor scene.
Diptych layout featuring a black and white portrait on the left and a color fashion photograph on the right for Bally Fall 2024.
Bally Fall 2024 ad campaign spread featuring group portraits of young models and a close-up portrait with bold logo branding

Bally Fall 2024 Ad Campaign 2024

About

For the Fall 2024 ad campaign, Bally leans into a sophisticated duality, masterfully balancing the raw authenticity of youth culture with the polished precision of luxury fashion. Under the vision of creative director Simone Bellotti and the art direction of Matthieu da Rocha, the project utilizes a distinct split-composition layout that serves as a visual bridge between two worlds. The campaign juxtaposes candid, monochromatic documentary-style photography against vibrant, saturated color portraits, creating a rhythmic tension that feels both nostalgic and distinctly contemporary. Photographer Olivier Kervern captures this narrative through an editorial lens that utilizes natural light to emphasize texture and mood, from the intricate weave of knitwear to the sharp, industrial gleam of leather accessories. The work, aided by casting director Ben Grimes and the stylistic contributions of stylist Charlotte Collet, alongside hair by Anthony Turner and makeup by Lucia Pica, elevates the brand aesthetic through high-contrast editorial minimalism. By employing analogue film aesthetics and live-action techniques, the campaign avoids the sterility often found in modern luxury advertising, instead favoring a lived-in, human perspective. This approach effectively positions Bally not just as a provider of high-end goods, but as a curator of a lifestyle that finds beauty in the friction between the candid reportage of daily life and the curated elegance of the fashion studio.

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