AnOther Magazine

AnOther Magazine · You’re here in my head / Like the sun coming out

AnOther Magazine · Fendi

AnOther Magazine · Moncler x EE72

AnOther Magazine · The Discourse of Pleasure Reigned Supreme

AnOther Magazine · AnOther Photo Dump: Jo Fetto’s Summer

Captured through the lens of Jo Fetto, AnOther Photo Dump: Jo Fetto’s Summer is a deeply personal and evocative collection that transcends the boundaries of standard editorial photography. This series leans into a raw, documentary aesthetic, favoring the unvarnished spontaneity of the season over overly produced set pieces. Across the various frames, Fetto explores the intimacy of summer with a lens that feels both observational and profoundly human. The project utilizes natural light to heighten the texture of salt-dusted skin, coastal rock formations, and the interplay between light and water. Whether documenting candid moments of leisure in a kitchen or capturing the quiet, sun-drenched camaraderie of friends by the shore, the work thrives on a sense of relaxed reportage. Fetto masterfully employs 35mm film and analogue techniques to grant the images a tactile, timeless quality that anchors the viewer in a specific, lived-in reality. By weaving together intimate portraits and sweeping environmental shots, the series achieves an ethereal yet grounded narrative. It is an exploration of summer as a feeling rather than a static time, blending editorial minimalism with the visceral, honest charm of personal photography. This collection is a masterclass in capturing the ephemeral beauty of the mundane, creating a visual diary that resonates with a genuine, sun-soaked vulnerability.

AnOther Magazine · Adidas Stan Smith for Another Man Vo ...

AnOther Magazine breathes new life into the timeless Adidas Stan Smith silhouette through this arresting editorial series, masterfully blurring the lines between heritage footwear and avant-garde luxury fashion. Through a series of sharply composed frames, the collaboration leans into editorial minimalism, utilizing the precision of studio strobe lighting to pull rich, tactile details from the collection. Stylist Ai Kamoshita expertly balances athletic utility with high-fashion sensibilities, pairing iconic footwear with unexpected layers like cable-knit sweaters, utilitarian hardware, and bold, monochromatic color blocking. The project benefits from a meticulous visual tension, where deep, moody backdrops of charcoal and intense crimson allow the subjects—modeled with dynamic presence by Dare Sulemana, Joe Bottomer, Jun Hyung Hwang, and Saliou Gueye—to command the space. Under the discerning eye of casting director Simone Schofer, the imagery moves beyond traditional product placement to capture a distinct contemporary mood. Set designer Felix Gesnouin crafts an environment that feels both grounded and abstracted, ensuring that every stitch of embroidery and every grain of felt on the accessories remains the focus of this narrative. By bridging the gap between street-ready aesthetic and high-concept studio portraiture, this feature for Another Man cements the Stan Smith as a cornerstone of the modern luxury fashion landscape, proving that even the most recognized footwear designs can be perpetually reimagined.

AnOther Magazine · Another SS 26 Issue - "You have been ...

For the SS 26 issue of AnOther Magazine, photographer Marie Valognes and art director SJ Todd cultivate a masterclass in editorial minimalism, leaning into a sharp, sartorial narrative that blurs the lines between high fashion and domestic service. The feature, meticulously styled by Akeem Smith, presents a study in contrasts where masculine tailoring meets delicate, feminine details against the backdrop of classically decorated, architectural interiors. Through the lens of analogue film and 35mm film techniques, the series channels a cinematic, lived-in elegance that feels both archival and profoundly contemporary. Sihana Shalaj leads as the primary model, embodying a stoic, refined presence that anchors the imagery, while hair stylist Olivier Noraz and makeup artist Karin Westerlund keep the beauty aesthetic understated to ensure the garments remain the focal point. Set designer Amy Stickland elevates the environment with purposeful, service-inspired details—from vintage silver platters to pristine white gloves—that transform static portraiture into a narrative act. The result is a sophisticated exploration of monochrome contrasts and meticulous construction, utilizing natural light to highlight the rich textures of the collection. By integrating these elements, the project achieves a polished, clean aesthetic that stays true to the rigorous standards of modern luxury fashion houses while maintaining a distinct, narrative-driven personality throughout every frame.

AnOther Magazine · Celebrating the 40th anniversary of ...

Marking four decades of influence, this anniversary project for AnOther Magazine delivers a masterclass in editorial portraiture that feels as timeless as it is contemporary. Featuring the legendary Naomi Campbell, the series leans into high-concept visual storytelling through the lens of photographer Nick Knight. By employing low-key chiaroscuro lighting, the shoot creates a stark, cinematic environment where deep, immersive shadows dance across the frame, effectively elevating the textures of intricate lace, reflective mirror tiles, and dynamic fringe. The collaboration benefits from the sharp vision of fashion editor and stylist Ellie Grace Cumming, whose sartorial selections anchor the imagery in a sophisticated, minimalist aesthetic. Each frame is meticulously composed, balancing the raw poise of the model with the deliberate precision of studio strobe techniques. The result is a collection of images that prioritize silhouette and tactile detail, channeling a narrative of enduring elegance through a monochromatic and high-contrast lens. With contributions from hair stylist Lorenzo Barcella, makeup artist Ngozi Esther Edeme, and manicurist Michelle Class, the project maintains an impeccable level of polish. By eschewing conventional glamour for a more brooding, intimate atmosphere, the editorial series captures the essence of a modern icon, proving that even after forty years, the convergence of vision, style, and craft remains the ultimate medium for cultural resonance.

AnOther Magazine · i could live by your side for a life ...

In the latest fashion editorial feature for AnOther Magazine titled i could live by your side for a life, the creative team curates a masterclass in modern restraint and texture. Through the lens of photographer Alessandro Raimondo, the project explores the dialogue between minimalist architecture and the tactile complexity of luxury fashion. The imagery leans into a cool, restrained aesthetic, utilizing natural light to emphasize the deep sheen of black leather, the softness of suede, and the intricate fringe details that catch the frame. By stripping away the noise of high-concept staging, art director SJ Todd and fashion editor Marika-Ella Ames allow the structural silhouettes of the garments to command the space. Whether through sharp, geometric leather tailoring or the fluid, cinematic composition of a portrait, the project functions as a study in quiet intensity. The models, including Reina Spoormaker, occupy these white-walled studio environments with an effortless grace that feels both intimate and detached. With casting direction by Isabel Bush, the editorial achieves a cohesive, high-fashion narrative that balances organic curves against rigid, structured materials. This work successfully channels an editorial minimalism, proving that when the focus is turned toward material quality and precise composition, the result is a timeless, evocative experience that prioritizes the artistic marriage of form and light.

AnOther Magazine · Mugler

In a masterclass of luxury fashion editorial, AnOther Magazine presents a definitive study on the architectural rigor of Mugler, bridging the house’s archival intensity with a contemporary, high-fashion sensibility. This series of studio portraits channels a clean, avant-garde aesthetic, masterfully capturing the structural geometry of the garments. The project relies on precise studio strobe lighting to delineate sharp, exaggerated shoulders and cinched silhouettes, while also exploring the soft, organic fluidity of feather-adorned pieces. The creative execution balances minimalist, moody backgrounds—often shifting between deep, cinematic blue gradients and muted, neutral tones—against the tactile complexity of high-shine vinyl, faceted jewels, and metallic sequin embellishments. With vision led by editor-in-chief Susannah Frankel and fashion editor Robbie Spencer, the imagery achieves a perfect equilibrium between the theatrical and the composed. The photography highlights the interplay of light and shadow, leaning into low-key, chiaroscuro techniques to emphasize both the garment’s craftsmanship and the model’s poised, unwavering gaze. The styling, elevated by the art direction of SJ Todd, ensures the Mugler aesthetic remains at the forefront, seamlessly integrating slicked-back hair and bold, vibrant red lips to anchor the elaborate costumes. From the sculptural feather halos to the precision-cut tailoring, the project stands as a testament to the power of editorial portraiture, meticulously showcasing the evolving, avant-garde legacy of the iconic fashion house through a sophisticated, modern lens.

AnOther Magazine · Life is Life, and Kind is Kind

Life is Life, and Kind is Kind for AnOther Magazine serves as a masterclass in editorial minimalism, stripping away the superfluous to place absolute focus on the interplay between form, texture, and the human figure. Through the lens of photographer Robin Galiegue, the project leans into a rigorous monochromatic palette, utilizing high-contrast black and white photography to interrogate the relationship between luxury fashion houses and the sculptural possibilities of textiles. The series captures a series of striking portraits that prioritize an avant-garde aesthetic, where oversized volumes, architectural silhouettes, and dense, tactile fabrics—ranging from shaggy faux fur to lustrous taffeta—are rendered with profound clarity. Under the editorial guidance of Susannah Frankel and the precise styling of Robbie Spencer, the work avoids the typical artifice of fashion imagery, opting instead for a conceptual purity. The visuals, achieved through a sophisticated balance of studio strobe and natural light, transform the model, Loli Bahia, into a central canvas for structural experimentation. Art direction by SJ Todd ensures that the series maintains a consistent, evocative mood, underscored by meticulous contributions from hair stylist Anthony Turner and makeup artist Karim Rahman. This project exemplifies how high-end portrait photography can transcend mere product display, becoming a meditative study on silhouette and the inherent geometry of the garment.

AnOther Magazine · Prada

In this striking editorial feature for AnOther Magazine, photographer Brianna Capozzi captures the quintessential Prada woman through a lens of vibrant juxtaposition and refined intimacy. The project, centered on the house's latest seasonal narrative, utilizes a sophisticated blend of natural light and controlled studio strobe to heighten the tactile reality of the garments. Stylist Emma Wyman orchestrates a visual dialogue between luxury materials and utilitarian shapes, grounding delicate crystal-encrusted jewellery and sheer opera gloves against earth-toned separates and oversized, structural silhouettes. The aesthetic is defined by an editorial portrait approach, where color-blocked backgrounds—ranging from electric lime to saturated orange and hot pink—provide a stark, modern canvas that isolates the subjects and forces a sharp focus on texture. With casting led by Mathilde Curel, the models adopt direct, unstudied gazes, lending the fashion a grounded, human quality that avoids the overly manicured tropes of traditional high-fashion campaigns. Subtle details, such as the sculptural jewelry and the deliberate styling of hair by Lucas Wilson and makeup by Allie Smith, serve to anchor the whimsical nature of the accessories. By merging minimalist studio framing with bold, unexpected color, the series transforms standard retail silhouettes into high-art compositions that feel both immediate and enduring, perfectly aligning with the avant-garde sensibilities inherent to the Prada brand identity.