Interview Magazine
Featured Interview Magazine projects
This week's top Interview Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Interview Magazine · Madonna by Nadia Lee Cohen
In a masterclass of staged narrative and mid-century aesthetic, photographer Nadia Lee Cohen transforms a quiet poker game into a high-stakes cinematic editorial for Interview Magazine. This visual project leans into the tension of vintage noir, where every detail, from the scattering of playing cards to the glint of crystal glassware, functions as a character in its own right. The composition centers on a striking portrayal of Madonna, whose silhouette is elevated by the intricate work of hair stylist Eugene Souleiman and makeup artist Marcelo Gutierrez, capturing a look that feels both retro and avant-garde. The scene is anchored by a deliberate interplay of natural light that softens the dimly lit, vintage interior, allowing the vibrant red tones of the wardrobe to puncture the moody atmosphere. With creative coordination from fashion editors Mel Ottenberg and Gary David Moore, the project maintains a cohesion that is distinctly editorial yet evokes the grandeur of film production. Danny Hyland’s meticulous set design provides the perfect stage for the interaction between the entertainers and Herve Cousin, resulting in a series that feels less like a simple fashion spread and more like a captured frame from a classic thriller. The project successfully navigates the intersection of celebrity culture and high-end photography, proving that editorial minimalism is best achieved through profound attention to texture and light.
Project Interview Magazine · Madonna
In this evocative feature for Interview Magazine, photographer Nadia Lee Cohen captures Madonna through a lens that feels simultaneously nostalgic and subversively modern. The project, which leans into editorial minimalism while maintaining a high-fashion aesthetic, serves as a masterclass in cinematic storytelling. Through a series of carefully constructed vignettes, the editorial team transforms classic domestic settings into stage-like environments, utilizing natural light and low-key chiaroscuro techniques to heighten the dramatic tension of each frame. Whether Madonna is posed with a vintage harpoon gun in a hotel bedroom or holding court at a green felt poker table, the imagery balances sharp sartorial precision with a palpable, storied atmosphere. The styling, curated by Mel Ottenberg and Gary David Moore, deftly utilizes monochromatic white tailoring and rich, autumnal layers, while Eugene Souleiman’s retro-inspired hair direction provides the perfect textural counterpart to the composition. Set designer Danny Hyland completes the world-building, populating the space with mid-century furniture and period-accurate props that ground the surreal, theatrical energy of the shoot. By oscillating between intimate, contemplative portraits—often captured through textured glass or soft headscarves—and larger-than-life cinematic setups, this editorial project redefines the celebrity profile as a tactile, immersive experience that transcends the standard page layout of contemporary magazines, media, and entertainment publications.
Project Interview Magazine · Summer Dirx Walks the Walk and Talks ...
In a sophisticated demonstration of editorial minimalism, this fashion spread for Interview Magazine captures model Summer Dirx in a series of dynamic portraits that bridge the gap between casual ease and high-end luxury. Photographer Cruz Valdez utilizes precise studio strobe techniques and high-key lighting to strip away distractions, leaving the focus entirely on the interplay of form, texture, and bold editorial typography. Through a curated selection of layered looks—ranging from relaxed denim and chunky sneakers to structured Prada-adorned knits—the project successfully explores the versatility of the modern wardrobe. The imagery leans into a clean, graphic aesthetic, where the seamless white background acts as a canvas for the clothing's sharp silhouettes. Behind the scenes, fashion director Dara anchors the visual narrative, ensuring a cohesive flow that feels both spontaneous and meticulously composed. With the assistance of hair stylist Lucas Wilson and makeup artist Jezz Hill, the creative team achieves a polished yet accessible look that defines contemporary editorial portraiture. The layouts prioritize negative space, allowing the garments to breathe while reinforcing the publication's signature style. By blending refined tailoring with everyday athletic influences, the project avoids the pitfalls of over-production, instead opting for a refreshing clarity that cements Dirx as a compelling subject within the competitive landscape of international fashion editorial work.
Project Interview Magazine · Rob Rausch Wasn’t Meant For This Life
In a striking visual feature for Interview Magazine, the editorial spread titled Rob Rausch Wasn’t Meant For This Life leans into a raw, cinematic aesthetic that challenges the typical boundaries of celebrity portraiture. Photographed by Christopher Sherman, the project captures Rausch in a series of juxtaposed environments that oscillate between gritty urban streetscapes and highly controlled studio setups. The visual narrative utilizes a mix of high-contrast flash techniques and soft natural light to emphasize the subject's distinct style, often blending rugged Western tropes like cowboy hats and suede jackets with surrealist elements such as oversized angel wings. Fashion editor and stylist Lucy Gaston orchestrates a look that feels both grounded and theatrical, while set designer Jordan Mixon provides tactile, nostalgic environments—ranging from snow-covered outdoor plots to vintage-inspired interiors—that ground the editorial in a tangible, reportage reality. By utilizing both studio strobe lighting and candid, documentary-style compositions, the feature avoids the polish of conventional media and entertainment profiles. Instead, the imagery leans into a playful yet moody temperament, capturing a raw vulnerability that feels deeply intentional. Each frame, from the rope-bound studio portraits to the candid street-level captures, serves to deconstruct the subject's persona, resulting in a cohesive lifestyle project that feels as much like an art exhibition as it does a traditional fashion editorial.
Project Interview Magazine · PinkPantheress Tells Clairo Why It’s ...
In a striking editorial collaboration for Interview Magazine, the boundary between music journalism and high-end portrait photography dissolves through an intimate exchange between PinkPantheress and Clairo. This editorial project moves beyond the standard press cycle, favoring a visual narrative that captures the raw, contemporary essence of its subjects. Across a series of portraits, the work leans heavily into editorial minimalism and a cinematic aesthetic, utilizing natural light to ground the subjects within their environment. The imagery balances the deliberate, structured sophistication of tailored trench coats and patterned garments against the chaotic, gritty backdrop of walls layered with posters, stickers, and graffiti. These urban textures serve as a poignant contrast to the subjects' calm, direct gaze, creating a tension that feels both spontaneous and meticulously curated. With key contributions from makeup artist Joy Adenuga and manicurist Michelle Class, the styling emphasizes a tactile, authentic beauty that feels accessible yet elevated. By employing techniques like shallow depth of field and soft-focus flares, the photography transforms urban grit into a thoughtful, contemplative space. This project demonstrates how a well-executed portrait series can frame an artist's persona, using subtle environmental storytelling to mirror the nuanced nature of a candid conversation. It is a masterclass in modern editorial photography, where the interplay of clothing, texture, and light defines the cultural weight of the subjects within the wider landscape of pop music and style.
Project Interview Magazine · How Backrooms Altered Lukita Maxwell ...
In a striking editorial feature for Interview Magazine, actor Lukita Maxwell takes center stage in a series of portraits that masterfully balance playful subversion with refined, clean-cut aesthetics. Under the creative editorial direction of Mel Ottenberg, this project leans into an atmosphere of deliberate minimalist poise, capturing Maxwell through the lens of photographer Agata Serge. The imagery, defined by a consistent use of studio strobe, emphasizes the rich textures of the wardrobe—from lace-detailed hosiery and sheer panels to heavy shearling-collared leather jackets. Stylist Amy Mach curates a sophisticated look that feels both vintage-inspired and entirely contemporary, ensuring the garments command attention against the neutral studio backdrop. The precision of Junya Nakashima’s chin-length, layered hair styling and the subtle, naturalistic approach to makeup by Soo Park underscore the subject's composed intensity. By incorporating delicate accessories like floral lace gloves and intricate metallic brooches, the shoot transcends standard portraiture, instead offering a textured narrative of character and style. These editorial portraits utilize high-key lighting to maintain a pristine, monochromatic environment, allowing the interplay of soft shadows and sharp silhouettes to take precedence. The final result is a cohesive, polished media feature that channels the spirit of high-fashion storytelling while maintaining an accessible, intimate connection between the subject and the camera, perfectly embodying the magazine's long-standing visual identity within the entertainment industry.
Project Interview Magazine · Interview Magazine Spring 2026 Cover
The Spring 2026 cover story for Interview Magazine serves as a masterclass in high-concept fashion photography, blending surrealism with the sharp, glossy sensibilities that have become the publication’s hallmark. Captured through the lens of photographer Theo Liu, the spread features Hailey Bieber in a series of striking visual narratives that oscillate between the theatrical and the intimate. Under the vision of Fashion Director Dara, the shoot leans into an aesthetic of calculated contrast, juxtaposing voluminous, ruffled gowns and intricate lace against grounded, often eccentric backdrops—ranging from dense coniferous foliage to the hollowed shell of a grand piano. These images masterfully utilize natural light and studio strobe to accentuate textures, from metallic gold biker vests to delicate embroidery. The editorial composition is elevated by the precise artistry of hair stylist Matt Benns and makeup artist Kennedy, whose work frames Bieber’s versatility as both a high-fashion muse and a playful, cinematic character. Set designer Ava Villafañe contributes to the project’s distinct personality by integrating ornate props and architectural elements that turn each portrait into a small, self-contained set. This collection of editorial portraiture feels both timeless and forward-looking, perfectly capturing the magazine's commitment to pushing creative boundaries while maintaining the refined, polished finish expected of contemporary media and entertainment brands.
Project Interview Magazine · Rob Rausch Wasn't Meant for this Life
In a striking editorial feature for Interview Magazine, the profile of Rob Rausch is reimagined through a lens that masterfully blends western iconography with raw, metropolitan grit. Captured with a versatile approach, the project utilizes various techniques including the textured, candid aesthetic of instant or Polaroid photography alongside high-contrast flash imagery, creating a visual narrative that feels both staged and deeply intimate. Under the creative direction of photographer Christopher Sherman, the series moves effortlessly between the stark minimalism of a studio strobe setup and the natural, overcast light of urban outdoor environments. Styling by Lucy Gaston complements this duality, grounding surreal elements like large white feathered angel wings within the mundane landscape of snowy city streets and industrial concrete walls. The deliberate selection of props and set design by Jordan Mixon—from patterned lampshades to vintage books and rustic wooden furniture—infuses the scenes with a nostalgic, documentary-style warmth that contrasts sharply with the subject's stoic, cinematic presence. Ultimately, the work stands as a sophisticated exploration of character, leveraging expert portraiture to navigate the space between the aspirational and the everyday. By weaving these disparate threads into a cohesive aesthetic, the team successfully crafts a compelling, modern portrait that challenges the boundaries of traditional magazine media and entertainment photography.
Project Interview Magazine · Adéla Is An Open Book. Just Ask Her ...
In a vivid exploration of high-concept street style, the latest editorial for Interview Magazine, titled Adéla Is An Open Book. Just Ask Her ..., masterfully merges the grit of an urban landscape with the precision of luxury fashion houses. Featuring entertainer Adéla Jergová, the fashion campaign leans into a sharp, polished aesthetic that feels both candid and meticulously curated. Photographed by Yasmine Diba, the series utilizes natural light to accentuate the high-gloss textures of vinyl and leather against the sun-drenched backdrop of Sunset Boulevard. Fashion editor and stylist Chris Horan constructs a narrative of deliberate contrast, pairing the subject’s vibrant pink hair with structural silhouettes and elaborate accessories, such as ornate cross-shaped jewelry that cuts through the minimalist urban framing. The work relies on editorial minimalism to anchor its subjects, drawing the viewer’s eye toward the interplay between glossy luxury garments and the grey metal and concrete of the city. With makeup artistry by Loftjet, the portraiture maintains a high-contrast appeal that feels both modern and timeless. By capturing Jergová in dynamic, motion-filled poses across iconic street corners, the photography successfully elevates everyday urban transit into a curated stage for high-fashion storytelling, cementing the project’s place as a masterclass in modern lifestyle editorial execution.
Project Interview Magazine · Hailey Bieber
In this evocative series for Interview Magazine, photographer Theo Liu masterfully captures Hailey Bieber in a high-fashion editorial portrait campaign that seamlessly blends surrealist whimsy with sharp, luxury tailoring. Through a lens that leans into editorial minimalism, the project navigates a tension between the avant-garde and the classic, utilizing natural light to accentuate the rich, tactile textures of high-fashion ensembles. From the voluminous, marigold-hued ruffled gowns that play with architectural scale to the stark contrast of leather mini-dresses positioned against the gilded elegance of a classical harp, the imagery feels both grounded and dreamlike. Fashion director Dara orchestrates a visual narrative that avoids the expected, instead opting for bold, sculptural silhouettes that dominate the frame. The supporting creative team, including hair stylist Matt Benns and makeup artist Kennedy, ensures that every detail—from the subtle atmospheric smoke to the deliberate styling of statement accessories—serves to elevate the central portrait work. Set designer Ava Villafañe contributes a layered environment where antique vanities and dark, organic greenery act as foils to the model’s poised, playful disposition. This collection stands as a testament to the power of curated, high-concept fashion photography, where every composition functions as a rhythmic exploration of luxury, identity, and the art of the editorial portrait.
Project Interview Magazine · Jonah Hill
In a compelling visual exploration for Interview Magazine, photographer Gus Van Sant captures actor Jonah Hill through a series of evocative portraits that shift between urban grit and organic, pastoral stillness. This project transcends the standard celebrity editorial, leaning into a deliberate aesthetic of textured contrast that defines the publication’s signature approach to media and entertainment coverage. Working closely with fashion editor and stylist Adam Winder, the imagery navigates two distinct visual worlds: the first utilizing low-key chiaroscuro to emphasize raw material and geometric background depth, and the second embracing the ephemeral quality of natural light within lush, botanical-heavy surroundings. Across these frames, Hill appears grounded and deliberate, with every stylistic choice—from the layered denim ensembles to the casual pairing of striped shirts and white tanks—serving to underscore his presence. By balancing the technical precision of high-contrast indoor portraiture with the fluid, lifestyle-oriented feel of the outdoor compositions, the team creates a coherent narrative of quiet introspection. The inclusion of visible tattoos and minimalist accessories adds an intimate layer of authenticity, ensuring the final editorial output feels both meticulously crafted and effortlessly spontaneous. This collaboration serves as a masterclass in modern portrait photography, blending sophisticated lighting techniques with a relaxed, nuanced styling sensibility that perfectly aligns with the storied legacy of the magazine.
Project Interview Magazine · Chloé Zhao for Interview Magazine
In this evocative series for Interview Magazine, photographer Joan Braun captures the visionary filmmaker Chloé Zhao through a lens of profound stillness and quiet confidence. The editorial portrait session moves away from the chaotic pace of cinema, instead settling into a serene, architectural environment defined by clean lines and historical character. By utilizing soft, diffused natural light that spills through grid-paned windows, Braun crafts a high-key aesthetic that highlights the textures of Zhao’s quilted, all-white wardrobe. This sartorial choice, curated by fashion editor and stylist Elena Mottola, creates a striking visual harmony against the textured, white-painted brick and cast-iron details of the setting. The result is a masterclass in editorial portraiture where the focus remains entirely on the subject’s contemplative presence. With hair styling by Amidat Giwa and makeup by Lynski, the imagery leans into a raw, naturalistic beauty that feels both timeless and deeply intimate. The project expertly balances a minimal, candid mood with the rigorous composition expected from top-tier media production, proving that a sparse, monochromatic color palette can generate significant narrative depth. Through these frames, Zhao is presented not just as a director, but as a person grounded in a quiet, deliberate reality, perfectly suited to the publication’s signature style of capturing cultural icons in their most authentic, unadorned light.
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