D Repubblica

D Repubblica · D Repubblica July 18, 2026 Cover

For the July 18, 2026 issue of D Repubblica, the editorial team presents a masterclass in modern fashion portraiture, anchoring the magazine cover with a commanding, high-fashion presence. Captured through the lens of photographer Ethan James Green, the visual narrative centers on Irina Shayk, whose dynamic, athletic pose against a restrained neutral grey backdrop cuts a silhouette defined by sharp, intentional lines. Fashion editor and stylist Haley Wollens curates a striking ensemble that balances a structured off-the-shoulder top with bold, opaque white legwear, elevating the composition into a study of form and texture. The execution relies heavily on precise studio strobe lighting, which brings a crisp, elevated quality to the frame, ensuring that the bold red lipstick and sleek, pulled-back hairstyle remain the focal points of the aesthetic. This portrait functions as a sharp articulation of contemporary media style, where the simplicity of the studio setting allows the intersection of high-concept fashion and classic editorial sensibilities to take center stage. With contributions from hair stylist Sonny Molina, makeup artist Kabuki, and set designer Marcs Bird, the cover achieves a cohesive, polished finish that honors the magazine's heritage while pushing a forward-looking creative agenda. The result is a clean, visually arresting image that bridges the gap between commercial appeal and high-end editorial artistry, solidifying its impact within the broader landscape of luxury publishing.

D Repubblica · A Modo Mio

In the striking editorial feature A Modo Mio for D Repubblica, photographer Ethan James Green and stylist Haley Wollens collaborate to push the boundaries of luxury fashion through a lens of stark, avant-garde minimalism. This high-fashion campaign centers on the interplay between architectural garment construction and the expressive, often acrobatic physicality of its subject, Irina Shayk. The visual narrative relies heavily on studio strobe lighting to maintain a pristine, clinical aesthetic, effectively isolating each silhouette against a uniform, neutral grey backdrop. By blending disparate elements—such as mannequin torsos, rope-like fringe, and bold graphic contrasts between black blazers and stark white tights—the team crafts a series of portraits that feel simultaneously rigid and performative. The styling leans into an unconventional, layered approach, with hair by Sonny Molina and precise makeup by Kabuki emphasizing a sharp, focused intensity that anchors the experimental fashion choices. This editorial project demonstrates a masterful command of texture and proportion, utilizing the studio environment as a blank canvas to elevate the clothing into sculptural art. The result is a rigorous, deeply intentional exploration of form where the body acts as a kinetic instrument, seamlessly integrating avant-garde techniques with the classic, elevated sensibility expected from a luxury fashion house production.

D Repubblica · Arrivederci Ibiza

D Repubblica · Ladylike

D Repubblica · A flower is a flower is a flower

In A flower is a flower is a flower, photographers Angèle Moraiz and Paul Mougeot strip away the noise of modern advertising to deliver a masterclass in editorial minimalism. Commissioned for D Repubblica, this high-end jewellery campaign finds its heartbeat in the delicate friction between the raw, organic geometry of flora and the precise, cold brilliance of fine metalwork. By utilizing macro photography techniques, the duo transforms everyday blooms—from vibrant calla lilies to velvet-soft irises—into architectural stages for diamond-encrusted rings and woven silver bangles. The execution relies on a meticulous interplay of lighting, shifting seamlessly from high-contrast, low-key chiaroscuro that highlights the sculptural depth of the pieces to bright, even studio strobe setups that emphasize the pristine clarity of every pavé setting. By placing these luxury assets against bold, saturated backdrops of cobalt blue and deep turquoise, the work pushes beyond traditional product showcase, leaning into the realm of fine art. Every frame is a study in texture, where the velvet surface of a petal serves as the perfect foil for polished gold, creating a visual rhythm that feels both timeless and sharp. It is a refined, conceptually tight series that treats the act of adornment as an extension of nature itself, proving that simple, focused compositions remain the most enduring language of fashion.

D Repubblica · Kristen Stewart

In this sophisticated editorial portrait series for D Repubblica, photographer Ulrich Knoblauch strips away the artifice often associated with Hollywood celebrity media, favoring a raw and honest aesthetic that centers entirely on the compelling presence of Kristen Stewart. Through a deliberate application of editorial portrait techniques, the series captures the actor with a striking intimacy, emphasizing a textured, wet-look short haircut and a minimalist wardrobe defined by clean lines and high-contrast black-and-white garments. The project leans into a balanced interplay between studio strobe lighting and soft natural light, which effectively accentuates Stewart's features and the intricate details of her tattoos. Under the expert eye of stylist Tara Swennen, the imagery transitions seamlessly between stark, light blue backdrops and minimalist paneled walls, maintaining a cohesive narrative that feels both cinematic and grounded. By incorporating graphic editorial layout elements, the series functions as a masterclass in modern print media, demonstrating how restrained lighting and thoughtful composition can transform a standard portrait session into a nuanced character study. With hair styling by Bjorn Krischker adding an edgy, structural dimension to the overall look, the collection succeeds in channeling a quiet, confident intensity that lingers well after the viewer turns the page, firmly cementing the project as a standout contribution to contemporary magazine photography.

D Repubblica · STILL DANCING

In the striking series STILL DANCING for D Repubblica, photographer Gregoire Alexandre and fashion editor Matteo Maggini explore the intersection of kinetic energy and high-end luxury fashion. Eschewing the static nature of traditional portraiture, the project captures a series of models in fluid, dance-like motions, transforming garments into architectural elements that defy the stillness of a frame. By employing techniques like double exposure, long-exposure motion blur, and precise studio strobe lighting, the team creates a visual narrative that feels both surreal and grounded in high-contrast editorial minimalism. The styling, curated by Maggini, leans into a monochromatic palette punctuated by dramatic statement necklaces and voluminous textures, which are brought to life through the dancers' mid-movement silhouettes. The resulting imagery is a masterclass in the fashion industry's ability to document movement, stripping away the clutter of traditional set design to focus entirely on the interplay between form, fabric, and light. Whether utilizing a high-key approach or dramatic black-and-white compositions, the project feels decidedly cinematic, pushing the boundaries of typical fashion editorial photography to create something that resonates with the raw, rhythmic power of movement. This series stands as a testament to the power of collaborative creative direction, where every blur and sharp silhouette serves to emphasize the sculptural quality of the clothing, elevating the luxury aesthetic into the realm of fine art.

D Repubblica · About the journey, not the destination

In the luxury fashion editorial About the journey, not the destination for D Repubblica, photographer Marco Lessi captures the meditative essence of transit through a lens of quiet sophistication. By utilizing the ferry cabin as a minimalist stage, the project leans into a cinematic narrative where the act of travel becomes as significant as the arrival itself. Model Maelle Swaelens serves as the central protagonist, her relaxed, contemplative poses grounding the high-fashion styling against the stark, geometric lines of the maritime interior. Under the expert guidance of makeup artist Giulia Cigarini, the beauty look remains understated and ethereal, allowing the interplay of natural light to define the mood. The execution relies heavily on natural light to create sharp, diagonal shadows that dance across the teal banquettes and wood-paneled partitions, effectively contrasting hard highlights with soft, lived-in textures. This lifestyle-oriented series masterfully blends utility-style tailoring with an editorial minimalism that feels both timeless and grounded in the present moment. By focusing on the interplay between the interior environment and the landscape glimpsed through large windows, the work channels a sense of introspective calm. The result is a coherent visual story that elevates the mundane experience of a boat ride into an aspirational aesthetic, highlighting the strength of simple, structured garments within a beautifully framed, sun-drenched setting.

D Repubblica · Divinity Class

In the latest editorial campaign for D Repubblica titled Divinity Class, the worlds of high-end portraiture and luxury fashion intersect through a masterclass in minimalist composition. Photographer Rita Lino orchestrates a series of striking images that lean into a sharp, monochromatic aesthetic, creating a visual dialogue between avant-garde accessories and clean, sculptural tailoring. By utilizing precise studio strobe lighting, the production emphasizes the tactile nature of high-fashion materials, from the smooth matte finish of black leather to the intricate 3D floral embellishments that punctuate the collection. Fashion editor Matteo Maggini curates a stark, polished look that elevates the model, Amelie Loblich, into a vessel for structural geometry. The styling is anchored by rimless eyewear and oversized cat-eye sunglasses, which serve as the central narrative focus across every frame. With hair by Yuri Napolitano and precise makeup application from Giulia Cigarini, the shoot achieves an editorial clarity that feels both timeless and aggressively modern. The result is a series of portraits that favor stark, high-contrast definitions, allowing the interplay of light and shadow to heighten the overall luxury fashion house narrative. This collaboration showcases the power of intentional casting and meticulous detail, positioning the accessories not just as items to be worn, but as defining elements of a singular, refined sartorial vision that commands the viewer's immediate attention.

D Repubblica · One day by the sea.

In One day by the sea, photographer Marco Lessi captures the quintessential spirit of coastal escapism for D Repubblica. Through a lens that favors raw, tactile storytelling, the campaign leans into the interplay between high-fashion editorial aesthetics and candid, sun-drenched lifestyle photography. Starring model Mariam de Vinzelle, the imagery channels a effortless, windswept energy, moving fluidly from the sharp intensity of a midday swim to the honeyed, cinematic warmth of golden hour. By prioritizing natural light as the primary vehicle for texture, Lessi transforms simple beachside moments into elevated vignettes, where the sheen of a windbreaker or the intricate weave of a crochet bodysuit takes center stage. The execution feels intimate and grounded, eschewing over-production in favor of authentic, atmospheric clarity. With nuanced makeup artistry by Giulia Cigarini that emphasizes the model's natural skin texture and salty, undone hair, the project bridges the gap between high-concept portraiture and genuine summertime nostalgia. Each frame, characterized by soft-focus coastal landscapes and high-key lighting, functions as a visual meditation on modern beach living. By blending these elements, the series succeeds as a refined example of contemporary editorial fashion, proving that the most compelling narratives are often found in the spontaneous, shimmering reflections of the tide and the quiet, sun-warmed details of the shore.

D Repubblica · Send Me Flowers

In the latest editorial fashion feature for D Repubblica titled Send Me Flowers, the intersection of botanical artistry and luxury tailoring takes center stage. Photographed by Jean Marques, the series acts as a masterclass in editorial portraiture, where the interplay between organic floral elements and structured high-fashion garments creates a recurring dialogue of contrast and harmony. With meticulous styling by Laetitia Leporcq, the project leans into a sophisticated aesthetic that balances clean, minimalist backgrounds with the intricate textures of fringed gold cuffs, navy blazers, and sheer embroidered shirts. Carol Monteiro anchors the series as the central talent, her expressive presence facilitating a seamless shift between moody, intimate compositions and bold, clean-lined portraiture. The execution relies heavily on natural light to emphasize the tactile quality of the fabrics, though the final look also incorporates strategic studio strobe lighting to sharpen the metallic details of accessories and the crisp form of the calla lilies. By juxtaposing vibrant orchids and tulips against neutral, matte backdrops, the creative team successfully elevates the concept of the floral accessory, transforming traditional botanical motifs into sharp, contemporary fashion statements. The result is a refined, cohesive narrative that highlights the quiet power of understated elegance, proving that high-end editorial work often flourishes best when the surrounding environment is kept intentionally spare.

D Repubblica · CROSSROADS

Captured under the relentless glow of high-noon sun, the Crossroads project for D Repubblica serves as a masterclass in urban fashion storytelling. Through the lens of photographer Priscillia Saada, this editorial fashion campaign strips away unnecessary artifice to focus on the interplay between stark, direct lighting and the modern subjects who populate a gritty cityscape. The series leans into a raw, documentary-inspired aesthetic that elevates everyday street encounters into a cohesive, high-fashion narrative. By utilizing natural light to cast sharp, architectural shadows across faces and textures, Saada transforms the sunlit streets into a dynamic studio space. Fashion editor Francesca Ottaviani masterfully curates a wardrobe that balances classic denim and khakis with bold, statement-making eyewear, ensuring the accessories remain the focal point of every frame. The visual texture is enriched by the thoughtful grooming and styling contributions of hair stylist Andrea Idini and makeup artist Porsche Poon, who define the subjects' features against the bright, outdoor backdrop. With model Baptiste Vivo leading the cast through an urban parking structure and sun-drenched avenues, the imagery oscillates between intimate portraiture and candid lifestyle photography. This project is a testament to the power of editorial minimalism, where the combination of clean composition and high-contrast lighting creates an enduring, sophisticated vision of contemporary style that feels both immediate and timeless.