Dazed Magazine
Featured Dazed Magazine projects
This week's top Dazed Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Dazed Magazine · Myh a’la
For this Dazed Magazine feature titled Myh a’la, the editorial team crafts a compelling exploration of contemporary style, blending the raw, grit-infused energy of urban landscapes with the polished precision of high-end fashion. The project serves as a sophisticated fashion editorial that leans into a nineties-inspired aesthetic, utilizing an array of portraiture techniques to capture the multifaceted personality of its subjects. Photographer Jessica Madavo expertly navigates the tension between movement and stillness, moving fluidly between high-key, luminous portraits and the moody, cinematic depths of low-key chiaroscuro lighting. With fashion direction by Marcus Cuffie, the styling—defined by lace, structured knits, and sharp metallic textures—acts as a dialogue with the architectural environments, whether set against the industrial textures of city streets or the vast, overcast expanse of a New York rooftop. The production is underpinned by a distinct analogue sensibility, as evidenced by the consistent use of 35mm film, which imparts a tactile, nostalgic grain to the visuals. Supported by hair styling from Dre Demry Sanders and makeup by Shyanna Lundi, the project channels a raw, unfiltered confidence that feels both timeless and urgent. By focusing on intimate gazes and stylized posture, this work successfully merges luxury fashion house sensibilities with a grittier, lifestyle-driven approach, resulting in a cohesive series that resonates with the bold, inquisitive identity of Dazed Magazine.
Project Dazed Magazine · By Eloise Parry
In this evocative series for Dazed Magazine, photographer Eloise Parry curates a narrative that blurs the lines between public editorial fashion and private, interior intimacy. The project, deeply rooted in the luxury fashion sector, moves fluidly between the untamed, organic textures of a wooded landscape and the crisp, controlled minimalism of a modern bedroom. By leaning into an editorial style that prioritizes natural light, Parry captures a series of portraits that feel simultaneously candid and meticulously staged. Key to this aesthetic is the creative contribution of fashion editor and stylist Zara Mirkin, who utilizes structured silhouettes, fringe-laden garments, and monochromatic palettes to anchor the visual storytelling. Hair stylist Sarah Jo Palmer and makeup artist Lauren Reynolds lean into a clean, understated finish that allows the interplay of reflections and shadow to take center stage. Through the lens, models Ivy Stewart and Jamay Williams embody a cool, detached elegance that complements the architectural framing of the settings. The use of reflective surfaces and sharp, high-contrast compositions creates a sense of voyeuristic discovery, inviting the viewer into a space where fashion meets psychological reflection. This work transcends traditional portraiture by transforming high-fashion styling into a study of light, texture, and physical presence, ultimately reinforcing the magazine’s reputation for pushing the boundaries of contemporary visual culture with a distinct and polished sensibility.
Project Dazed Magazine · Teenage Dream
Teenage Dream for Dazed Magazine is a masterclass in editorial minimalism, stripping away the noise to place high-concept fashion design under a clinical, focused lens. This fashion editorial series leans into the tension between structure and fluidity, using stark white backgrounds and deliberate studio strobe lighting to isolate the subjects against the frame. Photographer Angela Suarez captures a diverse cast of models, including Rachel Agbonze, in a collection of silhouettes that defy traditional norms—from avant-garde hooded jackets and quilted puffer coats to pieces adorned with intricate floral embroidery and vibrant, painterly patterns. The styling serves as the narrative anchor, juxtaposing heavy, monochromatic volumes with unexpected bursts of pink and yellow lining, or even layering lingerie over knitwear to challenge the viewer's perception of garment hierarchy. By employing a mix of natural light and controlled flash, the project emphasizes the tactile surfaces of leather, quilted fabrics, and delicate silks. The collaboration, supported by the meticulous hair styling of Tasos Constantinou and the precision of makeup artist Kyle Dominic, creates a cohesive portrait study. Through the lens of casting director Isabel Bush, the project functions as a contemporary critique of youth culture, presenting a series of portraits that are both detached and intensely vibrant. Each image functions as a standalone piece of wearable sculpture, resulting in a project that feels at once futuristic and timelessly refined within the evolving landscape of modern fashion media.
Project Dazed Magazine · All I want
The editorial feature All I Want for Dazed Magazine serves as a masterclass in modern luxury fashion photography, balancing rigorous architectural structure with the fluid, organic movement of contemporary textiles. Under the lens of photographer Marc Asekhame, the project explores the interplay between minimalist interiors and high-concept garment design, leaning into a stark, high-contrast aesthetic that feels both timeless and urgent. The styling, curated by Feranmi Eso, bridges the gap between everyday simplicity and avant-garde silhouettes, juxtaposing voluminous, shaggy-textured coats and metallic, shimmering trench coats against the deliberate restraint of a white wall and glossy, reflective black floor. This editorial approach, punctuated by the natural light and precise portraiture that defines the series, benefits immensely from the sleek hair styling by Gabriel de Fries and precise makeup artistry by Maelys Jallali, both of which allow the models to inhabit the space with complete, neutral composure. Through the casting direction of Isabel Bush, models Cailane Oliveira and Wendy Garcia deliver performances that anchor the surrealism of the architectural tailoring. By utilizing a clean, editorial layout that often employs diptychs to amplify texture and form, the project succeeds in turning static fashion images into a rhythmic, sophisticated visual narrative that celebrates the tactile nature of luxury fashion in a stripped-back, studio-focused context.
Project Dazed Magazine · Can't Catch Me Now
In Can't Catch Me Now, a visual narrative featured in Dazed Magazine, the boundaries between high-concept luxury fashion and athletic performance are systematically dismantled. Captured through the lens of photographer Carlijn Jacobs, the series leans into a surrealist aesthetic that juxtaposes the precision of sportswear with the intricate tailoring of contemporary fashion. With astute fashion direction and styling by Imruh Asha, the project utilizes studio strobe lighting to maintain a crisp, clean finish, allowing the architectural silhouettes and unconventional textures—ranging from rigid protective gear and boxing gloves to delicate pleated dresses—to command the frame. The editorial minimalism is elevated by the precise artistry of hair stylist Laurent Philippon and makeup artist Lucy Bridge, whose work emphasizes the sculptural quality of each composition. Set designer Hella Keck provides a series of stark, monochromatic backdrops that ground the avant-garde ensembles, ensuring the focus remains entirely on the interplay of movement and form. Featuring Awar Odhiang as the central talent, the images channel a spirited, dynamic energy that feels both futuristic and distinctly grounded in the current fashion landscape. Through a combination of editorial portraiture and cinematic framing, this collection acts as a masterclass in styling, showcasing how diverse elements like metallic apparatus, cricket pads, and avant-garde headpieces can coalesce into a cohesive, high-fashion statement that challenges traditional notions of beauty and garment function.
Project Dazed Magazine · Good 4 U
In the vibrant editorial feature Good 4 U for Dazed Magazine, the intersection of high fashion and athletic culture is explored through a lens of surrealism and movement. Photographer Mark Peckmezian masterfully captures this tension, placing high-end luxury garments—characterized by voluminous tulle, intricate textures, and avant-garde silhouettes—directly onto the unlikeliest of runways: the soccer pitch. Under the creative vision of Fashion Director Imruh Asha, the project elevates the aesthetic by juxtaposing the delicate, layered fabrics of evening gowns against the grounded, high-contrast environment of a manicured sports field. The narrative thrives on dynamic energy, utilizing a high-speed freeze technique to suspend models in mid-air or mid-stride, effectively blurring the lines between elite sports and high-concept editorial minimalism. Key creative contributions from hair stylist Christian Eberhard and makeup artist Rebecca Wordingham ensure that the sleek, modern styling remains cohesive across the diverse cast, which includes Elodie Souverain, Jolène Jansen, and Peng Chang. Utilizing soft natural light to enhance the saturated, warm color palette, the shoot leans into a performative quality where red cards and soccer balls become sophisticated props. This project successfully bridges the gap between the rigid structures of the fashion world and the fluid, spontaneous nature of athletics, resulting in a visually arresting lifestyle narrative that feels both performative and deeply grounded.
Project Dazed Magazine · Dazed Magazine Summer 2026 Covers
For its Summer 2026 issue, Dazed Magazine delivers a masterclass in editorial portraiture that leans into a vibrant, high-fashion aesthetic while retaining the publication's signature experimental spirit. Across these covers, the photography—anchored by the evocative work of contributors like Carlijn Jacobs—prioritizes a clean, graphic sensibility that allows for bold, art-directed storytelling. The project leans heavily into editorial minimalism, utilizing studio strobe lighting to isolate subjects against warm, neutral backdrops, which serves to amplify the intricate textures of the styling. Whether capturing the dynamic presence of model Awar Odhiang atop a sculptural umpire chair or focusing on the softer, intimate composition of a subject cradling a chick, the series balances precision with playful surrealism. Fashion direction by Imruh Asha acts as the connective tissue for these visuals, integrating vivid, three-dimensional details like multi-coloured leather hair fringe and floral embroidery that demand attention. By maintaining a sharp focus on portraiture and clean compositions, the magazine avoids the clutter of modern media, opting instead for a deliberate, stylized visual language. The intentional interplay between the bold, iconic Dazed masthead and the subjects creates a cohesive identity that feels both archival and forward-looking, proving that even in a crowded landscape, a well-executed portrait remains the most powerful tool for capturing the zeitgeist.
Project Dazed Magazine · 24 hour party people
In the vibrant, raw editorial feature 24 hour party people for Dazed Magazine, photographer Juliette Cassidy masterfully documents the intersection of youth subculture and personal style. Moving through urban landscapes with a documentarian eye, Cassidy captures the visceral energy of a generation defined by its rejection of polish in favor of authentic, lived-in grit. The project channels a distinct streetwear aesthetic, layering leopard prints, vibrant colour-blocked tracksuits, and heavy gold chains against the backdrop of graffiti-strewn parking lots and customized interiors. By utilizing a mix of 35mm film and analogue techniques, the work avoids the sterile perfection of modern commercial photography, instead leaning into the tactile reality of its subjects. Each frame, bathed in soft natural light, emphasizes the intimacy of the portraits, where intricate tattoos, cigarette smoke, and shared embraces tell stories that feel entirely unscripted. The result is a compelling, reportage-style exploration that balances high-fashion sensibilities with the rough-hewn texture of city living. By focusing on the interplay between customized sound systems, patterned garments, and the candid vulnerability of the cast, Cassidy creates a visual narrative that feels like a quiet, honest snapshot of contemporary nightlife culture. This series stands as an evocative testament to the beauty found in the margins, grounding its editorial minimalism in the genuine, spontaneous moments that make up the rhythm of street-focused life.
Project Dazed Magazine · Fashion / On the Rise: PAPA (Yorick)
In this latest editorial feature for Dazed Magazine, photographer Ferdi Sibbel captures the burgeoning presence of model Timo Pan in a series that masterfully navigates the intersection of high fashion and understated portraiture. Titled Fashion / On the Rise: PAPA (Yorick), the project eschews over-elaborate artifice, opting instead for a quiet, contemplative aesthetic that leans into the raw potential of its subject. By utilizing natural light as a primary narrative tool, the work achieves a soft, diffused quality that renders the imagery both intimate and immediate. The styling plays with the tension between architectural garment design and utilitarian hardware, specifically highlighting an avant-garde ensemble that balances asymmetrical silhouettes with stark, monochromatic tones. A standout portrait in the collection utilizes layers of frayed tulle as a conceptual blindfold, transforming a simple textile choice into a striking visual metaphor for vulnerability and mystery. Through this focused, editorial minimalism, the project avoids the noise often associated with contemporary fashion media, preferring a stripped-back approach that places the subject at the center of the frame. The result is a refined exploration of form and texture, where every subtle detail—from the deliberate placement of metallic accents to the stark contrast of neutral walls—serves to elevate the overall mood of the portrait session without ever feeling forced or over-produced.
Project Dazed Magazine · CANNELLE
Dazed Magazine consistently pushes the boundaries of contemporary visual storytelling, and their latest feature, CANNELLE, is a striking masterclass in modern fashion editorial. By blending the raw, candid energy of lifestyle photography with the meticulously curated polish of high-end print design, the project frames musician Cannelle as a focal point of urban aesthetic experimentation. Under the direction of editor-in-chief Ted Stansfield and the sharp eye of fashion director Imruh Asha, the visual narrative leans heavily into a clean, minimalist approach that allows the intricate details of the wardrobe to take center stage. Art director Ester Mejibovski successfully bridges the gap between structured studio sensibilities and the spontaneity of the street, utilizing natural light to soften the crisp lines of the light-toned, square-tiled urban backdrops. The editorial impact is heightened by the bold styling choices of Gor Duryan, whose work with vibrant light-blue hair, and William Bartel, who grounds the look with heavy, graphic eyeliner, create a deliberate contrast against the soft ruffles and layered cream-colored fabrics. Whether captured in a portrait or a composite lifestyle frame, the shoot reads as a cohesive, style-forward exploration of identity. The result is a quintessential example of how current editorial fashion maintains its cultural relevance by balancing authentic, everyday movement with the deliberate, composed precision of high-gloss print media.
Project Dazed Magazine · Total Eclipse
Total Eclipse for Dazed Magazine serves as a masterclass in editorial fashion photography, pushing the boundaries of portraiture through a sophisticated interplay of light and texture. Photographed by Casper Kofi, the series moves effortlessly between the extremes of high-key clarity and the moody depth of chiaroscuro lighting. By utilizing studio strobe setups to carve out sculptural forms, the project leans into a minimalist aesthetic that prioritizes the interplay between the human silhouette and avant-garde luxury garments. Fashion Editor and Stylist Patrick Welde curates a selection of pieces that emphasize structural integrity, from translucent vinyl trench coats to textured wraps, ensuring each frame functions as a study in material contrast. Whether isolating a subject against a stark white backdrop or submerging them in a deep, cinematic shadow, the imagery captures a poised, graphic intensity. The collaboration benefits significantly from the meticulous beauty work of Hair Stylist Michael Delmas and Makeup Artist Lisa Michalik, who ensure that the focus remains anchored on the model, Libby, as she commands the space with an arresting, direct gaze. This body of work reinforces the editorial authority of the publication, transforming standard fashion portraiture into a series of stark, high-contrast explorations that highlight the narrative power of shadow, form, and precision styling in the contemporary luxury sector.
Project Dazed Magazine · Culture Clash
Culture Clash, the latest editorial feature from Dazed Magazine, serves as a masterclass in modern luxury fashion styling and graphic composition. Under the vision of fashion director Imruh Asha and fashion editor Abby Adler, the project explores the tension between structural minimalism and avant-garde silhouettes. By stripping away narrative distraction and opting for a stark white studio backdrop, the series allows the clothing to command center stage through a series of dynamic, high-key portraits. Photographer Kayla Connors captures this duality with precision, skillfully balancing natural light and studio strobe to emphasize the tactile richness of leather, sheer lace, and vibrant knits. Stylistically, the work leans into an editorial minimalism that feels both polished and intentionally conceptual. Through the inclusion of sculptural bubble skirts, oversized quilted gloves, and primary-color tailoring, the imagery highlights a sophisticated play on proportions. The creative team, bolstered by the precise hair styling of Joe Burwin and refined makeup by Thomasin Waite, transforms each ensemble into a study of form and texture. This project effectively bridges the gap between commercial fashion documentation and artistic expression, offering a clean, high-contrast visual language that is emblematic of contemporary high-fashion editorial work. The result is a cohesive and visually arresting series that emphasizes fluid motion and structural integrity, grounding its ambition in a sharp, graphic aesthetic.
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