Tank Magazine
Tank Magazine's visionary fashion editorials, beauty campaigns and independent culture features
Featured Tank Magazine projects
This week's top Tank Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Tank Magazine · A sneaking guilty hankering
In the vibrant spread titled A sneaking guilty hankering, Tank Magazine leans into a sharp, conceptual narrative that merges high-fashion editorial aesthetics with the cold, diagnostic language of digital UI design. Photographer Ryan Simo masterfully captures the tension between luxury garments and psychological subtext, utilizing meticulous studio strobe lighting to ensure every texture—from intricate knitwear to shimmering sequins—remains central to the frame. Under the creative guidance of fashion editor and stylist Maria Teresa Strippoli, models Julia Skutelska and Valentyn Boiko serve as subjects in a series of surreal scenarios. The project is punctuated by deliberate typographic overlays, where graphic bounding boxes label human emotions and subtle gestures as intercepted data. This interplay of CGI elements and clinical labeling transforms a standard fashion editorial into a cinematic inquiry into human behavior and social signaling. With hair styling by Liv Holst and makeup artistry by Manuela Balducci, the visuals embrace a clean, minimalist backdrop that allows the complex layering of digital motifs to remain the focal point. By juxtaposing the tactile reality of high-end attire with the abstract markers of surveillance culture, the project succeeds in creating a modern, thought-provoking dialogue that feels both visually arresting and intellectually charged, pushing the boundaries of traditional fashion photography into the realm of conceptual digital art.
Project Tank Magazine · Colour Me Bold
In the vibrant fashion editorial series Colour Me Bold for Tank Magazine, the intersection of graphic design and luxury accessory styling takes center stage. This ambitious project leans into the playful tension between minimalist leather goods and a high-contrast environment, utilizing a meticulous approach to color blocking that transforms the commercial into something purely sculptural. Photographer Brennan Bucannan masterfully frames the editorial narrative, working alongside set designer Darcy Norgan to construct an elaborate world of primary-colored paper art and geometric fabric panels that feel both tactile and artificial. Model Elise Swain serves as the central anchor for this visual study, effortlessly navigating the complex compositions that range from soft natural light settings to more structured studio strobe sessions. The creative direction, supported by the keen eye of casting director Max Kallio, emphasizes a polished yet whimsical aesthetic that elevates standard product photography into a sophisticated fashion spread. By incorporating cinematic techniques and rich textural layers, the team successfully challenges traditional editorial conventions. Every image reads as an abstract landscape where accessories are not merely products, but essential components of a larger, vibrant visual dialogue. The result is a cohesive, high-energy showcase that celebrates the interplay of form and pigment, pushing the boundaries of contemporary brand storytelling through a clean, graphic, and relentlessly bold lens.
Project Tank Magazine · Chasing Time
Tank Magazine explores the intersection of horology and visual narrative in 'Chasing Time,' a series of editorial features showcasing luxury timepieces. The collection frames high-end watches from brands such as IWC Schaffhausen and Van Cleef & Arpels within surreal, meticulously constructed environments. Photographer Brennan Bucannan and creative director Sohrab Golsorkhi-Ainslie employ graphic compositions and layered paper art techniques to recontextualize classic watch designs. The imagery leans into a playful aesthetic, juxtaposing traditional metal finishes and dial complications against vibrant, whimsical backdrops and urban motifs.
Project Tank Magazine · Pangaia takes to the streets in TANK ...
Tank Magazine presents a fashion editorial series featuring Pangaia, bridging the gap between high-end streetwear and urban daily life. The project leverages a clean, high-key aesthetic to showcase the brand's vibrant palette through dynamic movement and layered collage techniques. Fashion Editor and Stylist Noemie Schelbert curates the looks, emphasizing bold color blocking and contemporary silhouettes. Featuring model Sophie Patrece Embleton, the imagery navigates between stark studio portraiture and candid, street-level perspectives. The production is rounded out by hair styling from Masashi Konno, makeup by Anastasia Borovik, and casting direction by Michiel van Maaren.
Project Tank Magazine · DIOR BEAUTY BY PETER PHILIPS
Tank Magazine presents a series of beauty portraits for Dior Beauty, featuring the makeup artistry of Peter Philips. The editorial series explores graphic cosmetic applications, utilizing bold color contrasts, glossy textures, and shimmer finishes against a consistent minimalist white backdrop. The project features creative direction from Peter Philips and Sohrab Golsorkhi-Ainslie, with photography by Carl Diner. The editorial aesthetic relies on clean, vertical framing and soft, even lighting to emphasize skin texture and precise technical application. Styling by Johanna Bouvier, manicures by Magda S, and casting by Michiel van Maaren support the focus on detailed beauty looks across multiple portrait studies.
Project Tank Magazine · Tank Magazine June 2026 Cover
Tank Magazine's June 2026 issue features a cover editorial captured by photographer Otto Masters. The series highlights an ensemble cast, with movement direction by Liam John bringing a dynamic energy to the compositions. Set against a deep black seamless backdrop using hard light, the imagery leans into graphic styling by Carmen Young and textured hair work by Kenta Koda. Model Ana Portela leads the ensemble in a session that focuses on intricate layering and structured silhouettes.
Project Tank Magazine · Crowd of One
Crowd of One is a fashion editorial series for Tank Magazine that explores the tension between individual presence and dense, kinetic environments. Photographed by Otto Masters, the series places model Ana Portela at the center of diverse, shifting groups, using controlled studio lighting to create visual isolation against stark black backdrops. Technique-wise, the work utilizes low-key, chiaroscuro lighting to emphasize the textures of luxury outerwear, from fringed plaid and tweed suits to graphic-patterned jackets. Movement direction by Liam John introduces a fluid energy to the compositions, balancing Ana Portela’s static, theatrical poses against the dynamic motion of surrounding figures. The editorial is further defined by Kenta Koda’s hair styling and casting by Carmen Young, which maintain a sharp focus on contrast and layered silhouettes throughout the vertical frame.
Project Tank Magazine · 'Light Touch' TANK x Gucci Beauty
In a sophisticated alignment of high-fashion sensibility and cosmetics expertise, the collaboration between Tank Magazine and Gucci Beauty, titled Light Touch, redefines the minimalist beauty editorial. This project moves away from heavy-handed cosmetic aesthetics, favoring instead a narrative of luminous, dewy skin and refined pigment play. Through a series of tight-crop portraits and clinical packshots, the editorial captures the intersection of luxury design and raw cosmetic texture. Photographer Oda Eide leans into a clean, studio-lit aesthetic, utilizing studio strobe lighting to emphasize the reflective qualities of the products against a neutral backdrop. Makeup artist Adele Sanderson plays with a palette of soft, mint green shimmers and warm, glossy peach tones, expertly applied to model Cosima von Moreau to create a modern, high-fashion look that feels both accessible and aspirational. The creative vision is grounded in editorial minimalism, ensuring the focus remains squarely on the nuances of the product application. Macro photography techniques are employed to reveal the granular details of eyeshadow pigments and the sleek architecture of lipstick tubes, effectively bridging the gap between artistic portraiture and commercial product storytelling. By avoiding unnecessary artifice, the project serves as a compelling study in contemporary beauty, where casting direction by Lucy Rogers ensures the visuals resonate with a refined, understated elegance that is synonymous with the Gucci house style.
Project Tank Magazine · GRAB N GO
In the latest editorial fashion feature for Tank Magazine, titled GRAB N GO, photographer Ramona Deckers captures the intersection of daily routine and high-end accessories with a sharp, disciplined lens. The series moves beyond standard product photography, instead framing luxury handbags as essential components of the modern urban wardrobe. Through a blend of high-key lighting and meticulous studio strobe setups, the imagery leans into a crisp, minimalist aesthetic that allows the textures of suede, leather, and tweed to take center stage. Model Nyibol Dok Jok anchors these portraits, moving with a palpable energy against stark white backgrounds that emphasize the architectural clarity of the styling. The collaboration benefits significantly from the precise aesthetic contributions of hair stylist Masaki Kameda and makeup artist Riona O'Sullivan, whose work ensures a polished yet accessible look. By contrasting structured accessories with layered knitwear and fluid movement, the project feels both grounded and aspirational. Casting director Max Kallio expertly elevates the narrative, balancing a sense of spontaneity with deliberate composition. Each frame feels like an intimate study of contemporary style, stripping away distraction to highlight the interaction between the individual and the object. Ultimately, this fashion editorial succeeds by treating the accessories as lived-in artifacts, transforming the act of carrying a bag into a definitive style statement that resonates within the broader landscape of luxury fashion.
Project Tank Magazine · And what was the world?
In the striking series And what was the world?, Tank Magazine curates a visual narrative that blurs the lines between reality and dreamscape. This fashion editorial leans into a quiet, contemplative mood, utilizing natural light to anchor its cinematic vignettes in landscapes that feel both timeless and deeply personal. Photographer Aitor Laspiur masterfully captures a juxtaposition of scale and silence, placing subjects within expansive, mist-drenched brutalist courtyards or intimate, pattern-cluttered domestic spaces. The aesthetic is defined by an editorial minimalism that allows the storytelling to breathe, whether through the surreal inclusion of toy soldier motifs or the stark presence of brass instruments held by a silent group in a rolling meadow. Under the direction of fashion editor and stylist Martxel Montero, the wardrobe choices act as a bridge between the subjects and their environments, with floral prints and structured tailoring providing a sharp contrast against stone labyrinths and rural architecture. Makeup artist Alba Cordoba completes the vision, focusing on a stripped-back, authentic approach that highlights the textures of skin and the sincerity of a gaze. The project serves as a compelling study in atmosphere, where the stillness of the compositions invites the viewer to linger in the spaces between the frames. It is a sophisticated, evocative piece of work that succeeds by refusing to rush, opting instead for a haunting, poetic resonance that lingers long after the final image.
Project Tank Magazine · EN FAMILLE GUCCI AT THE TABLE
In En Famille Gucci at the Table, Tank Magazine crafts a surreal, high-fashion narrative that masterfully balances the heritage of luxury fashion houses with an eccentric, domestic twist. Through a series of meticulously staged portraits, this campaign leans into editorial minimalism and a cinematic visual language to subvert traditional luxury tropes. By juxtaposing vibrant Gucci attire—ranging from voluminous faux-fur coats to intricate floral ensembles—with mundane dining table props and surrealist elements like gingham-draped figures, the project creates a sense of collective contemplation and domestic oddity. The execution relies heavily on deliberate composition and a blend of natural light and soft-light techniques to emphasize the rich textures of leather, fur, and organza. Under the discerning eye of fashion editor and stylist Noemie Schelbert, the visuals achieve a cohesive, storied aesthetic that feels both grounded and dreamlike. Further depth is provided by the precise hair styling of Masashi Konno and makeup by Mee Kee, while casting director Michiel van Maaren anchors the work with a diverse ensemble, including models like Boo Mehmet and Nyanchar Biu. Whether utilizing multiple-exposure techniques to capture motion or stark, high-key studio lighting to highlight architectural silhouettes, the editorial captures a sophisticated tension between the rigid demands of commercial luxury and the fluid, unpredictable nature of a stylized, cinematic narrative.
Project Tank Magazine · Feeling cheeky
In the latest editorial production for Tank Magazine, titled Feeling cheeky, photographer Oda Eide masterfully explores the intersection of high fashion and the playful subversion of traditional silhouettes. This fashion campaign leans into a sophisticated, editorial minimalism, prioritizing the architectural details of luxury garments over conventional portraiture. By focusing on the rear profile of the subject, the series creates a compelling visual dialogue between fabric and the human form, emphasizing the intricate textures of cable-knit wools, structured leathers, and layered fabric ruffles. The project effectively utilizes soft light and natural light techniques to bring a sense of organic warmth to the clean studio environments, ensuring that every metallic sequin or sharp tailoring detail remains the undisputed focal point. Casting director Michiel van Maaren provides a clean, neutral canvas through the presence of Katya Gray, whose movement allows the clothes to inhabit the space with a quiet, deliberate confidence. Hair stylist Masaki Kameda complements this aesthetic with understated styling that mirrors the project's refined, commercial sensibility. Ultimately, Feeling cheeky functions as a study in contrast, where sharp, tailored lines meet unexpected, skin-revealing cuts, delivering a fresh perspective on luxury fashion. This work successfully balances commercial clarity with a distinctively contemporary artistic flair, proving that even the most subtle composition can yield a powerful and memorable narrative resonance within the broader luxury fashion industry.
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