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Model from behind wearing a gold sequin bodysuit with black strap against a neutral background for Tank Magazine editorial
Model wearing a textured red sweater and cutout trousers revealing pink and blue underwear for Tank Magazine
Rear view of a model in a white top and leather apron tying thin black straps over blue patterned briefs against a plain white backdrop
Close-up of a model wearing a white ruffled top and a trailing feather accessory against a white background
Close-up rear view of a person wearing low-rise black trousers and a black jacket against a neutral grey studio background.
Rear view of a model wearing high-waisted green and black patterned briefs and an oversized striped blue shirt against a white backdrop
Model from behind wearing a gold sequin bodysuit with black strap against a neutral background for Tank Magazine editorial
Model wearing a textured red sweater and cutout trousers revealing pink and blue underwear for Tank Magazine
Rear view of a model in a white top and leather apron tying thin black straps over blue patterned briefs against a plain white backdrop

Tank Magazine Feeling cheeky 2026

About

In the latest editorial production for Tank Magazine, titled Feeling cheeky, photographer Oda Eide masterfully explores the intersection of high fashion and the playful subversion of traditional silhouettes. This fashion campaign leans into a sophisticated, editorial minimalism, prioritizing the architectural details of luxury garments over conventional portraiture. By focusing on the rear profile of the subject, the series creates a compelling visual dialogue between fabric and the human form, emphasizing the intricate textures of cable-knit wools, structured leathers, and layered fabric ruffles. The project effectively utilizes soft light and natural light techniques to bring a sense of organic warmth to the clean studio environments, ensuring that every metallic sequin or sharp tailoring detail remains the undisputed focal point. Casting director Michiel van Maaren provides a clean, neutral canvas through the presence of Katya Gray, whose movement allows the clothes to inhabit the space with a quiet, deliberate confidence. Hair stylist Masaki Kameda complements this aesthetic with understated styling that mirrors the project's refined, commercial sensibility. Ultimately, Feeling cheeky functions as a study in contrast, where sharp, tailored lines meet unexpected, skin-revealing cuts, delivering a fresh perspective on luxury fashion. This work successfully balances commercial clarity with a distinctively contemporary artistic flair, proving that even the most subtle composition can yield a powerful and memorable narrative resonance within the broader luxury fashion industry.

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