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·2026
·EN FAMILLE GUCCI AT THE TABLE

Group of diverse people gathered around a red and white checkered table cloth for a Tank Magazine fashion editorial shoot.

Model in a red coat and black gloves standing between two figures draped in red and white checkered cloths

Model with long dark hair wearing a black jacket and pants holding stacked white teacups in a multi-exposure portrait for Tank Magazine

Multi-pane editorial collage featuring diverse models in styled attire, coffee cups, and tabletop condiment bottles.

Model in a flowing pink dress with feathered trim holding a sequined pink handbag against a grey seamless studio backdrop.

Model wearing a tiger print coat holding up a pink and white gingham patterned textile against a white background.

Model in voluminous royal blue faux fur coat with high heels against plain grey studio backdrop

Group of diverse people gathered closely together looking down intently at a decorative ship in a glass bottle

Black and white editorial group portrait of diverse models seated around a table in a diner setting for Tank Magazine.

Gucci monogram shoulder bag with brown leather trim resting on a red and white checkered tablecloth

Tank Magazine EN FAMILLE GUCCI AT THE TABLE 2026

About

In En Famille Gucci at the Table, Tank Magazine crafts a surreal, high-fashion narrative that masterfully balances the heritage of luxury fashion houses with an eccentric, domestic twist. Through a series of meticulously staged portraits, this campaign leans into editorial minimalism and a cinematic visual language to subvert traditional luxury tropes. By juxtaposing vibrant Gucci attire—ranging from voluminous faux-fur coats to intricate floral ensembles—with mundane dining table props and surrealist elements like gingham-draped figures, the project creates a sense of collective contemplation and domestic oddity. The execution relies heavily on deliberate composition and a blend of natural light and soft-light techniques to emphasize the rich textures of leather, fur, and organza. Under the discerning eye of fashion editor and stylist Noemie Schelbert, the visuals achieve a cohesive, storied aesthetic that feels both grounded and dreamlike. Further depth is provided by the precise hair styling of Masashi Konno and makeup by Mee Kee, while casting director Michiel van Maaren anchors the work with a diverse ensemble, including models like Boo Mehmet and Nyanchar Biu. Whether utilizing multiple-exposure techniques to capture motion or stark, high-key studio lighting to highlight architectural silhouettes, the editorial captures a sophisticated tension between the rigid demands of commercial luxury and the fluid, unpredictable nature of a stylized, cinematic narrative.