Family Style
Family Style's avant-garde fashion editorials and visual culture publications across print and digital
Featured Family Style projects
This week's top Family Style projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Family Style · Motion Theory
Motion Theory for Family Style functions as a masterclass in modern fashion editorial work, blending high-end sartorial precision with a gritty, kinetic urban sensibility. Under the vision of photographer Anatheine and fashion director Julie Ragolia, the campaign translates luxury fashion house aesthetics into a series of dynamic, street-level portraits that feel both spontaneous and deeply considered. The imagery leans into a cinematic quality, utilizing natural light to accentuate the tension between architectural garment silhouettes and the fluid movement of the model, Anine Van Velzen. Throughout the series, the styling choices serve as a narrative device; the expert touch of hair stylist Tosh and makeup artist Marie Dufresne provides sharp, occasionally subversive contrasts—such as bold matte green lips or heavy, dark eye makeup—that disrupt the muted palettes of trench coats and tailored leather. With casting by Anita Bitton, the project captures a distinct street-style energy, grounding high-fashion textures like snakeskin, faux fur, and technical fabrics against the blurred backdrop of the city. By prioritizing both textural detail and a sense of motion, the project establishes a compelling dialogue between the rigidity of luxury design and the unpredictable rhythm of life, resulting in a cohesive, visually arresting portrait that defines a contemporary aesthetic for the modern wardrobe.
Project Family Style · Handheld
In the striking series Handheld, photographer Maxime Poiblanc and stylist Malaika Crawford transform the traditional boundaries of jewellery and fashion photography through a compelling study of juxtaposition. By pairing high-end horology and fine adornments with utilitarian ephemera, the project creates a visual dialogue between luxury and the everyday. The creative vision, brought to life with set design by Selena Liu, places iconic timepieces and diamond-encrusted necklaces against backdrops of vintage calculators, office pencils, and mechanical music boxes. These compositions channel a distinct editorial minimalism, using studio strobe lighting to emphasize the cold, precise sheen of stainless steel and faceted stones against warm, matte surfaces like rust-toned felt and charcoal-grey paper. The project leverages macro photography techniques to capture the fine details of diamond settings and metallic links, elevating mundane objects into sculptural forms. Throughout the series, the interplay between the intricate mechanisms of luxury goods and the raw textures of industrial tools highlights a sophisticated sense of irony. Whether it is a Rolex entwined with a fabric tape measure or a brooch balanced on a cluster of lead pencils, Handheld serves as a masterclass in commercial still life, finding elegance in the unexpected intersection of classic craftsmanship and domestic ephemera, ultimately pushing the boundaries of traditional product representation within the fashion industry.
Project Family Style · For Mom
Family Style channels a sophisticated sense of intimacy and luxury in For Mom, a curated commercial project that masterfully blends the worlds of editorial product photography and high-end lifestyle curation. Through the lens of photographer Sigurd Grünberger, this collection of images transforms everyday luxury accessories into sculptural, storied objects. By utilizing technical precision such as studio strobe lighting alongside softer natural light, the series achieves a crisp, minimalist aesthetic that feels both elevated and deeply personal. The project moves fluidly between rigid, graphic product shots—featuring metallic hardware from brands like Dior and Bvlgari—and more emotive still life compositions that lean into the concept of maternal sentimentality. A particularly poignant frame pairs woven slingback heels with a handwritten note, grounding the high-fashion elements in a human, relatable narrative. This editorial approach allows textures like tan leather, translucent glassware, and intricate diamond settings to take center stage, while clean, monochromatic backgrounds ensure the focus remains on craftsmanship and form. With a keen eye for balanced composition, the project highlights the interplay between organic floral elements and polished metallic accessories. For Mom ultimately reads as a refined visual love letter, demonstrating a keen ability to marry the sterile, high-key lighting of traditional commercial work with an artistic, fine art sensibility that feels refreshingly modern and deliberate.
Project Family Style · Matter of Importance
Matter of Importance, the latest editorial project from Family Style, masterfully interrogates the relationship between high-end luxury goods and the utilitarian landscape of industrial components. Through a series of highly considered compositions, the series juxtaposes precious metals and designer hardware—such as Prada earrings, Bvlgari timepieces, and Dior leather goods—against the unexpected textures of staplers, precision micrometers, and gray data cables. Photographer Polly Brown leans into a stark, clean-lined visual language that bridges the gap between commercial product photography and fine art. By utilizing both studio strobe techniques and natural light, the visuals emphasize the tactile contrast between smooth, reflective surfaces and raw, weathered materials. Fashion editor and stylist Chloe Grace Press elevates these arrangements, ensuring that even the most grounded office supplies contribute to a broader narrative of design innovation, while set designer Haleimah Darwish curates backgrounds that maintain an editorial minimalism. This project stands out for its commitment to macro precision and deliberate color palettes, which serve to highlight the inherent craftsmanship within both luxury fashion and mechanical utility. Whether highlighting the delicate weight of gold jewelry against a translucent balloon or the industrial heft of a rusted iron caliper, the imagery remains consistently disciplined, proving that thoughtful composition can transform the mundane into the extraordinary through a purely modern, stylistic lens.
Project Family Style · Open Concept
In the luxury fashion industry, the ability to balance high-concept structure with intimate portraiture remains the gold standard for editorial storytelling. The Open Concept project masterfully achieves this through a series of stripped-back, sophisticated visuals that foreground the interplay between silhouette and texture. Captured by photographer Paul Wetherell, the campaign leans into a minimalist aesthetic, utilizing a clean, neutral backdrop to allow the intricate details of each garment to take center stage. Featuring actress Julianne Moore, the images oscillate between high-key lighting for clarity and low-key, chiaroscuro-inspired contrast to evoke a more cinematic mood. The creative direction, supported by fashion editor and stylist Jason Rider, emphasizes a layered approach to modern tailoring, with oversized coats and structured dresses that create a profound sense of volume. With the hair styling expertise of Orlando Pita and makeup artistry by Romy Soleimani, the production maintains a raw, natural quality that feels both timeless and grounded. Each portrait serves as a testament to the power of editorial minimalism, where the combination of studio strobe techniques and soft natural light highlights the tactile richness of the fabric. Ultimately, the project succeeds by focusing on the quiet, pensive gaze of its subject, elevating simple studio portraiture into a profound study of contemporary style and poise that resonates with the heritage of high-end fashion houses.
Project Family Style · Man vs. Machine
In Man vs. Machine, Family Style delivers a compelling visual narrative that expertly bridges the gap between luxury fashion and raw mechanical edge. This fashion editorial campaign, captured with precision by photographer Estelle Hanania, leans into a sophisticated juxtaposition where the structured, tactile nature of premium leather and tailored suiting meets the industrial grit of custom motorcycles. Set against the organic backdrop of serene woodland environments, the project thrives on the tension between these opposing worlds, utilizing natural light to elevate the rich textures of trench coats, suede jackets, and sharp menswear. The styling, helmed by Benoit Bethume, serves to ground the high-fashion ensembles in an adventurous, lived-in aesthetic, while the casting—curated by Anita Bitton and Richard Nguyen—brings a necessary intensity to the portraiture. Models Anamaria Cioboata, Fiona James, and Stephanie Cavalli anchor the narrative, their contemplative expressions and composed poses emphasizing the deliberate fusion of style and machine. With thoughtful grooming by hair stylist Perrine Rougemont and makeup artist Patrick Glatthaar, the imagery achieves a cohesive, cinematic quality. The result is a series of striking editorial portraits that manage to feel both grounded and aspirational, highlighting how meticulous craftsmanship in clothing design mirrors the intricate engineering of the bikes themselves, ultimately creating a modern, textured dialogue between human form and mechanical silhouettes.
Project Family Style · Ladybird
Ladybird is a fashion editorial feature for Family Style magazine, showcasing a series of portraits and observational shots centered on model Jeanne Cadieu. The project employs a refined monochrome and earthy color palette, using analogue film techniques to capture architectural silhouettes and soft, natural textures. Photographer Mel Bles leads the visual direction, working alongside fashion editor Kate Phelan to highlight structured garments through minimalist studio compositions and outdoor settings. The collaboration is rounded out by hair stylist Neil Moodie and makeup artist Niamh Quinn, who contribute to the contemplative and clean aesthetic of the editorial.
Project Family Style · Family Style
Family Style presents a series of editorial portraits that explore form and texture through a minimalist lens. Captured by photographer Su Mustecaplioglu, the project leans into a clean, contemporary aesthetic, utilizing a monochromatic palette and soft natural light to frame the subject. Fashion styling by Caitlin Burke introduces a variety of layered textures, from sheer lace to structured tweed. The series, featuring Sophia Roe, employs analogue film techniques to achieve a raw, desaturated quality, supported by hair styling from Rebekah Calo.
Project Family Style · Through the Machine
Family Style presents Through the Machine, a series of editorial portraits that explore character and form within a domestic setting. Photographer Olgaç Bozalp utilizes a clean, minimal aesthetic to frame subjects in intimate, candid moments. The project leans into natural light to highlight textures across textiles, plastics, and industrial components. Compositions remain focused and structured, using consistent neutral backdrops to emphasize the interplay between the subjects and the objects surrounding them.
Project Family Style · Family Style No. 7 Fall 2025 Covers
Family Style magazine marks its seventh issue with the Fall 2025 covers, featuring a collection of editorial portraits captured by Jessica Madavo, Philippine Chaumont, and Agathe Zaerpour. The imagery leans into a cool, understated aesthetic, utilizing soft light to highlight the subjects against architectural interiors and textured backdrops. The editorial team, including fashion editors François Gravel, Gabriella Karefa-Johnson, and Nathan Klein, curate a series of portraits featuring Indya Moore, Isabelle Huppert, Tracee Ellis Ross, and model Migoa Guol. With grooming contributions from hair stylists Evanie Frausto, John Nollet, and Moe Mukai, alongside makeup artists Ciara O'Shea, Morgane Martini, and Yumi Lee, the series serves as a broad visual showcase for the season's publication.
Project Family Style · Taste Maker
Taste Maker is a menswear fashion editorial series produced for Family Style. The project explores the intersection of utilitarian workwear and contemporary high fashion, grounding structured silhouettes in a minimalist aesthetic. Through a blend of studio portraits and candid urban scenes, the work emphasizes architectural drape and monochrome contrast. Photographed by Morgan Roberts with fashion styling by Myles Mansfield-Calenti, the series utilizes clean compositions and soft light to highlight avant-garde detailing. The styling incorporates signature elements such as white server-style aprons and tailored layers, leaning into a moody, cool visual identity across both controlled studio and natural light environments.
Project Family Style · Howl
Howl is a fashion editorial series for Family Style that explores avant-garde silhouettes and sculptural tailoring. Featuring model Beauïse Genç, the project leans into a minimalist studio aesthetic, utilizing clean directional lighting to highlight the intricate textures and layered construction of the garments. Photographer Ladislav Kyllar captures the series with a focus on sharp, dynamic movement, often set against neutral seamless backdrops. Fashion editor and stylist Tim Tobias Zimmermann curates a collection of structured, asymmetric, and voluminous pieces, supported by hair styling from Kota Suizu and makeup by Claire Urquhart. Casting for the editorial was directed by Noah Shelley, with several images utilizing monochrome and analogue film techniques to emphasize the interplay between form and fabric.
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