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Dust Magazine

17 projects·0 creatives·

Featured Dust Magazine projects

This week's top Dust Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Project

Dust Magazine · In the dark Times

In the Dark Times is a fashion editorial series for Dust Magazine that explores the intersection of sculptural silhouettes and vibrant color theory. Captured by photographer Adam Peter Johnson, the project employs a minimalist studio aesthetic to isolate bold, avant-garde tailoring and tactile garment textures against stark monochrome and saturated backdrops. The series features styling by fashion editor Pau Avia, who juxtaposes technical outerwear, layered knitwear, and structured leather accessories with athletic-inspired footwear. Through a lens of clean, deliberate studio lighting, the imagery emphasizes the geometry of the apparel and the expressive forms of the models, including Dara Gueye and Coumba Mballo. Technical execution is supported by hair stylist Sebastien Richard and makeup artist Thierry Do Nascimento, whose work maintains the polished, high-key finish of the series. The production includes set design by Sati Leonne and casting by Ben Grimes, grounding the project in a cohesive, graphic visual language.

Project

Dust Magazine · Fuck Yeah!

Dust Magazine’s Fuck Yeah! editorial features a series of fashion portraits that emphasize bold, saturated color-blocking and sculptural silhouettes. The imagery leans into a clean, minimalist studio aesthetic, utilizing soft light and sharp directional lighting to highlight the complex textures of the featured apparel, from voluminous fleece to heavily textured sequins. Photographer Adam Peter Johnson and fashion stylist Pau Avia lead the creative team, delivering a collection of vertical portraits that balance avant-garde garments with contemporary sportswear accents. The production includes hair styling by Sebastien Richard and makeup by Thierry Do Nascimento, with casting handled by Ben Grimes and Tiago Martins.

Project

Dust Magazine · In the dark times, will there also be singing? Fuck yeah!

For this editorial feature in Dust Magazine, photographer Camille Vivier captures a series of portraits defined by a minimalist aesthetic. The project, titled 'In the dark times, will there also be singing? Fuck yeah!', leans into a clean, controlled studio environment to highlight texture and form. Vivier employs a mix of soft light and low-key chiaroscuro to create dramatic silhouettes, with the series drawing on monochrome and desaturated palettes. The imagery relies on the interaction between structured white garments and subtle, naturalistic backdrop elements, anchored by hair styling from Liv Holst. The work reflects a contemporary print editorial sensibility.

Project

Dust Magazine · Can I See Your Telescope?

Can I See Your Telescope? is an editorial fashion series for Dust Magazine that explores the tension between shadow and detail. Captured by photographer Bella Newman, the work utilizes low-key lighting and chiaroscuro techniques to define the contours of the subjects against deep, nocturnal backgrounds. The imagery relies on a moody, analogue aesthetic, marked by visible film grain and deliberate tonal contrast. Models Axel Hermann and Yasmin Wijnaldum anchor the series, appearing in textured ensembles that shift from formal metallic accessories and tiaras to utilitarian layering. The project features casting by Emma Matell, with hair styling by Nero and makeup artistry by Marcelo Gutierrez. The final compositions lean into tactile, intimate framing to accentuate the interplay of fabric, skin, and light.

Project

Dust Magazine · Dust Magazine S/S 2025 Covers

Dust Magazine showcases its S/S 2025 covers, a series of editorial portraits featuring subjects such as Kim Gordon, Nettspend, Chandler Frye, and Coco Gordon Moore. The collection leans into diverse aesthetic territories, shifting between high-key studio minimalism and gritty, monochrome imagery captured on film. The series draws on the contributions of photographers Alessandro Furchino Capria, Alessio Bolzoni, Alyssa Kazew, Ben Taylor, and Collier Schorr. The visual narratives are supported by fashion styling from Danny Reed, George Krakowiak, Nicco Torelli, and Taylor Mcneill, alongside hair styling by Evanie Frausto and Kim Rance, and makeup artistry by Aurore Gibrien.