Dust Magazine
Featured Dust Magazine projects
This week's top Dust Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Dust Magazine · In the dark Times
In the Dark Times is a fashion editorial series for Dust Magazine that explores the intersection of sculptural silhouettes and vibrant color theory. Captured by photographer Adam Peter Johnson, the project employs a minimalist studio aesthetic to isolate bold, avant-garde tailoring and tactile garment textures against stark monochrome and saturated backdrops. The series features styling by fashion editor Pau Avia, who juxtaposes technical outerwear, layered knitwear, and structured leather accessories with athletic-inspired footwear. Through a lens of clean, deliberate studio lighting, the imagery emphasizes the geometry of the apparel and the expressive forms of the models, including Dara Gueye and Coumba Mballo. Technical execution is supported by hair stylist Sebastien Richard and makeup artist Thierry Do Nascimento, whose work maintains the polished, high-key finish of the series. The production includes set design by Sati Leonne and casting by Ben Grimes, grounding the project in a cohesive, graphic visual language.
Project Dust Magazine · Fuck Yeah!
Dust Magazine’s Fuck Yeah! editorial features a series of fashion portraits that emphasize bold, saturated color-blocking and sculptural silhouettes. The imagery leans into a clean, minimalist studio aesthetic, utilizing soft light and sharp directional lighting to highlight the complex textures of the featured apparel, from voluminous fleece to heavily textured sequins. Photographer Adam Peter Johnson and fashion stylist Pau Avia lead the creative team, delivering a collection of vertical portraits that balance avant-garde garments with contemporary sportswear accents. The production includes hair styling by Sebastien Richard and makeup by Thierry Do Nascimento, with casting handled by Ben Grimes and Tiago Martins.
Project Dust Magazine · In the dark times, will there also be singing? Fuck yeah!
For this editorial feature in Dust Magazine, photographer Camille Vivier captures a series of portraits defined by a minimalist aesthetic. The project, titled 'In the dark times, will there also be singing? Fuck yeah!', leans into a clean, controlled studio environment to highlight texture and form. Vivier employs a mix of soft light and low-key chiaroscuro to create dramatic silhouettes, with the series drawing on monochrome and desaturated palettes. The imagery relies on the interaction between structured white garments and subtle, naturalistic backdrop elements, anchored by hair styling from Liv Holst. The work reflects a contemporary print editorial sensibility.
Project Dust Magazine · Can I See Your Telescope?
Can I See Your Telescope? is an editorial fashion series for Dust Magazine that explores the tension between shadow and detail. Captured by photographer Bella Newman, the work utilizes low-key lighting and chiaroscuro techniques to define the contours of the subjects against deep, nocturnal backgrounds. The imagery relies on a moody, analogue aesthetic, marked by visible film grain and deliberate tonal contrast. Models Axel Hermann and Yasmin Wijnaldum anchor the series, appearing in textured ensembles that shift from formal metallic accessories and tiaras to utilitarian layering. The project features casting by Emma Matell, with hair styling by Nero and makeup artistry by Marcelo Gutierrez. The final compositions lean into tactile, intimate framing to accentuate the interplay of fabric, skin, and light.
Project Dust Magazine · Dust Magazine S/S 2025 Covers
Dust Magazine showcases its S/S 2025 covers, a series of editorial portraits featuring subjects such as Kim Gordon, Nettspend, Chandler Frye, and Coco Gordon Moore. The collection leans into diverse aesthetic territories, shifting between high-key studio minimalism and gritty, monochrome imagery captured on film. The series draws on the contributions of photographers Alessandro Furchino Capria, Alessio Bolzoni, Alyssa Kazew, Ben Taylor, and Collier Schorr. The visual narratives are supported by fashion styling from Danny Reed, George Krakowiak, Nicco Torelli, and Taylor Mcneill, alongside hair styling by Evanie Frausto and Kim Rance, and makeup artistry by Aurore Gibrien.
Project Dust Magazine · Dust Magazine #29 Spring/Summer 2026 ...
Dust Magazine #29, titled Overload, serves as a masterclass in contemporary editorial aesthetics, blending high-fashion sensibilities with raw, documentary-style portraiture. This expansive issue leans into the tension between static, curated studio environments and the kinetic energy of urban landscapes. The series of covers, captured through the collaborative lenses of world-class photographers including Willy Vanderperre, Chus Antón, and Malick Bodian, establishes a sophisticated visual language that defines the Spring/Summer 2026 season. Central to the project is the work of iconic model Mariacarla Boscono, whose dynamic presence anchors the collection, supported by a diverse cast of models such as Jonas Glöer and Erik van Gils. The art direction, led by creative director Betsy Johnson, weaves together a narrative that feels both deeply intimate and broadly cinematic. Through the use of natural light and high-key studio strobe techniques, the imagery emphasizes the tactile qualities of the wardrobe—from structured leather and layered tulle to the fluid drape of silk—while minimalist compositions and deliberate typography keep the focus firmly on the subject's form. By integrating stylistic elements like retro pompadour hair and bold garment silhouettes, the team successfully crafts a cohesive yet multifaceted vision. Each frame acts as a standalone piece of modern art, successfully navigating the line between traditional editorial polish and a more contemporary, lived-in perspective on fashion media.
Project Dust Magazine · Mariacarla x Dust Overload
In the latest issue of Dust Magazine, the Mariacarla x Dust Overload project presents a masterful exploration of fashion editorial portraiture. Starring the iconic Mariacarla Boscono, the series leans into a mood of quiet, domestic introspection, juxtaposing the high-fashion sensibilities of luxury houses against the unassuming backdrops of vintage-inspired interiors. Under the creative direction of Betsy Johnson, photographer Guen Fiore expertly utilizes natural light to soften the boundaries between the architectural rigor of the clothing and the candid, lived-in environments. The imagery captures an array of textures—from structured black leather and voluminous tulle to delicate, cable-knit wools—rendered with a sharp, editorial precision that highlights the model’s distinctive, bleached-brow aesthetic. Complementing the visual narrative, hair styling by Patti Bussa and artistry by makeup artist Raffaele Romangoli achieve a balance of sleek, naturalistic polish and unconventional edge. Whether capturing Boscono amidst lush garden foliage or perched upon a floral-upholstered sofa, the project feels intimate and transient, reading as a sophisticated dialogue between identity and atmosphere. By prioritizing a restrained, lifestyle-oriented composition, the collaboration elevates the standard fashion spread into a tactile study of presence. Through deliberate styling and nuanced portraiture, the work celebrates the transformative power of both the subject and the garment within a beautifully curated, neutral-toned landscape.
Project Dust Magazine · Cold Fact
Dust Magazine presents 'Cold Fact,' an editorial feature that leans into a minimalist aesthetic. The series utilizes monochromatic portraiture to focus on form, utilizing soft light to accentuate the tactile qualities of the featured wardrobe. Photographed by Kito Muñoz with fashion styling by Andrej Skok, the project features model Swan Ayada in a series of compositions. The studio-based imagery captures the interplay of graphic textures and clean lines, emphasizing a deliberate approach to contemporary fashion editorial.
Project Dust Magazine · Way Back Home
Way Back Home is a multi-part fashion editorial for Dust Magazine that juxtaposes eclectic high-fashion styling with mundane, mid-century domesticity. Captured by photographer Moni Haworth with fashion styling by Malcolm Mammone, the project spans diverse settings from rugged desert landscapes to retro, color-saturated interiors. The series, which features model Anthony Foster, leans into a nostalgic, 1970s-inspired aesthetic through coordinated prints, vintage appliances, and surreal staging. By utilizing analogue film techniques and natural light, the editorial maintains a raw, textured quality, often blending the subjects directly into their environments through matching patterns and tonal composition.
Project Dust Magazine · No One Here is Alone
For 'No One Here is Alone,' photographer Alessandro Furchino Capria lenses an expansive editorial series for Dust Magazine that balances the intimacy of domestic life with the stark geometry of urban environments. The work leans into a raw, observational aesthetic, threading together quiet vignettes of parenthood and quiet interior moments with wide-reaching panoramas of city skylines in flux. Technically consistent through the use of soft natural light, the series juxtaposes candid portraits of home with highly composed still life arrangements. Capria captures the texture of everyday surroundings—from the fine details of skin and foliage to the industrial surfaces of construction sites—to create a contemplative narrative. The project serves as a study in contrast, where personal spaces are set against the shifting, layered backdrop of the modern city landscape.
Project Dust Magazine · Dust Magazine #28 Winter 2025/Spring 2026 Covers
Dust Magazine presents the #28 issue for Winter 2025/Spring 2026, featuring model Bella Hadid across its cover series. This editorial project channels a minimalist aesthetic, utilizing a neutral studio backdrop to focus on high-fashion portraits. Photographed by the duo Luigi & Iango, the imagery captures Hadid in a range of textures, from a glossy brown jacket to a mint green windbreaker paired with lace detailing. The visual execution relies on natural light and a desaturated color palette to maintain a clean, high-impact finish. The project includes fashion styling by Danielle Emerson, with hair by Evanie Frausto, makeup by Georgi Sandev, and manicures by Christina Conrad.
Project Dust Magazine · Dust Magazine #26 Winter 2024/Spring 2025 Covers
Dust Magazine #26 presents a series of editorial covers for the Winter 2024/Spring 2025 issue, showcasing a diverse range of high-concept portraiture and minimalist design. The collection captures a variety of distinct visual moods, shifting from stark, monochrome studio work to intimate, analogue-inspired scenes featuring soft, warm lighting. The imagery utilizes a consistent vertical, editorial aesthetic that balances sharp typography with varied textures, ranging from utilitarian astronaut gear to layered, vibrant textiles. Featuring contributions from photographers including Willy Vanderperre, Brett Lloyd, and Kito Muñoz, the covers lean into clean, high-contrast compositions. Across the series, casting by Anita Bitton, Bert Martirosyan, and others brings together models such as Julia Nobis and Clement Chabernaud, alongside influencer Noen Eubanks, to anchor the publication’s signature graphic style.
Explore other brands
Explore Visie’s leading industries, projects, and the talented creatives representing them.
