Fashion editorial spread with models and an elderly woman in a white dress walking through a desert mountain landscape.

Editorial four-panel layout featuring retro kitchen scenes with a model in an orange skirt, a shirtless man, and a packaged TV dinner.

Four-panel editorial layout featuring a male model and an elderly woman in eclectic western-inspired fashion within retro interior rooms.

Four-panel editorial spread featuring a young man and an elderly woman in a living room setting with floral outfits and TV dinners.

Four-panel editorial layout showing an indoor swimming pool, a water splash, a person swimming, and a man in a printed landscape jacket.

Multi-panel magazine editorial featuring people eating TV dinners on folding trays in a living room for Dust Magazine.

Two side-by-side editorial shots of young men standing barefoot in striped turtlenecks and briefs in a retro yellow kitchen.

Four-panel editorial spread with an older woman in a printed blouse and green pants holding a yellow phone, and a man in swim trunks.

Model Anthony Foster lies on floral bedding wearing a matching orange and yellow floral hooded parka in a bedroom editorial.

Shirtless man running across a dry grassy field toward bare trees and mountains in an editorial magazine spread.

Editorial spread with a model in an oversized yellow tulle gown by an indoor pool and Anthony Foster shirtless on an orange lounger.

Fashion editorial spread with a man in an olive turtleneck and leather trousers, and an older woman in a fur-trimmed coat.

Dust Magazine Way Back Home 2025

About

Way Back Home is a multi-part fashion editorial for Dust Magazine that juxtaposes eclectic high-fashion styling with mundane, mid-century domesticity. Captured by photographer Moni Haworth with fashion styling by Malcolm Mammone, the project spans diverse settings from rugged desert landscapes to retro, color-saturated interiors. The series, which features model Anthony Foster, leans into a nostalgic, 1970s-inspired aesthetic through coordinated prints, vintage appliances, and surreal staging. By utilizing analogue film techniques and natural light, the editorial maintains a raw, textured quality, often blending the subjects directly into their environments through matching patterns and tonal composition.