Cake Magazine
Featured Cake Magazine projects
This week's top Cake Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Cake Magazine · DOWN AND OUT
DOWN AND OUT is a fashion editorial series commissioned for Cake Magazine, capturing a raw, observational approach to urban street portraiture. Featuring model Eszter Vary, the series leverages a documentary-style lens to frame its subject against an array of stark industrial and retro urban environments, from street kiosks to concrete architectural recesses. Photographer Thanos Poulimenos utilizes natural light and analogue film techniques to create high-contrast visuals, characterized by hard light and a warm, muted palette. Makeup artist Marita Politou complements these textures, notably incorporating organic botanical elements in portraiture that contrast with the structured, patterned fashion styling throughout the set.
Project Cake Magazine · Sédiment
Sédiment is an editorial fashion project produced for Cake Magazine, featuring model Daphne Maas. Captured by photographer Marco Di Stefano, the series explores the intersection of high-fashion tailoring and raw, elemental landscapes. The imagery channels a moody, cinematic tone, utilizing a mix of natural light and direct flash to emphasize the interplay between structured garments and weathered coastal terrain. The project leans into a gritty, desaturated aesthetic, with the compositions highlighting textural contrasts against rocky shorelines and cavernous settings.
Project Cake Magazine · The rareness of life
Cake Magazine presents The rareness of life, an editorial series that explores the intersection of organic form and cosmetic precision. The project leans into a tactile aesthetic, balancing the intricate structures of foliage against the application of color and texture on human skin. Through a series of macro-focused studies, the imagery captures the interplay between natural earthiness and deliberate, vibrant makeup application. Photographer Kinwai Cheung anchors the series with a focus on deep, soft lighting, while makeup artist Kenny Leung defines the look through detailed, pigment-heavy palettes and minimalist skin treatments. The work maintains a consistent visual language through a macro and editorial approach, emphasizing both the raw textures of botanical elements and the refined finish of cosmetic artistry.
Project Cake Magazine · Grow Rocks
Grow Rocks is a fashion and lifestyle editorial project produced for Cake Magazine. Photographed by Luke Lovell, the series explores the intersection of the human form with organic, tactile elements, utilizing a mix of raw landscape settings and clean studio environments. The collection moves between high-contrast monochrome portraiture and warm, naturalistic colour photography. Across the images, Lovell plays with contrasting textures, juxtaposing skin against stone, water, foliage, and botanical details like anthurium flowers. The execution frequently incorporates analogue film techniques, with many frames featuring visible film borders, grain, and manual notations that lend a documentary sensibility to the fashion-focused imagery. Techniques such as chiaroscuro lighting and minimalist framing are used to highlight organic contours, while the project's consistent emphasis on light refraction and surface textures creates a contemplative, grounded aesthetic throughout the editorial narrative.
Project Cake Magazine · The Last Catch
The Last Catch is a fashion editorial produced for Cake Magazine, focusing on a curated sequence of imagery that leans into a coastal-inspired aesthetic. Through a blend of candid portraiture and styled compositions, the project explores the interplay between structured garments and organic, whimsical props. Photographer Elena Sokolova captures the collection using an analogue film technique, which emphasizes rich skin textures and a warm color palette across various outdoor settings. Model Veronika Ivanova is featured throughout the series, appearing in a range of textures from sheer knits to patterned fabrics. The imagery makes frequent use of natural light to create sharp, defined shadows against stone architecture and textured backgrounds, maintaining a clean, observational tone throughout the editorial.
Project Cake Magazine · The mind is a metaphor of the world ...
Captured by photographer Antonio Andrade, 'The mind is a metaphor of the world ...' serves as a fashion editorial feature for Cake Magazine. The project explores a series of outdoor and intimate settings, utilizing hard light and warm, earthy tones to frame its subjects. The work maintains a cohesive aesthetic through the consistent application of natural light and nostalgic color grading. Techniques such as collage, analogue film, and layered compositions define the visual flow. The editorial frequently employs diptych layouts, pairing close-up portraits with wide environmental shots to create a layered narrative across the series.
Project Cake Magazine · SOFT SPOT
In the striking series titled SOFT SPOT, Cake Magazine delivers a compelling masterclass in modern designer fashion editorial. The campaign skillfully navigates the intersection of urban movement and quiet introspection, capturing a narrative that feels both spontaneous and meticulously curated. Through the lens of natural light and tactile focus, the imagery explores a dynamic range of textures—from the fluid movement of pleated accordion silhouettes and crushed velvet midi skirts to the structural simplicity of minimalist black dresses and intricate lace layering. Each frame leans into a nostalgic, retro aesthetic, utilizing analogue film techniques to ground the high-fashion styling within the raw, weathered corners of a Parisian streetscape. The project moves beyond traditional fashion photography by embracing candid, almost weary moments of human vulnerability, such as mid-stride exhaustion or a subtle yawn, which lends a refreshing authenticity to the high-concept wardrobe. With intentional creative direction and expert makeup artistry provided by Júnior Queirós, the series maintains a cohesive visual language that prioritizes atmospheric storytelling over static posing. By blending cinematic, high-speed movement with moments of serene stillness against muted stone facades and wrought-iron railings, the project channels a raw, lived-in energy. This editorial effortlessly balances the sophistication of designer attire with a grounded, lifestyle-oriented lens, creating a visual rhythm that is as much about the wearability of the clothes as it is about the quiet drama of the urban environment.
Project Cake Magazine · Don't Run Away
In the latest editorial fashion project titled Don't Run Away for Cake Magazine, photographer Willy Villacorta masterfully orchestrates a visual narrative that thrives on the tension between high-end luxury fashion houses and raw, industrial environments. The series leans into a stark editorial aesthetic, utilizing natural light to accentuate the tactile interplay between structural silhouettes and the gritty, concrete surfaces of an urban setting. Through a curated sequence of portraits, the work captures a sense of movement and deliberate form, where avant-garde accessories like lace-paneled eyewear and intricate feather-embellished heels find space against geometric scaffolding and rusted metal grids. The execution relies heavily on high-contrast compositions and a minimalist color palette, allowing the focus to remain firmly on the juxtaposition of materials—from glossy, shard-adorned fabrics to soft, voluminous waves of dark hair. By balancing a cinematic, low-key approach with clean, lifestyle-oriented framing, the project feels both grounded and surreal. The resulting imagery serves as a powerful testament to modern styling, where the sharp lines of white tailored suits and structured black leather garments anchor the viewer’s eye, creating a cohesive, sophisticated portfolio that redefines the boundaries of traditional portrait photography while maintaining an uncompromising, high-fashion edge that feels entirely current for the contemporary market.
Project Cake Magazine · Heart Beats Slow
Heart Beats Slow for Cake Magazine is a masterclass in modern editorial storytelling, blending the raw, tactile reality of industrial landscapes with the nuanced vulnerability of portraiture. Through the lens of photographer Antonio Andrade, the project leans into a compelling narrative contrast, juxtaposing gritty, metallic urban environments against the soft, ethereal presence of its subject. Each composition functions as a visual conversation, utilizing a signature split-panel layout that bridges the gap between lifestyle photography and high-fashion minimalism. Andrade skillfully navigates a range of environments—from sun-drenched suburban alleys to textured, high-contrast interior vignettes—to create a cohesive yet multifaceted aesthetic. The series relies heavily on natural light to ground its subjects, allowing for a seamless transition between the dramatic depth of low-key chiaroscuro lighting and the clean, airy transparency of high-key shots. By incorporating graphic, handwritten elements and deliberate architectural juxtapositions, the project feels both intimate and expansive. It successfully captures the quiet pulse of youth, where the warmth of a vintage football jersey or the glossy sheen of a windbreaker becomes as expressive as a direct gaze. This work exemplifies the strength of editorial portraiture when executed with structural precision and a keen eye for subtle, atmospheric textures, resulting in a series that is as evocative as it is refined.
Project Cake Magazine · SO I WAIT FOR YOU LIKE A LONELY HOUSE
In the latest visual spread for Cake Magazine, titled SO I WAIT FOR YOU LIKE A LONELY HOUSE, photographer Antonio Andrade crafts a compelling meditation on interiority and the quiet moments of solitude. This editorial series leans into a raw, introspective aesthetic that blurs the lines between fashion photography and fine art portraiture. Throughout the project, Andrade employs a distinct diptych structure that plays with perspective, effectively capturing the duality of his subject through varying scales and graphic interventions. The visual language is deeply textures, moving fluidly between high-contrast, low-key chiaroscuro lighting that carves out form and soft, natural light settings that invite an intimate, candid atmosphere. The integration of varied techniques—ranging from the tactile grain of 35mm analogue film to deliberate digital typography and abstract graphic overlays—lends the work a contemporary, collage-like sensibility. By pairing minimalist styling with weathered architectural backdrops and moody, cinematic lighting, the series feels both timeless and urgent. Andrade avoids the polished artifice of traditional media, choosing instead to focus on the interplay between fabric, skin, and space. This project exemplifies a sophisticated approach to editorial content, where every frame serves as a deliberate exploration of mood, posture, and the evocative power of the portrait in modern magazines, media, and entertainment.
Project Cake Magazine · Paper Underwear
Cake Magazine presents Paper Underwear, a fashion editorial series captured by photographer Yulia Garkushina. The project highlights a minimalist aesthetic, utilizing natural light and clean compositions to focus on garment textures and simple silhouettes. The series features a range of portraits and studio shots, consistently employing analogue film techniques to create a cohesive visual narrative. Across the images, the styling remains understated, contrasted against clean studio backgrounds, traditional wood paneling, and interior architectural details.
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