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Apple Martin lying in grass wearing a black polka dot dress for Self-Portrait 2025 campaign photographed by Ryan McGinley.
Model Apple Martin wearing a black polka dot top lying in a grassy field holding an apple for Self-Portrait
Apple Martin holding a bow and arrow wearing a silver sequin dress in an apple orchard for Self-Portrait.
Apple Martin holding a traditional bow and arrow wearing a sequin top against an overcast sky background
Apple Martin seated on a fallen tree log in a woodland setting wearing a white lace dress for a Self-Portrait campaign.
Model Apple Martin holding a large yellow python in a forest wearing a white lace dress for Self-Portrait.
Apple Martin lying in grass wearing a black polka dot dress for Self-Portrait
Apple Martin lying in grass wearing a black polka dot dress for Self-Portrait 2025 campaign photographed by Ryan McGinley.
Model Apple Martin wearing a black polka dot top lying in a grassy field holding an apple for Self-Portrait
Apple Martin holding a bow and arrow wearing a silver sequin dress in an apple orchard for Self-Portrait.

Self-Portrait 'Portraits Of Apple' 2025 Ad Campaign 2025

About

For the Portraits Of Apple 2025 campaign, Self-Portrait masterfully blends high-fashion sophistication with a playful, scrapbook-inspired aesthetic. Through the lens of photographer Ryan McGinley, the luxury fashion house leans into editorial minimalism, grounding its intricate garment designs in the raw, organic textures of the outdoors. The imagery, art directed by Christopher Simmonds, features model Apple Martin in a series of pastoral settings—from lush, sun-dappled woodlands to quiet, overcast lakeside hills. The collection’s signature black polka-dot dresses, metallic sequin gowns, and delicate lace silhouettes are brought to life through a balanced use of natural light, which emphasizes the craftsmanship of the fabric against the rustic backdrop. The campaign elevates these portraits by layering the frames with whimsical, apple-themed brand stickers and graphic overlays, a technique that injects a contemporary, youthful energy into the traditional luxury fashion house narrative. With hair by Evanie Frausto and makeup by Yadim, the styling remains clean and intentional, allowing the clothing to converse directly with the environment. Mel Ottenberg’s keen eye for styling ensures a cohesive visual language that feels both grounded and aspirational. This commercial project succeeds by treating the imagery as a canvas, where the interplay of pastoral portraiture and graphic digital elements creates a distinct, memorable identity that resonates well beyond the standard fashion lookbook format.

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