Pull Letter Magazine
Featured Pull Letter Magazine projects
This week's top Pull Letter Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Pull Letter Magazine · Pull Letter Magazine S/S 2026 Covers
For its S/S 2026 release, Pull Letter Magazine leans into the tension between the raw and the refined with The Duality Issue. This collection of covers serves as a masterclass in editorial fashion photography, moving fluidly between surrealist collage and intimate, character-driven portraiture. Through the lens of photographers Francesco Saverio Costanzo and Jamie-Maree Shipton, the project interrogates the boundaries of domesticity and the untamed natural world. One standout cover, featuring Charlotte Eta Mumm, captures a visceral rewilding concept through high-key flash lighting that emphasizes the tactile luxury of faux fur and leopard-print textiles. Contrastingly, the issue explores organic environments, placing models within sun-drenched wooden structures to foster a dialogue between human form and forest canopy. The creative vision is anchored by the precise styling of Giulia Parenti and Jamie-Maree Shipton, whose curation of pearl-embellished knitwear and avant-garde ceramic motifs creates a cohesive, high-fashion aesthetic. By blending bold, modern typography with classic floral rims and soft pastel palettes, the publication establishes a distinct visual rhythm. Whether utilizing sharp natural light or the controlled, clinical aesthetic of studio portraiture, these covers exemplify a sophisticated approach to media design. Through careful collaboration with talents like Nyagoa Diu and Xie Chaoyu, alongside meticulous hair and makeup execution, the project achieves a tactile, gallery-like quality that pushes the boundaries of contemporary print media while maintaining a polished, editorial edge.
Project Pull Letter Magazine · Special Delivery
Special Delivery is a fashion editorial produced for Pull Letter Magazine, capturing a series of studio portraits that center on the interplay between luxury accessories and postal-inspired motifs. Photographer Francesco Saverio Costanzo employs clean studio lighting to isolate the subjects against seamless backdrops, emphasizing the intricate textures of the garments and the graphic nature of the props. Fashion direction by Jamie-Maree Shipton and styling by Giulia Parenti and Isabel Bonner define the aesthetic, balancing structured silhouettes like double-breasted vests and sharp blazers with eclectic, patterned separates. The project leans into a clean, editorial look, complemented by natural hair styling from Takumi Horiwaki and understated makeup by Sakura Kanaoka. Casting, coordinated by Timoer Nulens, features models including Atem Bol to bring a minimalist focus to the conceptual delivery theme.
Project Pull Letter Magazine · Private Landscapes
Private Landscapes for Pull Letter Magazine is an evocative editorial series that masterfully interrogates the boundaries between the human form and the organic world. Through a sophisticated lens of editorial minimalism, the project curates a series of surreal juxtapositions where high-fashion garments meet raw, earthy textures. Photographer Sihao orchestrates a visual narrative that oscillates between clinical studio environments and lush, overgrown greenhouse interiors, utilizing soft light to bind disparate elements into a cohesive aesthetic. Models Pan Tian and Qiuyue Li inhabit these spaces with a restrained, meditative presence, often partially obscured by moss-covered stones, trailing botanical stems, or structured architectural pieces. By employing a live-action technique alongside collage elements, the series transcends traditional fashion photography to explore a deeper, more tactile connection between synthetic apparel and the wildness of nature. The result is a highly polished, cinematic experience that prioritizes texture and geometry over mere garment display. Each frame serves as a deliberate study in contrast, where glossy raincoats and sharp pleats find common ground with the soft, spindly reality of Spanish moss and dried branches. Through this nuanced visual language, the project succeeds in creating a distinct, contemplative atmosphere that feels both grounded in nature and entirely otherworldly, cementing its place as a standout piece of contemporary lifestyle and artistic editorial work.
Project Pull Letter Magazine · Side Plate
Side Plate, the latest visual narrative from Pull Letter Magazine, serves as a masterclass in creative juxtaposition, seamlessly blending the structured elegance of contemporary high fashion with the delicate, nostalgic charm of vintage porcelain. Under the creative direction of Eugenio Fasulo, the project leans into a surreal, avant-garde aesthetic that challenges the traditional boundaries of editorial photography. By utilizing innovative collage techniques and live-action integration, the production team places models against oversized, floral-adorned dinnerware, effectively transforming household staples into sculptural pedestals for modern apparel. Photographer and stylist Jamie-Maree Shipton expertly navigates these contrasting worlds, pairing rugged, distressed leather and heavy metallic grommets with frothy tulle and soft satin to create a tactile, multi-layered visual feast. The artistic approach is bolstered by the precise styling contributions of hair artist Takumi Horiwaki and makeup artist Machiko Yano, who maintain a crisp, elevated finish that anchors the more eccentric elements. With models such as Charlotte Eta Mumm and Nyagoa Diu bringing a striking, neutral-gazed presence to the surrealist compositions, the project feels both experimental and refined. Captured with soft light and a distinct focus on editorial minimalism, Side Plate avoids the expected to deliver a provocative exploration of form, texture, and materiality that pushes the limits of modern fashion imagery and artistic commercial design.
Project Pull Letter Magazine · Animal Morphing
For their latest fashion editorial, Pull Letter Magazine presents Animal Morphing, a striking exploration of the boundary between human identity and the primal textures of the natural world. Under the visionary creative direction of Eugenio Fasulo and captured through the lens of photographer Francesco Saverio Costanzo, this project leans into surrealism to challenge the conventional aesthetics of luxury fashion. By juxtaposing sleek, high-end garments with organic motifs—ranging from intricate leopard-print textiles and voluminous faux-fur panels to weathered driftwood and taxidermy elements—the editorial reads as a deliberate act of metamorphosis. The styling, curated by Giulia Parenti and Jamie-Maree Shipton, masterfully integrates natural light and cinematic composition to highlight the raw tension between synthetic luxury and wild, earthy textures. Models including Anyiel Majok, Litza Veloz, and Xie Chaoyu inhabit these layered, tactile environments with a stoic, avant-garde intensity, creating a series of portraits that are as clinical as they are instinctual. Whether set against the stark minimalism of a studio backdrop or the untamed terrain of an outdoor lot, the project consistently foregrounds the tactile qualities of its material palette. This evocative collection captures a sophisticated, experimental dialogue, proving that when high fashion meets the untamed, the result is an immersive visual narrative that feels both timeless and deeply transformative.
Project Pull Letter Magazine · Wild Heels by Dario Salamone
In Wild Heels, a compelling editorial project for Pull Letter Magazine, photographer Dario Salamone masterfully disrupts the traditional polish of luxury fashion. By juxtaposing high-end designer footwear against the rugged, unrefined textures of a forest floor and murky riverbeds, the series challenges the pristine nature of luxury fashion houses. Salamone leans into a stark, tactile aesthetic where mud-caked pumps from Prada and Miu Miu are suspended from mossy branches or precariously perched on jagged, weathered stones. This deliberate friction between delicacy and grit elevates the footwear from simple commercial objects to pieces of experimental art. The execution utilizes natural light to capture the intricate details of suede, leather, and fishnet hosiery, grounding every frame in a raw, organic atmosphere that feels both visceral and meticulously composed. While some images transition into a controlled macro style to highlight brand craftsmanship, the project as a whole prioritizes a narrative of decay and resilience. Through this lens, the editorial successfully frames the shoe as a protagonist interacting with its environment, rather than just an accessory in a vacuum. It is a striking exercise in editorial minimalism that avoids the expected glamor, opting instead for a grounded, muddy reality that feels both daring and undeniably high-fashion, offering a refreshing perspective on how we perceive the intersection of luxury goods and the unpredictable, wild outdoors.
Project Pull Letter Magazine · The Black Swan
In The Black Swan, Pull Letter Magazine embraces a hauntingly austere vision of modern fashion, transposing high-end accessories and structured tailoring into the unforgiving, craggy expanse of a high-altitude wilderness. Through the lens of photographer Francesco Saverio Costanzo, the project serves as an evocative fashion editorial that leans into a cinematic, surrealist aesthetic, stripping away human identity to emphasize pure silhouette and texture. Figures shrouded in monochromatic, face-concealing attire become architectural elements, their sharp forms cutting against the muted, desaturated backdrop of loose shale and volcanic earth. Under the guidance of fashion director and stylist Giulia Parenti, the execution masterfully juxtaposes polished, high-fashion pieces against the raw, indifferent elements of the landscape. The use of natural light and diffused, overcast conditions enhances the high-contrast drama, turning everyday accessories like leather handbags and pointed heels into artifacts of a mysterious, otherworldly ascent. The imagery captures a stark tension between the refined human construct and the primal, gritty terrain, utilizing intentional anonymity to invite deeper focus on the interplay of volume, structure, and atmospheric depth. This collaboration between Costanzo and Parenti results in a visual narrative that feels less like a traditional commercial campaign and more like a cinematic study in form, proving that the most compelling fashion stories are often found where the familiar meets the completely alien.
Project Pull Letter Magazine · Precious Bodies
Precious Bodies for Pull Letter Magazine is a masterclass in atmospheric contrast, seamlessly blending the raw, visceral reality of a woodland landscape with the hyper-polished world of luxury fashion. Captured through the lens of photographer Jamie-Maree Shipton, the editorial leans into a tactile narrative where the organic decay of fallen, moss-covered tree trunks serves as a grounding counterpoint to the sharp, synthetic gleam of modern accessories. By juxtaposing the earthy, sun-dappled textures of the forest floor with reflective gemstones, sculptural headwear, and structured handbags, the project creates a surrealist dialogue between the natural and the artificial. The series utilizes natural light to weave together these disparate elements, allowing for high-key highlights that dance across metallic surfaces and skin alike. Creative cohesion is further bolstered by the intentional grooming choices of hair stylist Tommy Stayton and makeup artist Faye Bluff, which maintain a deliberate, clean focus that lets the avant-garde styling remain the central visual anchor. With casting by Tanguy Gavignet and model Hanna Jang, the series embraces an androgynous, editorial minimalism that eschews traditional poses for something more dynamic and reflective. Ultimately, this fashion editorial succeeds by treating the human form as another sculptural element within an ancient, gnarled environment, resulting in a striking portrait of contemporary desire set against a quiet, timeless wilderness.
Project Pull Letter Magazine · Pull Letter Magazine September 2025 Cover
Pull Letter Magazine’s September 2025 cover, titled 'The Art of Things,' leans into a dynamic aesthetic for this fashion editorial. The project features a complex collage composition, layering multiple models against a minimalist white background to highlight the season's bold jewel tones and tailored silhouettes. The editorial photography was captured by Jamie-Maree Shipton, with grooming duties handled by hair stylist Jesper Hallin and makeup artist Thomas Lorenz. The cover features models Kadiata Ba, Lea Lukek, Sherry Shi, Sterre Haket, and Tina Koveysha, integrated through a graphic design approach that centers on high-contrast typography.
Project Pull Letter Magazine · Formula Foundations
Formula Foundations for Pull Letter Magazine focuses on the tactile properties of cosmetic textures. The editorial series explores the material nature of beauty products through macro photography, capturing the fine grain of pressed pigments and the viscosity of liquid foundations across neutral, minimalist backgrounds. Photographer Benjamin Vnuk documents various formulations—from rose-toned creams to metallic-mixed swatches—with an emphasis on clean compositions. The series incorporates elements of nail art and cosmetic styling, with contributions from beauty editor Nellie Eden, fashion editor Isabel Bonner, and manicurist Lauren Michelle Pires.
Project Pull Letter Magazine · Furry Friends
Furry Friends is a conceptual fashion editorial series featured in Pull Letter Magazine. Photographed by Francesco Saverio Costanzo and styled by Giulia Parenti, the project explores the interplay between tactile materials and human form, often blurring the lines between fashion and sculptural installation. The series leans into a minimalist aesthetic, utilizing consistent studio lighting and neutral backdrops to emphasize the rich, earthy textures of faux-fur garments and organic props. Casting by Timoer Nulens, with model MJ Herrera at the center, the work presents a cohesive visual narrative defined by its commitment to monochromatic palettes and layered, surrealist textures. The editorial captures both high-fashion portraiture and artistic still life, emphasizing a clean and refined approach to editorial photography.
Project Pull Letter Magazine · Keogh Dewar Special
The Keogh Dewar Special for Pull Letter Magazine is an editorial project capturing a series of high-contrast fashion portraits and dynamic compositions. Across the featured layouts, the work employs a minimalist aesthetic that uses stark white studio backgrounds to draw focus to a saturated, jewel-toned palette and varied garment textures. The project integrates graphic design and collage techniques to break apart standard editorial frames, using sliced photo strips and layered silhouettes. Execution favors clean studio lighting, ranging from soft, diffused illumination to high-key flash, emphasizing the structured silhouettes of the seasonal styling.
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