Overdue Magazine
Featured Overdue Magazine projects
This week's top Overdue Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Overdue Magazine · MUSA
MUSA is a conceptual fashion editorial featured in Overdue Magazine, showcasing a rigorous exploration of form, texture, and geometry. Captured by photographer Dina Gaikova, the series highlights model Liza Ostanina through a series of sculptural silhouettes and minimalist compositions that prioritize stark contrast and light manipulation. The project utilizes a moody, low-key chiaroscuro aesthetic to emphasize bone structure and material tension, often layering sheer fabrics or tactile garments against monochromatic backdrops. With hair and makeup by Ildana Khalitova, the series maintains a refined, graphic consistency, balancing organic elements with precise, clean studio lighting.
Project Overdue Magazine · Myth
Overdue Magazine explores the theme of 'Myth' in its eighth issue, delivering an editorial feature defined by high-contrast monochrome imagery. Captured by photographer Elina Kechicheva, the cover centers on a sculptural composition that uses taut fabric to frame the subject. Creative direction by Natalie Yuksel grounds the project, working alongside fashion direction from Yuksel to maintain a surreal, editorial aesthetic. The visual narrative is supported by hair styling from Quentin Guyen and makeup by Miki Matsunaga, with casting by Maria Pablo Feliz.
Project Overdue Magazine · Textere Divinum
Textere Divinum is an editorial feature for Overdue Magazine that explores sculptural portraiture through a monochromatic lens. Photographer Mikael Schulz leads the visual direction, capturing high-contrast imagery that emphasizes intricate textures and structural forms. The project channels a minimalist aesthetic, utilizing clean composition and chiaroscuro techniques to isolate the subject. Model Finlay Mangan is featured throughout the series, complemented by elaborate hair designs crafted by stylist Thomas Dunkin. The layout integrates analogue film techniques and solarized effects to offer a dual perspective on traditional editorial portraiture.
Project Overdue Magazine · Layered Antiquity
Layered Antiquity is a fashion editorial for Overdue Magazine that draws on an ethereal, woodland aesthetic. Through the lens of photographer Elina Kechicheva, the story captures model Alayna Neaum in a sequence of sculptural, off-white garments that lean into organic draping and architectural tailoring. Creative and fashion direction by Natalie Yuksel establishes a consistent visual language, utilizing the forest as a textural backdrop. The work makes extensive use of natural light and chiaroscuro techniques, with filtered sunlight and atmospheric haze defining the interplay between shadow and form across the model's features and high-contrast attire.
Project Overdue Magazine · LIFE ISSA MOVIE
LIFE ISSA MOVIE is an editorial series commissioned for Overdue Magazine that leans into a moody, atmospheric aesthetic. The project utilizes low-key lighting and chiaroscuro techniques to craft a series of intimate, cinematic portraits that emphasize texture and shadow within domestic and office interiors. Photographer Mark Yareham leads the visual direction, working with model Han Zhicheng to create a sequence of contemplative, high-contrast imagery. The production is characterized by its reliance on directional light sources, ranging from the domestic glow of an open refrigerator to the sharp, deliberate shadows of studio portraiture. Casting by Miguel Brana Campos supports the project's focus on varied textures, blending patterned fabrics and layered wardrobe choices with the stark, dim settings of the shoot.
Project Overdue Magazine · Overdue Magazine #007 Fall 2024 Covers
Overdue Magazine marks the release of its seventh issue with the Fall 2024 cover series, featuring model Noor Elliott in a relaxed editorial portrait. The imagery captures a contemplative aesthetic, balancing bold typography with an intimate, interior setting. Photographer Catharina Pavitschitz directs the shoot, utilizing warm, soft light to create a mood-driven composition. The production features set design by Thomas Conant, which anchors the subject against a textured, domestic backdrop, while hair styling by Ditte Lund Lassen provides the final detail for the cover feature.
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