Vogue Scandinavia
Featured Vogue Scandinavia projects
This week's top Vogue Scandinavia projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Vogue Scandinavia · Victorian Era
Vogue Scandinavia presents Victorian Era, a compelling editorial project that masterfully juxtaposes historical opulence with the irreverent pulse of modern life. Through the lens of photographer Ekin Can Bayrakdar, the series constructs a cinematic narrative where 19th-century silhouettes meet the mundane reality of smartphones, earbuds, and everyday domesticity. Fashion editor and stylist Katie Felstead anchors this visual dichotomy by pairing voluminous lace, ruffled sleeves, and structured corsetry with high-contrast contemporary accessories, grounding the ethereal costumes in a tangible, lived-in reality. The deliberate interplay of styles is further elevated by hair stylist Craig Taylor and makeup artist Megumi Matsuno, whose work leans into a moody, natural aesthetic that complements the soft, low-key chiaroscuro lighting found throughout the shoot. Set designer Thomas Conant cultivates an environment of quiet introspection, utilizing intimate interiors and sun-drenched architectural framing to give model Carolina Burgin a stage that feels both timeless and startlingly current. By prioritizing natural light and a muted, warm-toned palette, the project avoids the trap of costume-drama pastiche, opting instead for a sophisticated visual exploration of identity across eras. The result is a series of portrait and lifestyle images that feel as much like a cultural commentary as they do a fashion story, capturing a restless energy that resonates far beyond the confines of a period-inspired set.
Project Vogue Scandinavia · Twin Tailoring
Twin Tailoring for Vogue Scandinavia serves as a masterclass in modern sartorial duality, exploring the intersections of heritage textiles and contemporary minimalist silhouettes. Through a series of striking compositions, the project leverages the stark contrast between structured, high-fashion tailoring and the raw, unrefined expanse of a foggy, overcast coastline. Photographer Landon McMahon captures this juxtaposition with an evocative eye, utilizing natural light and atmospheric haze to emphasize the tactile quality of herringbone wools, glen-plaid tweeds, and crisp, monochromatic ensembles. The editorial narrative is anchored by the precise styling of Anna Katsanis, whose work highlights the layering of textures—from delicate pinstripes to ornate metallic crest buttons—that define the collection. With hair artistry by Clay Nielsen and clean, polished grooming by makeup artist Elayna Bachman, model Kelly Gale anchors the portraits with an expression of quiet, focused elegance. The imagery leans into a sophisticated, moody aesthetic, incorporating elements of analogue film technique and surrealist touches, such as mid-air floating cameras, to challenge the boundaries of traditional portraiture. This project successfully positions classic luxury fashion within a contemporary, conceptual framework, resulting in a cohesive series that feels both timeless and forward-thinking, perfectly embodying the refined, artisanal spirit associated with top-tier luxury fashion houses.
Project Vogue Scandinavia · North Star
North Star is an editorial fashion project for Vogue Scandinavia that leans into a clean, coastal aesthetic. Photographed by Kolby Knight, the series explores structured outerwear and rich fabric textures against various outdoor architectural backdrops. The imagery makes frequent use of natural light and warm, earthy tones to ground the subjects within their settings. Fashion editor Elise Sandvik focuses on layered, intricate knitwear and tailored wool garments, emphasizing a tactile, contemporary look that is further enhanced by subtle analogue film techniques and occasional lens flare.
Project Vogue Scandinavia · Creatures of Couture
Vogue Scandinavia presents Creatures of Couture, a high-fashion editorial series captured by photographer Branislav Simoncik. The project focuses on the juxtaposition of avant-garde silhouette work and domestic architectural settings, featuring model Hana Jirickova within a series of mood-driven, intimate interior spaces. The series utilizes natural light and analogue film techniques to emphasize the tactile qualities of layered textiles, ranging from sequined sculptural elements to sheer, feathered organza. Through the lens of fashion editor and stylist Anya Ziourova, the editorial leans into a palette of warm, earthy tones and desaturated textures. Javier Palacio and Lloyd Simmonds round out the creative team, delivering wet-look hair and understated beauty looks that highlight the project's cinematic, nostalgic aesthetic.
Project Vogue Scandinavia · It takes two
Vogue Scandinavia presents 'It takes two', an editorial series capturing a study in coordinated styling and layered textures. Photographed by Karoliina Bärlund, the project leans into a warm aesthetic across a variety of interior settings, ranging from workshop spaces to studio-based portraits. The series features styling by Sanna Silander, who curates a mix of luxury utility wear, double-denim ensembles, and pieces with distinct dip-dye gradients. Makeup artist Jenny Jansson complements the fashion with understated, clean looks, while soft natural light and warm indoor lighting emphasize the varied textile finishes throughout the shoot.
Project Vogue Scandinavia · Laufey Let's Go
Vogue Scandinavia presents Laufey Let's Go, a fashion editorial capturing musician Laufey within lush, verdant garden and greenhouse settings. Photographed by Jason Kim, the project leans into a nostalgic aesthetic, utilising soft natural light to highlight the intricate tactile textures of the featured ensembles. Fashion styling by Dione Davis anchors the editorial in a refined, romantic tone, with apparel ranging from structured blazers and corseted jackets to voluminous lace dresses. Hair stylist Gonn Kinoshita complements these looks with signature retro waves, while makeup artist Peter Philips incorporates pastel palettes and soft tones to mirror the botanical environment.
Project Vogue Scandinavia · Stack Attack
Vogue Scandinavia presents 'Stack Attack,' a fashion editorial feature lensed by photographer Federico Barbieri. The series captures model Naja Kirk across a mix of relaxed outdoor portraiture and intimate studio close-ups. Fashion Editor Paola Ventimiglia styles the shoot, which leans into an aesthetic marked by grainy, analogue film textures. The wardrobe transitions from casual denim and leather pairings to a layered look featuring a hooded puffer jacket and chunky metallic chain accessories, with makeup artistry provided by Sara Eriksson.
Project Vogue Scandinavia · Pump Up The Volume
Pump Up The Volume is a fashion editorial series for Vogue Scandinavia featuring model Annie Arnander. Photographed by Mariano Vivanco and styled by Julia Brenard, the project explores sculptural silhouettes and architectural garment forms through a combination of controlled studio environments and open-air locations. The work utilizes clean, vertical framing and monochrome palettes to emphasize volume and intricate textures. The editorial relies on deliberate lighting techniques, ranging from soft, even studio setups to high-contrast chiaroscuro and natural light, to highlight the avant-garde layered clothing. Hair styling by Neil Moodie and makeup by Joey Choy provide a polished finish to the curated looks, while the series maintains a consistent minimalist aesthetic throughout the various portraits.
Project Vogue Scandinavia · Vogue Scandinavia August/September 2025 Cover
Vogue Scandinavia presents its August/September 2025 cover, featuring a portrait of entertainer Laufey. The editorial follows a clean, vertical composition captured in natural light, centered on an intimate close-up that highlights detailed makeup textures and a lace aesthetic. Photographer Jason Kim leads the visual direction, working alongside fashion editor Dione Davis. The creative team includes hair stylist Gonn Kinoshita and makeup artist Peter Philips, who complement the outdoor setting.
Project Vogue Scandinavia · Life's a Beach
Vogue Scandinavia’s Life’s a Beach editorial captures a contemplative, off-season coastal aesthetic. Through a series of vertical compositions, the project leans into raw textures and a muted, desaturated palette, contrasting layered knitwear and structured accessories against the open shoreline. Photographer Landon McMahon employs soft, diffused natural light to highlight the organic details of the environment, from weathered wooden docks to rocky terrain. The editorial features model Julia Bergshoeff in an effortless wardrobe curated by fashion editor Brie Welch, focusing on a tactile interplay between beachwear and heavy textures. Techniques such as analogue film and motion blur emphasize a candid, cinematic quality. The production, managed by Olga Ush, integrates the work of hair stylist Gavin Harwin and makeup artist Charlotte Day to maintain a fresh, windswept look throughout the series.
Project Vogue Scandinavia · Pernille Teisbæk's Chanel AW25 show diary
Vogue Scandinavia documents the intersection of high fashion and personal preparation in this editorial diary following Pernille Teisbæk during the Chanel AW25 show in Paris. The series bridges the intimacy of backstage life with the cinematic scale of the runway, tracking the transition from quiet hotel room preparations to the grand architecture of the Grand Palais. Photographer Polina Vinogradova employs a mix of monochrome film-style captures and clean, naturally lit portraits to record the week. With makeup by Filomena Natoli, the imagery leans into a documentary aesthetic that highlights both the texture of tweed tailoring and the transient nature of fashion week motion. The collection frames the influencer's personal styling against the structured backdrop of Parisian heritage architecture.
Project Vogue Scandinavia · Hollywood Glam
Vogue Scandinavia channels a classic cinematic aesthetic in their Hollywood Glam editorial series. Photographed by Ekin Can Bayrakdar, the project explores the interplay between opulence and history, set against the backdrop of rich, wood-paneled interiors and wintry landscapes. The imagery relies on atmospheric lighting, moving between clean, natural daylight and moody, low-key chiaroscuro to highlight intricate fabric textures. Fashion styling by Robert Rydberg brings a sense of refined drama through embellished gowns, feather accents, and layered pearl accessories, while hair styling by Karolina Liedberg and makeup by Sara Eriksson maintain a polished, timeless finish.
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