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Oliver Peoples
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Oliver Peoples

Oliver Peoples' sun-drenched, retro-infused eyewear campaigns and cinematic brand collaborations

10 projects·0 creatives·

Featured Oliver Peoples projects

This week's top Oliver Peoples projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Model in sunglasses and black top reclining on a poolside lounger with a man in the background Project

Oliver Peoples · Twice Upon a Time

For the "Twice Upon a Time" campaign, Oliver Peoples explores a classic eyewear narrative defined by refined, sun-drenched visuals. Shot by photographer Matthew Brookes, the project captures models Hilary Rhoda, Daisuke Ueda, Afrodita Dorado, and Dominik Sadoch across a series of outdoor environments that range from poolside terraces to expansive mountain vistas. The imagery leans into a clean, editorial aesthetic, relying on natural light and warm, golden hour tones to highlight the textures of the frames and the subjects' surroundings. With styling by Michelle Cameron, the campaign maintains a consistent, polished look that emphasises the intersection of high-fashion portraiture and product-focused commercial photography.

Project

Oliver Peoples · Roger Federer

This commercial campaign for Oliver Peoples spotlights tennis athlete Roger Federer in a series of vignettes set against the backdrop of Rome. Directed by Pari Dukovic, the production captures a balance between formal elegance and athletic performance, moving between tuxedo-clad scenes and active sequences on a clay court. Cinematography by Jan Mettler utilizes the city’s classic architecture and statues to anchor the narrative, framed through a warm, cinematic aesthetic. Art direction by Fabian Niklaus and set design by RNF Design provide the structural context, with fashion styling by Jim Moore and grooming by Nathanael Roethlisberger defining the visual polish of the live-action execution.

Project

Oliver Peoples · Nineteen Sixties

The Nineteen Sixties campaign for Oliver Peoples presents a series of vignettes centered on the intersection of mid-century travel and luxury fashion. Set across an airport terminal and red-carpet environments, the film highlights a collection of tortoiseshell and black designer sunglasses paired with tailored retro outerwear and formal wear. Produced with creative direction by Photobomb Productions, the spot utilizes a live-action technique to capture a specific period aesthetic. The visual narrative relies on dynamic camera movements and deliberate, warm lighting to frame the eyewear within a broader cinematic travel context. Sound design for the project was provided by MAS-Music and Strategy.

Barbara Valente wearing black sunglasses and a plunge halter top, leaning against a balcony railing overlooking the coast. Project

Oliver Peoples · Oliver Peoples Fall 2025

The Oliver Peoples Fall 2025 campaign highlights the brand's latest eyewear collection through a series of portraits featuring model Barbara Valente. Captured by photographer Matthew Brookes, the imagery leans into a clean, commercial aesthetic that emphasizes the frames through natural light and coastal settings. Fashion editor Christian Stroble coordinates the wardrobe, paired with grooming by hair stylist Adir Abergel and makeup artist Tobi Henney. The project utilizes a vertical composition to showcase the design details of the acetate and tinted-lens frames within both outdoor and editorial contexts.

Hamid Onifadé wearing metal sunglasses, a dark linen shirt, and camel pleated trousers on a sandy beach. Project

Oliver Peoples · Malibu, Forever campaign

Oliver Peoples presents the 'Malibu, Forever' campaign, a lifestyle-driven project captured by photographer Matthew Brookes. The series explores the intersection of coastal architecture and eyewear, featuring model Hamid Onifadé across a variety of outdoor and interior settings. Technically grounded in natural light and warm tones, the imagery leans into a polished aesthetic that emphasizes clean lines and textures. The campaign utilizes a mix of tight portraits and wide compositions to showcase the collection's details, incorporating a minimalist approach to frame the brand's signature silhouettes against the backdrop of the coastline.

Roger Federer wearing Oliver Peoples sunglasses and a beige suit seated in a convertible car with a coastal background. Project

Oliver Peoples · Roger Federer

Oliver Peoples partners with athlete Roger Federer for a global eyewear campaign that leans into classic, coastal aesthetics. Captured by photographer Gregory Harris, the series features a mix of high-contrast monochromatic portraits and warm, golden-hour editorial imagery set against Italian coastal backdrops. The collaboration highlights the brand's latest eyewear collection through a relaxed, refined lens. With a focus on natural light and an analogue-inspired film finish, the campaign emphasizes clear, sharp details in the frames and tailored apparel, maintaining a timeless, serene atmosphere throughout the shoot.

Close-up portrait of a model wearing tortoiseshell sunglasses against a white background for Oliver Peoples. Project

Oliver Peoples · Fai II & Fai III for Oliver Peoples

Oliver Peoples introduces the Fai II and Fai III collection through a series of intimate, editorial eyewear portraits. Creative director Fai Khadra works with photographers Louise and Maria Thornfeldt to frame the campaign with a focus on minimalism and material detail. The series features model Momo Ndiaye, utilizing tight, vertical compositions and clean studio lighting to accentuate the sharp contours of the acetate frames. By oscillating between soft, natural light and moody, low-key monochrome techniques, the imagery highlights the eyewear through precise, macro-focused framing.

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