
Numero Tokyo
Featured Numero Tokyo projects
This week's top Numero Tokyo projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Numero Tokyo · Dress to Delight
For the digital issue 191 of Numéro Tokyo, photographer Brendan Freeman captures the fashion editorial 'Dress to Delight.' Set against the utilitarian backdrop of dance rehearsal studios and minimal architectural spaces, the series focuses on the interplay between sculptural tailoring and fluid movement. Model Michelle Laff anchors the narrative, moving through a range of avant-garde silhouettes—from feather-trimmed wraps to structured knits—that contrast sharply with the reflective floors and wooden ballet barres of the rehearsal environment. Defined by a tactile quality and an emphasis on natural light, the series leans into clean compositions that allow the garment details to emerge. Casting direction by Marina Fairfax elevates the subject's dynamic posture, while hair styling by Maki Tanaka and makeup by Riona O'Sullivan provide a sleek, understated polish that complements the editorial's focused aesthetic.
Project Numero Tokyo · The strength of Elegance
Numero Tokyo presents 'The Strength of Elegance,' a fashion editorial feature captured by photography duo The Bardos. The series explores structural silhouettes and layered textures through a mix of studio and location-based portraits. Shot under a combination of natural light and soft studio setups, the imagery emphasizes graphic compositions and varied architectural backdrops. Styling by Dione Davis anchors the editorial, ranging from oversized quilted outerwear and tailored wool suiting to fluid, draped gowns. The project utilizes analogue film techniques to create a distinct texture, with hair by Kazue Deki and makeup by Asami Kawai providing a clean, considered finish. Model Sandra Martens fronts the story, appearing across a range of dynamic, movement-focused poses.
Project Numero Tokyo · What if...? 未来へタイムワープしてみたら……?
Numero Tokyo explores the intersection of high fashion and robotics in this editorial series, "What if...? 未来へタイムワープしてみたら……?." Led by photographer and creative director Jumbo Tsui, the project positions model Mona Kawasaki within urban and industrial landscapes alongside autonomous machines, creating a narrative that contrasts human style with futuristic elements. The series transitions between natural light, overcast settings and high-contrast, gritty nightlife scenes. Aika Kiyohara handles fashion styling, with hair by Tomi Kono and makeup by Yumi Endo. The production utilizes techniques such as direct flash to lean into a raw, documentary-inspired aesthetic, set against the backdrop of highways, transit infrastructure, and stark concrete urban environments.
Project Numero Tokyo · Numero Tokyo June 2025 Cover
Numero Tokyo unveils its June 2025 issue with a series of editorial spreads featuring model Naja Kirk. Captured by photographer Yeongjun Kim, the imagery emphasizes sculptural silhouettes and minimalist composition, set against stark studio backgrounds. The editorial, which leans into monochrome grading and clean lines, features hair styling by Kenshin Asano and makeup by Sada Ito. The visual narrative highlights a range of attire, from layered formal wear and voluminous trench coats to athletic-inspired separates, all brought together through a focus on natural light and distinct textures.
Project Numero Tokyo · Genuine Mode vol.147 wondering romance photographed by Masaya Tanaka
Numero Tokyo presents Genuine Mode vol.147, titled wondering romance, an editorial fashion series captured by photographer Masaya Tanaka. The project explores the intersection of studio minimalism and domestic intimacy through a collection of double-page magazine spreads. Across these layouts, model Sarah Ferguson appears in a variety of high-fashion ensembles, ranging from sharp, structured tailoring to delicate, textured separates. The execution relies on diverse photographic environments, shifting between clean white backdrops and warm, naturally lit interior settings. Using both monochrome and earth-toned palettes, the work leverages analogue film techniques to create an observational, character-driven aesthetic. The editorial layout balances architectural composition with soft, reflective portraiture, highlighting the interplay between the subjects and their surroundings.
Project Numero Tokyo · Lulu Wood
This fashion editorial series for Numero Tokyo highlights model Lulu Wood across a collection of versatile studio and location settings. The imagery channels a sharp, high-contrast aesthetic through a mix of monochrome portraiture and bold, saturated outdoor shots. Photographer Pierre Toussaint and fashion stylist Jessica Dos Remedios develop a clean, minimalist visual language that underscores the structural details of the garments, from tailored coats to leather outerwear. The project features hair styling by Madison Voloshin and make-up by Filomena Natoli, who complement the editorial vision with a consistent wet-look hair aesthetic and neutral styling. Utilizing techniques such as natural light and analogue-inspired film textures, the editorial captures a sophisticated range of silhouettes against both architectural backdrops and expansive coastal environments.
Project Numero Tokyo · Like she came out of a painting
In the latest editorial spread for Numero Tokyo titled Like she came out of a painting, photographer Pakbae masterfully leans into a graphic, high-contrast aesthetic that elevates the boundaries of contemporary luxury fashion. By utilizing a saturated color-blocked palette, the project channels a surreal, painterly energy that feels both highly curated and kinetically charged. Central to this visual narrative is model Amélie Auger, whose dynamic, mid-air poses capture a sense of raw motion and effortless poise. The editorial employs sharp studio strobe techniques to ensure each hue—from vibrant lime greens and deep purples to structured red blazers—pops against the stark, minimalist backdrops. The meticulous makeup artistry by Sada Ito, featuring neon green highlights and sculptural hair textures, serves to ground the high-fashion ensembles while pushing the overall concept toward a more avant-garde interpretation of portraiture. This fusion of static, clean composition and energetic movement reads as a celebration of color theory, creating a series of images that feel less like traditional magazine spreads and more like living art. By embracing bold contrast and precise, high-speed freeze imagery, the project successfully bridges the gap between commercial editorial work and fine art photography, ultimately establishing a distinctive, energetic aesthetic that is perfectly aligned with the sophisticated, modern sensibility of the luxury fashion industry.
Project Numero Tokyo · Numero Tokyo July/August 2026 Digita ...
For the July/August 2026 digital issue of Numero Tokyo, the editorial team has curated a sophisticated visual narrative that masterfully balances high-fashion sensibilities with a relaxed, outdoor lifestyle aesthetic. Photographer Noémi Ottilia Szabo captures the essence of this modern movement, framing the talent, Daria Zolotova, against the industrial yet serene backdrop of a waterfront, where a large metallic blue telescope serves as a striking, unconventional prop. The composition feels effortlessly grounded, utilizing natural light to highlight the intricate textures of the color-blocked orange and blue sweater and the leather-look shorts. This editorial project succeeds by juxtaposing the sharp, geometric lines of the wardrobe with the soft, misty landscape of the distant mountains, creating a visual rhythm that feels both accessible and aspirational. The creative vision is further elevated by the deliberate hair styling of Liv Holst and the polished makeup application by Manuela Balducci, both of which complement the textured, short haircut of the model to emphasize a sense of contemporary ease. Casting director Olivier Duperrin ensures that the styling feels entirely cohesive within the environment, anchoring the editorial in a world that feels as much like an authentic getaway as it does a high-end fashion statement. The bold, integrated typography ties the imagery together, firmly placing this work at the forefront of modern media and entertainment design.
Project Numero Tokyo · Numero Tokyo July 2026 Cover
For the Numero Tokyo July 2026 cover, the creative team has delivered a striking exercise in editorial minimalism that captures a distinct sense of quiet wanderlust. Photographer Noémi Ottilia Szabo captures model Daria Zolotova in a serene lakeside setting, leaning against a vintage metal telescope along a promenade. The composition leans into an understated tension between the urban feel of the cobblestone path and the vast, soft-focus mountains looming in the overcast distance. Szabo effectively uses natural light to wash over the scene, allowing the saturated color-blocking of the subject’s red and blue sweater to command the frame without feeling forced or overly busy. The visual narrative is sharpened by the meticulous collaboration of hair stylist Liv Holst, who provided the subject with a textured, short pixie cut, and makeup artist Manuela Balducci, whose work ensures the beauty aesthetic remains grounded and contemporary. Casting director Olivier Duperrin threads the needle of this high-end magazines, media and entertainment project, selecting a look that feels both aspirational and deeply rooted in the current moment. By eschewing excessive artifice in favor of environmental authenticity, the cover manages to stand out in the crowded publishing landscape, proving that even a simple, static portrait can resonate deeply through careful curation and precise technical execution.
Project Numero Tokyo · Under the Italian Sun
Under the Italian Sun for Numero Tokyo is a masterclass in editorial fashion photography, where the stark, serene beauty of Lake Como serves as a cinematic backdrop for high-end sartorial narratives. Photographer Noémi Ottilia Szabo expertly captures model Daria Zolotova amidst the shifting light of the Italian landscape, moving effortlessly between the bright, saturated warmth of sun-drenched promenades and the cool, diffused atmosphere of ferry deck transits. The imagery leans into a sophisticated blend of editorial minimalism and lifestyle storytelling, meticulously styled with hair by Liv Holst and makeup by Manuela Balducci to complement the diverse, sculptural textiles of the featured collections. From futuristic, visor-style sunglasses and metallic leopard prints to delicate, beaded floral embroidery and feather-trimmed silhouettes, the project creates a dialogue between industrial maritime environments and organic couture. Casting director Olivier Duperrin ensures a compelling, confident presence throughout the series, whether the subject is reclining against rustic wooden piers or interacting with the architectural geometry of ferry railings. Shot entirely with natural light, the series emphasizes the interplay of high-contrast shadows and soft-focus mountain silhouettes, resulting in a cohesive, atmospheric visual essay that elevates modern luxury fashion through its authentic, grounded engagement with its picturesque, waterside setting.
Project Numero Tokyo · Genuine Mode
Genuine Mode for Numero Tokyo represents a sophisticated masterclass in editorial fashion photography, where the interplay between structural design and minimalist composition takes center stage. Throughout this series, the project captures the essence of contemporary luxury fashion through a series of dynamic, high-key portraits that prioritize the architectural silhouette of the garments over decorative distraction. By utilizing both natural light and precise studio strobe setups, the imagery achieves a polished, clean aesthetic that feels both timeless and distinctly forward-thinking. Fashion editor and stylist Ako Tanaka expertly curates a wardrobe that balances oversized, deconstructed tailoring with vibrant, unexpected accents like saturated blue eyeshadow and dramatic fringe, allowing the clothing to interact with space and movement. The presence of model Edwina Preston brings a nuanced gravity to each frame, her expressive postures emphasizing the drape of fabrics ranging from crisp, high-neck jumpsuits to sculptural jackets. Makeup artist Kouta enhances the visual narrative by integrating bold, experimental color palettes against neutral, seamless backdrops, which collectively ensure that the focus remains entirely on the garment's form. With its calculated use of negative space and rhythmic composition, the project leans into a refined, minimalist sensibility that resonates with the high-fashion editorial standards of the publication, ultimately creating a cohesive visual language that celebrates the artistry of modern luxury design.
Project Numero Tokyo · the mode code
In the latest fashion editorial for Numero Tokyo titled The Mode Code, the creative team strips back the noise to focus on the interplay between structure and personal expression. Photographer Kinya masterfully harnesses studio strobe lighting to create a clinical, high-contrast environment that allows each garment to command attention. Against a stark, seamless white background, the imagery prioritizes editorial minimalism, emphasizing clean lines and architectural tailoring. The visual narrative leans into the tension between classic silhouettes and unexpected color pairings, from deep browns and blacks to vibrant pops of lilac and yellow. Em Verleun anchors the series with a presence that feels both precise and effortlessly modern, moving between fluid drapes and rigid, boxy cuts with ease. The visual consistency is bolstered by the meticulous work of hair stylist Jun Goto and makeup artist Yuka Washizu, who contribute to a cohesive aesthetic that feels grounded in contemporary studio portraiture. By focusing on the interplay of textiles—whether it is the contrast of denim against tailored wool or the subtle layering of shirts and neckerchiefs—the series serves as a masterclass in modern styling. The result is a refined, polished portfolio that avoids unnecessary artifice, instead choosing to let the craft of the composition speak for itself in this standout fashion campaign.
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