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Model Vittoria Ceretti in a brown one-shoulder dress leaning against a tall textured panel in a minimalist architectural studio set.
Model Vittoria Ceretti in a brown blazer and skirt holding a clutch in a studio set for Max Mara Spring 2025 campaign.
Model Vittoria Ceretti in a long black cutout dress and sandals standing against large textured panels for Max Mara.
Model Vittoria Ceretti in a backless black blazer holding a handbag against a geometric wall in a Max Mara campaign.
Model Vittoria Ceretti posing in a white jacket and black turtleneck against architectural columns for Max Mara
Model Vittoria Ceretti wearing brown jacket and matching skirt holding a leather handbag in Max Mara campaign
Model Vittoria Ceretti in a brown belted coat holding a clutch bag in a set-dressed studio environment.
Model Vittoria Ceretti leaning against multi-toned architectural panels wearing a beige one-shoulder dress for Max Mara
Model Vittoria Ceretti in a brown one-shoulder dress leaning against a tall textured panel in a minimalist architectural studio set.
Model Vittoria Ceretti in a brown blazer and skirt holding a clutch in a studio set for Max Mara Spring 2025 campaign.
Model Vittoria Ceretti in a long black cutout dress and sandals standing against large textured panels for Max Mara.

Max Mara Spring 2025 Ad Campaign 2025

About

Max Mara explores the tension between structural precision and organic fluidity in its Spring 2025 ad campaign, a masterclass in luxury fashion house aesthetic. Photographed by Craig McDean, the series leans into a refined editorial minimalism that elevates the brand's heritage of tailoring to new architectural heights. Central to the visual narrative is model Vittoria Ceretti, whose poised, direct presence provides a sharp focal point against a landscape of vertical panels. The set design, orchestrated by Piers Hanmer, utilizes matte textures and geometric blocking in shades of soft pink, cream, and dusty rose to frame the collection’s clean lines. Under the creative direction of Ian Griffiths, the project achieves a seamless cohesion where the studio strobe lighting highlights the tactile depth of ribbed knits, crisp shirting, and supple leather accessories. Stylist Tonne Goodman curates an ensemble that emphasizes wearable sophistication, while the collaborative efforts of hair stylist Esther Langham and makeup artist Mark Carrasquillo reinforce the campaign’s polished, modern identity. By integrating a commercial sensibility with elevated portraiture, the work captures a sense of composed confidence. The use of natural light accents, when present, adds a subtle softness to the otherwise rigorous structural composition, resulting in a campaign that feels both timeless and distinctly forward-looking, grounding the high-fashion narrative in a tangible, expertly crafted reality.

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