VOGUE POLSKA
Featured VOGUE POLSKA projects
This week's top VOGUE POLSKA projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project VOGUE POLSKA · Phuang Malai
In Phuang Malai, Vogue Polska delivers a breathtaking study in editorial minimalism, seamlessly blending high-fashion sensibilities with the serene, organic landscapes of Thailand. The project functions as a sophisticated fashion editorial, utilizing natural light to elevate the subject within both rural and transport-inspired settings. Throughout the series, the visual narrative channels a dreamlike, cinematic quality, heavily reliant on a muted, earthy color palette and careful attention to textural detail. From the tactile elegance of gold lace and delicate feather embellishments to the structured silhouettes of pillbox hats and geometric accessories, each image feels deliberate and evocative. Styling by Ashlee Barrett-Bourmier plays a pivotal role, juxtaposing avant-garde garments against weathered bamboo rafts, vintage train carriages, and vast, water-bound vistas. With the casting expertise of Marina Fairfax, model Lydia Reid grounds the high-concept aesthetic, delivering a series of neutral, intimate portraits that oscillate between candid lifestyle moments and polished, symmetrical compositions. The inclusion of subtle analogue or film techniques adds a grainy, nostalgic texture that enhances the atmospheric depth of the remote environments. By marrying these distinct, structured garments with the raw, expansive geography of the riverbanks and rail lines, the production creates a visual dialogue between luxury fashion and the quiet, persistent stillness of the natural world.
Project VOGUE POLSKA · Downtown
For Vogue Polska, the Downtown editorial campaign offers a masterclass in modern luxury fashion, seamlessly blending nostalgic 1960s sensibilities with a sharp, contemporary urban lens. Under the creative direction of Chiara Janczarek, the project captures an evocative, cinematic mood that channels the elegance of golden hour in the city. Photographer Ina Levy expertly utilizes natural light to emphasize the architectural rigour of the settings, moving between high-contrast black and white frames and warm, saturated color palettes that highlight the collection's texture. The styling by Diletta Ariano leans into minimalist refinement, juxtaposing structured tailoring, trench coats, and vintage automobiles to create a polished, cohesive narrative. Emphasizing the sculptural, voluminous hair styling by Emil Zed, the project finds a powerful anchor in the presence of model Caren Jepkemei, whose poised performance brings an undeniable humanity to the sterile, modernist urban backdrop. Through the effective use of chiaroscuro lighting and cinematic composition, the imagery feels simultaneously grounded and aspirational. This editorial succeeds by balancing the precision of luxury fashion photography with the raw, textural quality of analogue film, resulting in a series that feels both timeless and urgent. Every frame is meticulously curated, from the deliberate choice of accessories to the interplay of shadow and concrete, reflecting a sophisticated vision that resonates far beyond the page.
Project VOGUE POLSKA · Arcymistrz
Arcymistrz for Vogue Polska serves as a masterful exploration of intellectual tension, weaving together the precision of high-stakes chess with the refined sensibilities of modern luxury fashion. Creative director Chiara Janczarek orchestrates a sophisticated visual narrative that transcends standard portraiture, utilizing an atmospheric library setting to ground the editorial in a sense of timeless gravitas. Captured by photographer Bartek Wieczorek, the series leans into a cinematic aesthetic that prioritizes texture and depth, successfully bridging the gap between raw storytelling and polished editorial minimalism. The project benefits significantly from the interplay of natural light and shadow, which brings an authentic, almost tactile quality to the sartorial choices curated throughout the shoot. Whether through the grain of 35mm film contact sheets or the clean, structured lines of a monochrome profile, the imagery elevates the subject, model Anatol Modzelewski, as he maneuvers through a calculated game. With essential contributions from hair stylist Emil Zed, the project maintains a cohesive, disciplined look that emphasizes the interplay between classic tailoring and intellectual focus. By utilizing techniques like depth-of-field manipulation and the raw authenticity of analogue film, the work stands as a testament to the power of thoughtful, narrative-driven fashion photography that demands careful observation from the viewer rather than offering a fleeting aesthetic experience.
Project VOGUE POLSKA · Vogue Polska January/February 2026 Covers
Vogue Polska presents a multi-part editorial feature for the January/February 2026 issue. Captured by photographer Karolina Pukowiec, the series showcases model Estelle Nehring across a range of studio environments and intimate settings. The project leans into a distinct retro aesthetic, utilizing soft lighting to frame detailed styling by Kasia Mioduska. With creative input from hair stylist Kyoko Kishita and makeup artist Marianne Agb, the editorial explores a variety of textures and silhouettes, from chunky knits to structured faux fur. Casting direction for the covers was led by Jordan Mergirie, resulting in a cohesive visual narrative.
Project VOGUE POLSKA · Valentino special
Vogue Polska presents a fashion editorial dedicated to the latest collection from designer Alessandro Michele. Photographed by Ina Levy with creative direction by Chiara Janczarek, the imagery balances high-luxury tailoring with suburban domestic settings, drawing on a nostalgic and retro-inspired visual language. Featuring model Jesi Evans, the series moves between interior domestic environments, defined by vintage textures, and exterior residential locations. The styling, curated by Kasia Mioduska, emphasizes clean lines and tactile details—such as fur cuffs, oversized satin bows, and structured patterns—against muted suburban backgrounds. The production leverages natural light, incorporating both soft and directional techniques to highlight the collection's refined silhouettes and varied material finishes, occasionally rendered in monochrome.
Project VOGUE POLSKA · U prząśniczki
U prząśniczki is a fashion editorial produced for Vogue Polska that captures a rural, narrative-driven aesthetic. The project leans into a nostalgic, observational tone, blending traditional textile craft with authentic heritage backdrops ranging from rustic wooden cabins and train compartments to lush meadows and reflective riverbanks. Photographed by Arianna Lago, the series prioritizes organic textures and a tactile focus on chunky knitwear and patterned layers. With creative direction by Chiara Janczarek and styling by Kasia Mioduska, the imagery utilizes diffused natural light to create a contemplative atmosphere. The production features model Astrid Østergaard, whose presence anchors the series within these curated, earth-toned environments.
Project VOGUE POLSKA · New Look
Vogue Polska presents New Look, an expansive fashion editorial that explores classic tailoring and tactile textures. Photographed by Paw Gissel, the series lean into a nostalgic and retro aesthetic, utilizing soft, natural light to emphasize the intricate layering of the wardrobe. The imagery balances high-fashion portraiture with refined still-life compositions, capturing a mood that feels both painterly and contemplative. Styled by Ashlee Barrett-Bourmier, the garments range from voluminous capes and polka-dot patterns to structured tweed and embellished luxury accessories. The editorial is further polished by hair stylist Jesper Hallin and makeup artist Ellen Walge, who maintain a clean, evocative finish across the series. Casting for the project was led by Neill Seeto, with Mahalia Celeste Henderson featured as the model throughout the production.
Project VOGUE POLSKA · EN VOGUE
Vogue Polska presents 'En Vogue,' a series of fashion editorials captured by photographer Lee Whittaker. The project leans into a nostalgic, candid aesthetic, featuring model Sun Mizrahi across diverse outdoor Mediterranean settings ranging from stone promenades to sunlit cobblestone streets. With fashion styling by Lorna McGee, the work emphasizes textural contrasts—pairing sheer slips and lace-trimmed hosiery with structured outerwear and vintage automotive details. The editorial series utilizes natural light and analogue film techniques to create an earthy, atmospheric tone that documents the subject against architectural and coastal backdrops.
Project VOGUE POLSKA · Reconstruction
Reconstruction is a fashion editorial series for Vogue Polska that highlights avant-garde tailoring and sculptural silhouettes. Photographed by Bohdan Bohdanov, the imagery juxtaposes elaborate, textural headpieces and heavily embellished garments against muted, painterly backdrops to create a high-contrast aesthetic. Featuring model Claudia Campana, the project leans into a moody, desaturated visual language. With casting directed by Neill Seeto and makeup artistry by Marianna Yurkiewicz, the editorial relies on clean, directional lighting and analogue-inspired film techniques to elevate the intricate craftsmanship of the wardrobe.
Project VOGUE POLSKA · The right to reset
Captured by photographer Ina Levy, "The right to reset" for Vogue Polska presents a sprawling fashion editorial that balances classical European architecture with rhythmic, sculptural compositions. The series follows model Vivien Solari through a sequence of serene, domestic, and recreational environments, from sun-drenched estates and rustic mountain chalets to opulent indoor bathhouses. The project leans into a nostalgic editorial aesthetic, utilizing soft, natural light and layered depth of field to create a contemplative mood. Styling by Kasia Mioduska emphasizes varied textures—ranging from structured wool coats and delicate lace to minimalist swimwear—often framed against geometric tile work or verdant landscapes. With contributions from hair stylist Emil Zed and casting director Marina Fairfax, the work maintains a cohesive, cinematic feel. Retouching by Paul Drozdowski refines the tonal palette, alternating between warm, earthy tones and cool, desaturated monochrome, resulting in a thoughtful, grounded visual narrative.
Project VOGUE POLSKA · Vogue Polska June Cover Story
Vogue Polska’s June cover story captures a series of outdoor portraits that lean into a soft, nostalgic aesthetic. Photographed by Melanie Rodriguez and featuring model Dalton Dubois, the editorial series utilizes natural light to emphasize organic textures and botanical settings, from rugged coastal cliffs to manicured gardens. The imagery employs analogue film techniques and warm, grainy color grading to evoke a classic, cinematic atmosphere. Through the lens, the composition highlights intricate floral apparel and structured layering, framed against lush greenery and natural coastal landscapes.
Project VOGUE POLSKA · Nostalgia
Vogue Polska explores academic aesthetics and collegiate heritage in the fashion editorial series, Nostalgia. The project leans into a 1970s-inspired visual language, utilising analogue film techniques and natural light to frame a series of portraits and group compositions within institutional and domestic settings. Photographed by Karolina Pukowiec, the editorial features styling by Ashlee Barrett-Bourmier, who layers structured tailoring, heavy knitwear, and vintage-inflected accessories. The production features hair styling by Hiroshi Matsushita, makeup by Sunao Takahashi, and set design by Thomas Conant, with model Lydia Reid appearing across the series alongside additional talent.
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