Study Magazine
Featured Study Magazine projects
This week's top Study Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Study Magazine · Vol.16 09.26
Study Magazine presents Volume 16 09.26, an editorial feature capturing model Georgia Martin in an outdoor setting. The series, photographed by Angela Hill, emphasizes a clean aesthetic through the use of natural light and warm tones. Fashion editor Hisato Tasaka curates the wardrobe, featuring a long-sleeved shirt with distinct ruffled detailing. The production was overseen by editor Christopher Niquet with casting directed by Rachel Chandler.
Project Study Magazine · The American Girl - A Bottega Veneta ...
Study Magazine presents 'The American Girl', a fashion editorial featuring photography by Angela Hill. The project leans into a clean, minimal aesthetic, capturing candid portraiture and full-body styling against sprawling outdoor park landscapes. Utilizing natural light, the series highlights textural contrasts through layered knitwear and athletic-inspired staples. With casting directed by Rachel Chandler and styling led by Hisato Tasaka, the editorial brings a tactile, earthy feel to contemporary fashion portraiture. Edited by Christopher Niquet, the series integrates bold typographic layouts within the imagery to define its visual narrative.
Project Study Magazine · Study vol.16 x Bruno Staub
Study vol.16, photographed by Bruno Staub, delivers a candid series of fashion portraits that explore texture and raw, observational imagery. Through a mix of monochrome and natural light compositions, the work leans into an authentic, documentary-adjacent aesthetic, utilising minimalist residential settings and quiet outdoor spaces as backdrops. Fashion editor Charlotte Collet curates a relaxed, contemporary wardrobe that complements the editorial focus, while grooming from hair stylist Joseph Pujalte and makeup artist Christine Corbel emphasises realistic, clean-faced features. The project balances structured, direct portraiture with spontaneous movement, often employing analogue film techniques to capture subtle, intimate details.
Project Study Magazine · Volume 15
For Volume 15 of Study Magazine, photographer Jeremy Everett presents an expansive editorial exploration into the environments and culture surrounding equestrian sport. The work moves beyond the arena, pairing intimate, textured documentary photography with candid observational studies of equipment, riders, and the peripheral landscapes of training facilities. Employing a grainy, analogue film aesthetic and consistent natural light, the series utilizes diptych and multi-panel layouts to create thematic dialogues between subjects. These juxtapositions balance the raw, tactile details of leather tack and stable interiors against the atmospheric breadth of dusk-lit landscapes and architectural forms, resulting in a grounded, cinematic portrait of the discipline.
Project Study Magazine · Study Magazine September 2026 Cover
Study Magazine presents its September 2026 cover, an editorial portrait captured by photographer Bruno Staub. The composition features models Joey Harding and Matilda Deakins, focusing on a tight, frontal framing that emphasises a monochromatic aesthetic. Working with fashion editor and stylist Charlotte Collet, the imagery leans into a naturalistic approach with tousled hair by Joseph Pujalte and clean makeup by Christine Corbel. The use of natural light and high-contrast film grading defines the visual tone, while casting by Piotr Chamier brings a deliberate stillness to the group portrait.
Project Study Magazine · Study Magazine Volume 15 Covers 2026
The latest offering from Study Magazine for Volume 15 arrives as a masterclass in editorial portraiture, stripping away the excesses of commercial gloss to focus on pure, evocative character. Captured by photographer Marie Deteneuille, the project leans into a raw, stripped-back aesthetic that prioritizes the intimacy of the subject over complex artifice. By utilizing high-contrast black and white photography paired with soft, natural light, the cover composition creates a quiet but undeniable tension that commands attention from the newsstand. The deliberate choice to feature model George Anderson in a simple hooded sweatshirt underscores an editorial minimalism, proving that impactful creative storytelling relies on the strength of the gaze rather than elaborate styling. With a bold, graphic yellow typeface anchoring the frame, the design feels both immediate and timeless. The visual narrative is bolstered by thoughtful contributions from fashion editor Rae Boxer, while hair stylist Akemi Kishida and makeup artist Christine Corbel work in perfect harmony to maintain an authentic, unadorned appearance. Under the guidance of editor-in-chief Christopher Niquet, the project serves as a definitive statement within the magazines, media, and entertainment sector, successfully blurring the line between high-fashion documentation and gritty cultural reportage. This series is not merely a cover; it is a sophisticated study in form and focus that challenges the current landscape of visual media.
Project Study Magazine · Corporate Hand-Me-Downs
In the striking series Corporate Hand-Me-Downs for Study Magazine, photographer Marie Deteneuille orchestrates an evocative exploration of sartorial subversion. The project leans into editorial minimalism, dismantling the rigid boundaries of professional attire by juxtaposing structured tailoring—such as double-breasted blazers and formal pinstripes—with the relaxed, distressed nature of loungewear and athletic shorts. Under the sharp eye of fashion editor and stylist Rae Boxer, the collection creates a visual dialogue between corporate heritage and contemporary youth culture, effectively channeling a sense of polished, urban nonchalance. The execution benefits from a highly intentional approach to texture, where wool coats, leather trousers, and fringed knits interact with minimalist backdrops, while the inclusion of black-and-white analogue film captures a timeless, reportage-style authenticity. Set designer Victor Leverrier provides a curated environment that ranges from raw industrial textures to stark, clean surfaces, allowing the models to inhabit a space that feels both domestic and staged. With nuanced hair styling by Akemi Kishida and precise makeup by Christine Corbel, the project maintains a consistent narrative of effortless, unbothered cool. Through this deliberate blending of high and low fashion, Corporate Hand-Me-Downs functions as a sophisticated study in contradiction, utilizing high-key lighting and natural light to emphasize the tactile quality of the garments and the stoic, direct gaze of the talent.
Project Study Magazine · By Joséphine Løchen
In this striking editorial feature for Study Magazine, photographer Joséphine Løchen explores the intersection of architectural structure and fluid minimalism. Through a series of high-fashion portrait shots, the work examines the tension between sharp tailoring and tactile experimentation. Løchen utilizes precise studio strobe and natural light setups to emphasize the interplay of textures, ranging from sleek patent leather and glossy coats to complex, patchwork ruffles and dense, layered fringe. Under the direction of Editor-in-Chief Christopher Niquet, the series channels an avant-garde sensibility where clothing becomes sculptural form. Stylist Rae Boxer curates a diverse wardrobe, expertly pairing crisp white button-downs and structured blazers with unexpected accessories like coin-disk belts and ruffled mules to build depth in each composition. The project is further elevated by the deliberate hair artistry of Akemi Kishida, whose work varies from tousled updos to voluminous, textured styles, complemented by the clean, sophisticated makeup palettes of artist Christine Corbel. Casting directors Andrea Prato and Daniel von der Graf anchor the series with models whose direct, composed gazes demand the viewer’s full attention. By placing every subject against a consistent, neutral grey backdrop, Løchen distills the fashion editorial genre down to its essential elements, letting the interplay of silhouette, movement, and material speak for itself while maintaining a cohesive and modern aesthetic throughout the entire collection.
Project Study Magazine · Study Magazine Volume 14 Covers 2026
For the fourteenth volume of Study Magazine, the editorial team has delivered a masterclass in modern portraiture that balances restraint with sharp sartorial precision. The cover image, captured with a refined eye by photographer Joséphine Løchen, leans into an aesthetic of editorial minimalism that feels both timeless and distinctly contemporary. By utilizing studio strobe lighting to emphasize the rich, tactile contrast between a crisp white collared shirt and a sleek leather jacket, the team creates a visual narrative that draws the viewer in through pure textural detail. Editor-in-Chief Christopher Niquet anchors the issue in a bold, authoritative tone, while the styling by fashion editor Rae Boxer keeps the focus squarely on the model’s presence, supported by hair work from Akemi Kishida and makeup by Christine Corbel that celebrates a natural, understated beauty. The decision to frame the subject against a seamless grey backdrop allows the striking blue 'study' typography to pop, effectively signaling a brand identity that prioritizes clarity and high-concept creative direction. This project successfully utilizes classic studio techniques to elevate the magazine’s visual language, proving that a strong portrait remains the most effective tool in the media and entertainment landscape. By stripping away visual clutter, the team creates a compelling invitation for readers to engage with the thoughtful, curated content housed within this latest volume.
Project Study Magazine · An Outline of What Could Be
In the striking series titled An Outline of What Could Be for Study Magazine, the interplay between structure and negative space redefines the conventions of contemporary fashion editorial. Through the lens of photographer Mark Kean, the project leans into a rigorous exploration of architectural silhouettes, where every garment—from voluminous bell-shaped dresses to sharp, double-breasted blazers—is treated as a sculptural element. The editorial aesthetic is anchored by a deliberate use of analogue film and 35mm film techniques, which lend a timeless, grainy texture to the monochromatic frames, effectively stripping away distraction to focus entirely on form and geometry. Styling by Camilla Nickerson emphasizes this minimalist vision, utilizing crisp whites and deep blacks to create a high-contrast visual language that is both cerebral and evocative. The subtle inclusion of metallic shimmery makeup by Thom Walker adds a contemporary edge to the otherwise clean compositions, while hair styling by Tom Wright highlights the model’s refined, cropped aesthetic. By maintaining a uniform grey backdrop across the series, the imagery achieves a sense of continuity that allows the intricate pleats and bold bow details to command attention. This project serves as a masterclass in editorial minimalism, proving that when the focus is sharpened to the barest essentials of light and shape, the resulting portrait work becomes a potent study of fashion as pure design.
Project Study Magazine · Study Magazine Volume 13 2025 Covers
Study Magazine presents the 2025 covers for Volume 13, featuring editorial photography by Bruce Weber and Mark Kean. The series highlights a minimalist approach to fashion portraiture, utilizing soft studio lighting against neutral backdrops. Fashion Editor and Stylist Camilla Nickerson leads the visual direction, working alongside models Charlie Jones and Lulu Starbuck. The production includes beauty contributions from hair stylists Johnny Caruso and Tom Wright, makeup artists Regina Harris and Thom Walker, and manicurist Trish Lomax, with set design by Suzanne Beirne.
Project Study Magazine · Study Magazine Volume 12 2025 Covers
Study Magazine presents the Volume 12 2025 covers, featuring photography by Senta Simond. The editorial project leans into a clean, vertical portrait aesthetic, defined by soft lighting that highlights the natural features of cover talent Tildy. Working under the creative direction of Editor-in-Chief Christopher Niquet, the production team includes fashion styling by Charlotte Collet, hair styling by Franziska Presche, and makeup artistry by Celine Martin. The session was supported by casting director Julia Lange.
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