SHADOWPLAY Magazine
Featured SHADOWPLAY Magazine projects
This week's top SHADOWPLAY Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project SHADOWPLAY Magazine · SOMETHING LIKE COUTURE
SOMETHING LIKE COUTURE for SHADOWPLAY Magazine is an evocative exploration of high-fashion editorial portraiture that masterfully bridges the gap between traditional tailoring and conceptual artistry. Photographer Antonino Cafiero harnesses the power of natural light and low-key chiaroscuro techniques to create a cinematic, moody atmosphere that feels both timeless and avant-garde. The editorial leans into a striking monochrome palette, occasionally interrupted by bold, deliberate bursts of crimson, as seen in the recurring motifs of oversized bows and vibrant floral accents. With creative direction and styling by Brando Prizzon, the project showcases an eclectic range of silhouettes—from voluminous, pleated mauve capes to structured, oversized tuxedo jackets—all set against the backdrop of weathered, historic interiors. The casting, curated by Nicolas Bianciotto, features Pierrick Grégoire and other talent who embody a calm, contemplative stillness that lets the intricate textures of the garments and the environment take center stage. Through the meticulous work of hair stylist Roger Cho and makeup artist Andrey Sebaoun, the project shifts between raw minimalism and surreal transformation, notably in the metallic silver-leaf portraiture. With set design by Rebecca Ilse anchoring the subjects in rustic, architectural spaces, this body of work reads as a sophisticated dialogue between the sculptural qualities of clothing and the fragile humanity of the subject, successfully defining a distinct, high-end editorial vision.
Project SHADOWPLAY Magazine · Echoing
Echoing is a fashion editorial series for SHADOWPLAY Magazine that explores the interplay between sculptural apparel and intimate portraiture. Captured through a combination of analogue film and long exposure techniques, the project balances high-contrast monochrome frames with dynamic, motion-blurred sequences. The series features model Annabelle Weatherly, with fashion styling by Jermaine Daley. The visual narrative relies on minimalist backgrounds and soft, natural light to emphasize the textures of avant-garde garments and graphic beauty details. Casting for the editorial was directed by Shawn Dezan, with photography by Leonardo Veloce.
Project SHADOWPLAY Magazine · The Shape Of Things To Come
For 'The Shape Of Things To Come,' SHADOWPLAY Magazine presents a fashion editorial series that interrogates the relationship between avant-garde silhouettes and monochromatic minimalism. Shot by photographer Arseny Jabiev, the work moves between controlled studio environments and stark urban settings to emphasize the tactile, sculptural nature of contemporary tailoring. The series features model Danyelle Taylor styled by Natalie Tauger, whose curation prioritizes bold volumes, oversized textures, and refined leatherwork. The imagery leans into a clean, graphic aesthetic, employing analogue film techniques and high-contrast lighting to underscore the architectural forms of the garments. Supporting the polished visuals, hair styling by Rachel Polycarpe and makeup by Stevie Huynh maintain a sharp, precise finish, with casting directed by Shawn Dezan.
Project SHADOWPLAY Magazine · under your skin
For SHADOWPLAY Magazine's 'under your skin' editorial, photographer Ferry van der Nat captures a raw and tactile exploration of modern masculinity. The series leans into a stark editorial aesthetic, defined by heavy leather, voluminous faux furs, and eclectic layering. Fashion stylist Simon Dae Dissing Bacher curates a range of statement pieces—from oversized crocodile-embossed jackets to leopard-print textiles—that emphasize texture and form against minimal, high-key studio backdrops. Working with a team including hair stylist Bastien Zorzetto and casting director Michiel van Maaren, the project moves between clean, soft-lit portraits and moody, low-key chiaroscuro lighting. Models including Aurélien Vol, Daniil Kercz, Gleb Sazon, Marnix Eyckmans, Milan Bodemer, Nickita Poleacov, and Yacine Ferroudj are captured in both controlled studio environments and natural light settings. The editorial relies on a blend of monochrome tones, sharp flash, and tactile surface contrasts to anchor its minimalist, narrative-driven approach to fashion photography.
Project SHADOWPLAY Magazine · SHADOWPLAY Magazine September 2025 Cover
SHADOWPLAY Magazine features model Kris Grikaite on the cover of its September 2025 issue, captured in a full-length studio portrait by photographer Myrthe Giesbers. The composition leans into a clean, minimal aesthetic, utilizing a cool-toned seamless backdrop that highlights the structured silhouette of the subject’s coat. The imagery employs a desaturated palette to emphasize the houndstooth textures and sharp tailoring. Editorial styling by Ana Tess pairs the look with dark lipstick, while hair stylist Junya Nakashima opted for a slicked-back aesthetic. The cover was produced under soft light to maintain a balanced, studio-focused finish.
Project SHADOWPLAY Magazine · SHADOWPLAY Magazine September 2025 Cover
SHADOWPLAY Magazine features model Marnix Eyckmans on its September 2025 editorial cover. The project highlights a high-contrast aesthetic, utilizing direct flash lighting to define the subject against a dark, textured surface. Photographer Ferry van der Nat leads the visual execution, with styling by Simon Dae Dissing Bacher. The editorial look is completed by hair styling from Bastien Zorzetto and makeup by Aurelia Liansberg, with casting handled by Michiel van Maaren. This vertical, moody composition sits within the magazine's broader editorial media presence.
Project SHADOWPLAY Magazine · SHADOWPLAY Magazine #8 2025 Covers
SHADOWPLAY Magazine presents its issue #8 cover editorial, featuring actor Isabelle Huppert in a series of striking portraiture. The imagery explores high-fashion silhouettes and structural composition through an editorial lens. Captured by photographers Luigi & Iango, the shoot leans into a clean, monochrome aesthetic. The styling by fashion editor Jonathan Huguet highlights architectural garments, complemented by hair styling from John Nollet and makeup by Georgi Sandev. The series utilizes analogue film techniques to define its sharp, polished visual language.
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