Office Magazine
Office Magazine's avant-garde fashion editorials, intimate portraiture and cultural features
Featured Office Magazine projects
This week's top Office Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Office Magazine · Office x KEEN
In a playful collision of high-fashion sensibility and rugged utility, Office Magazine teams up with KEEN to reimagine the boundaries of outdoor footwear. This fashion editorial campaign sidesteps the traditional, sterile norms of performance marketing, choosing instead to lean into a raw, urban energy that feels both spontaneous and meticulously curated. Under the sharp, observational eye of photographer Jesper Damsgaard Lund, the project transforms mundane city environments—playground structures, construction sites, and public parks—into a sprawling, industrial-tinged runway. The imagery channels a candid lifestyle aesthetic, utilizing consistent natural light to anchor the subjects as they navigate their surroundings with kinetic, almost acrobatic ease. Models including Gabrielle Richardson, Arta Gee, and Finlay Mangan bring a tangible sense of movement to the frames, their dynamic poses elevating the technical durability of KEEN sneakers into an accessible style statement. With thoughtful makeup artistry by Natsuki Oneyama, the campaign avoids over-polishing, allowing the grit of the concrete backdrops and the textural richness of the footwear to take center stage. By focusing on authentic interaction with the environment, the collaboration captures a spirited, adventurous soul, effectively positioning the technical gear as an essential companion for the modern city dweller who prioritizes both aesthetic expression and rugged, unbothered versatility in their everyday wardrobe.
Project Office Magazine · Love Me Love Me Not
Love Me Love Me Not is a fashion editorial feature for Office Magazine, directed and photographed by Mauricio Sierra. The series leans into a graphic, high-contrast visual language, frequently utilizing vibrant crimson and deep black backdrops to frame its subjects. The project incorporates a variety of editorial techniques, ranging from macro beauty shots to textural, minimalist portraiture. Executed with a consistent emphasis on chiaroscuro lighting and filmic grain, the imagery highlights sculptural fashion details and emotive makeup applications. Casting for the editorial was managed by Marie Lévy, featuring models Ana Ros and Anneta Popova.
Project Office Magazine · Puma Suede x Office
Office Magazine presents a collaborative fashion editorial showcasing the latest Puma Suede collection. The project highlights the versatility of the footwear through a mix of clean studio portraits and environmental shots set against modern architectural backdrops. With photography by Johnson Lui, the series balances layered streetwear silhouettes and retro-inspired knits. The editorial features model Bridget Gao Hollitt and co-stars, emphasizing tactile textures and casual styling across both indoor and outdoor settings. Utilizing soft, natural light, the imagery leans into a minimalist aesthetic that places focus on the classic footwear profiles and contemporary garment layering.
Project Office Magazine · Editorial
Office Magazine explores contemporary fashion aesthetics through a series of editorial portraits produced by Slate Studios. The visuals center on curated styling, juxtaposing detailed garment textures against varied, high-contrast studio backdrops. Techniques including dramatic lighting and a stylized aesthetic define the series, which features diverse layering and bold prints. Slate Studios leads the production, capturing the editorial imagery within a controlled studio environment.
Project Office Magazine · Editorial
Office Magazine showcases high-fashion editorial portraiture in this recent series produced by Slate Studios. The visuals lean into minimalist aesthetics, utilizing clean studio backdrops and natural light to emphasize bold silhouettes and contemporary styling. Across the series, the compositions highlight diverse textures, ranging from structured outerwear to ornate accessories. Slate Studios delivers a consistent approach to editorial imagery, focusing on precise framing and minimalist set design to ground the high-fashion elements.
Project Office Magazine · THE FABULOUS KOJIMA
Office Magazine explores the intersection of gaming culture and avant-garde fashion in THE FABULOUS KOJIMA. This editorial feature documents game director Hideo Kojima through a series of staged, workplace-inspired environments, emphasizing a deadpan aesthetic and surreal, playful compositions. Photographer and creative director Jumbo Tsui employs direct flash photography to create sharp, high-contrast imagery throughout the series. The project utilizes office partitions, hallways, and minimalist interiors as a backdrop for highly stylized fashion, incorporating offbeat props like cardboard boxes, rolling chairs, and intricate wooden models to disrupt traditional editorial portraiture. Under the direction of Editor-in-Chief Simon Rasmussen, the project balances clean, graphic layouts with raw, textured details. Production was managed by Hiroki Sekiguchi with casting by Shimana, resulting in a cohesive visual narrative that leans into contemporary streetwear and conceptual staging.
Project Office Magazine · Sukii Baby x Salomon for Office Magazine
Office Magazine presents an editorial feature starring artist Sukii Baby, showcasing a collaboration between the publication and Salomon. The shoot positions the subject in rugged outdoor settings, ranging from coastal hillsides to rocky landscapes, anchored by a high-fashion, streetwear-leaning aesthetic. Photographer Sam Spence captures the series using natural light and an analogue-inspired film style, emphasizing the interplay between bold textures and technical footwear. Fashion editor and stylist Simon Rasmussen coordinates the looks, which pair utilitarian silhouettes with futuristic accessories, while Maranda Widlund and Zenia Jaeger contribute hair and makeup styling.
Project Office Magazine · Aime Simone
Office Magazine captures musician and artist Aime Simone in a versatile fashion editorial series. The project leverages clean, minimalist studio environments and urban settings to highlight a range of textures, from faux fur and corduroy to leather and metallic detailing. Photographer Letizia Guel employs a mix of natural light and direct, analogue-style illumination to maintain a raw, contemporary aesthetic. With fashion styling by Manvi Bhatnagar, the imagery balances structured tailoring with avant-garde accessories. The production was managed by Olivia Ghalioungui, with hair by Julie Bennadji and makeup by Isis Moënne-Loccoz.
Project Office Magazine · Nature of Adolescence
Nature of Adolescence is an intimate editorial series produced for Office Magazine, exploring the nuances of youth through a raw, observational lens. Photographer Bex Day and fashion editor Kaduri Elyashar collaborate to construct a visual narrative defined by candid portraiture and experimental styling, blending domestic settings with outdoor play to capture an authentic, contemplative mood. The series leans heavily into an analogue aesthetic, utilizing natural light and visible film grain to emphasize tactile textures—from wet hair and skin to layered fabrics and unconventional props. The imagery employs a deliberate, clean framing that centers on the subjects, featuring modeling by Annabel Van Tilborg, Annabel van Tongeren, Edie Sunman, Gabriel Kemplay, and Gemma Seymour.
Project Office Magazine · To Love is To Share
To Love is To Share is a fashion editorial feature for Office Magazine, capturing a series of intimate, narrative-driven scenes. Photographed by Alex Brunet and Olga Varova, the project leans into a retro aesthetic, utilizing soft light and moody shadows to emphasize tactile textures and vintage-inspired styling. Fashion editor and stylist Simon Rasmussen coordinates a variety of period-inspired ensembles, including lace intimates, tailored suits, and silk garments. Yulya Zalesskaya provides makeup artistry, focusing on bold lip colors and intricate details like winged eyeliner to ground the cinematic compositions.
Project Office Magazine · Henri Ping's VIGEÉ
In the latest series for Office Magazine, photographer Iga Drobisz masterfully explores the intersection of high fashion and raw, human vulnerability with Henri Ping's VIGEÉ. This editorial feature leans into a moody, minimalist aesthetic, where the power of the portrait is amplified by a deliberate, cinematic approach to composition. Working alongside fashion editor and stylist Billy Lobos, Drobisz orchestrates a series of portraits that function as studies in texture and contrast. From sculptural feather headpieces to graphic, hand-drawn leather blindfolds, each look is meticulously crafted by makeup artist Alice Dodds to challenge traditional beauty standards through a sharp, avant-garde lens. The project captures an evocative, analogue quality, utilizing the constraints of the Polaroid format to lend every frame a tactile, intimate feeling. Drobisz makes excellent use of natural light and soft light to accentuate the organic contours of her subjects against muted, charcoal-grey backdrops, while the crisp, low-key lighting choices elevate the editorial minimalism at play. With retouching by Viktoriia Gasanova, the imagery retains a candid, film-based rawness that feels both timeless and distinctly contemporary. VIGEÉ acts as a poignant example of how refined creative direction can transform static portraiture into a rhythmic, visual narrative, proving that sometimes the most striking statements are those delivered with quiet, deliberate precision.
Project Office Magazine · The Black Swan Undressed
In The Black Swan Undressed, a high-fashion editorial collaboration for Office Magazine, photographer Emilio Tamez masterfully explores the intersection of raw, rural landscapes and avant-garde luxury fashion houses. The project functions as a visual tapestry, weaving together ethereal narratives that lean into the juxtaposition of delicate, semi-sheer fabrics against the rugged, weathered aesthetics of deep forests and rustic meadows. Through a sequence of evocative portraits, Tamez captures a sense of quiet isolation, utilizing natural light to highlight the intricate textures of lace, leather, and synthetic materials. The imagery moves seamlessly between color and monochromatic palettes, at times employing analogue film techniques that lend a raw, documentary edge to the styling. With precise beauty work from hair stylist Takayuki Umeda and makeup artist Mollie Gloss, the subjects inhabit a liminal space where high-concept style meets the untamed organic world. The composition of each frame is deliberately cinematic, drawing viewers into a contemplative atmosphere that feels both grounded and otherworldly. By balancing bold, high-fashion silhouettes with the subdued tones of the environment, this series effectively redefines the pastoral trope. The result is an uncompromisingly modern editorial that feels as intimate as it is performative, proving that the most compelling fashion narratives are those that embrace the tension between the curated object and its natural surroundings.
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