ODDA Magazine
Featured ODDA Magazine projects
This week's top ODDA Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project ODDA Magazine · J'adore Dior
In a sophisticated exploration of olfactory luxury, the J'adore Dior editorial feature for ODDA Magazine masterfully deconstructs the iconic fragrance through a lens of refined minimalism. Photographer Martin Gatti captures the essence of the Dior fragrance and beauty industry with a sharp eye for tactile detail, bridging the gap between high-end commercial product photography and intimate portraiture. The series leans into a cinematic aesthetic, utilizing precise studio strobe lighting and intentional natural light to emphasize the architectural integrity of the J'adore bottle—from its characteristic teardrop silhouette to the intricate, gold-coiled neck. By juxtaposing macro textures of reflective metallic foils against the clean, sculptural lines of the glass vessels, the feature transforms a familiar retail icon into an object of fine art. Gatti employs editorial minimalism throughout the compositions, often setting the products against neutral, monochromatic backdrops that allow the amber liquid and gold metallic finishes to take center stage. This project feels like a masterclass in visual storytelling, where the interplay of light and shadow highlights the craftsmanship inherent in Dior’s design language. Whether capturing the humanness of the perfumer or the still-life elegance of the fragrance collection, the work remains grounded in an aspirational, polished tone that elevates the product beyond its utilitarian origins into a truly evocative experience.
Project ODDA Magazine · 1896, and The Rest is History
In 1896, and The Rest is History, ODDA Magazine delivers a compelling visual narrative that navigates the intersection of luxury fashion houses and the gritty, unfiltered reality of urban life. This high-concept editorial campaign masterfully leans into a tension between high-end aspiration and the mundane landscape, placing iconic designer monogram handbags against the backdrop of industrial roller shutters, utility poles, and utilitarian streetscapes. Through the lens of deliberate lifestyle and editorial photography, the project challenges the traditional boundaries of high fashion imagery. The execution relies heavily on natural light to draw out the intricate textures of both the meticulously styled garments and the weathered, architectural environments. The project channels a documentary sensibility, as seen in the deliberate framing of city streets and storefronts, creating a juxtaposition that elevates the accessories as the primary focal point of each composition. Model Carliane Paixao anchors the series with a composed, neutral presence, while the styling by Tsuki ensures the subjects remain polished despite the unpolished surroundings. By blending the aspirational with the authentic, the series captures a modern aesthetic that feels both raw and refined. This work exemplifies how luxury branding can be recontextualized through a street-level perspective, favoring natural light and environmental storytelling to bridge the gap between elite style and the everyday world.
Project ODDA Magazine · A Piece of Me
In A Piece of Me, a striking editorial project produced for ODDA Magazine, photographer Angelo Lamparelli and fashion editor Simone Rutigliano dismantle the traditional conventions of the fashion portrait to explore the human anatomy as a raw, sculptural canvas. The collection functions as a multidisciplinary study, seamlessly blending high-fashion editorial aesthetics with conceptual fine art techniques. Throughout the series, the team, including hair stylist Davide Perfetti and makeup artist Filippo Ferrari, leans into a clinical yet surreal atmosphere, where subjects are transformed through the application of vibrant gels, intricate beaded accessories, and avant-garde layered garments. The imagery—frequently utilizing studio strobe lighting to achieve high-key clarity—is punctuated by mathematical overlays and typographic sketches that suggest a deconstructed, anatomical guide. This experimental approach is further pushed by the use of collage and physical manipulation of prints, as seen in the fragmented portraiture and analogue film textures that anchor the project in a tactile reality. By juxtaposing fluid, organic elements against rigid studio environments, the project captures a tension between the body and its environment. With expert casting by Mattia Marazzi, the subjects maintain an imposing, deliberate presence, successfully positioning the work at the intersection of academic illustration and contemporary style to interrogate how we perceive the figure in a modern, commercial context.
Project ODDA Magazine · Brooke Shields
For this striking editorial feature in ODDA Magazine, creative director David Martin and photographer Cody Lidtke cultivate a visual language that gracefully oscillates between the theatrical and the avant-garde. The campaign centers on legendary actor Brooke Shields, who anchors a series of high-fashion portraits that lean into surrealist juxtaposition. By framing Shields alongside models like Luke Pearson—who often appear in traditional white ballet tutus—the work challenges conventional gender roles within luxury fashion. The project makes extensive use of studio strobe techniques, which provide a clean, clinical backdrop that allows the complex layering of textures—from feathered vests and sequined skirts to structured leather and floral-patterned coats—to take center stage. Several portraits embrace an editorial minimalism, utilizing soft, directional lighting that emphasizes the intricate ruffling of blouses and the precise tailoring of patterned blazers. Whether through the lens of a classic portrait or the subtle nostalgia of an instant film aesthetic, the imagery remains consistently polished. The result is a sophisticated exploration of garment silhouette and narrative performance, where the boundary between high-fashion editorial and stylized fine art blurs. By maintaining a neutral, seamless grey environment, the creative team ensures the focus remains on the interplay of movement, fabric, and the commanding presence of their subject, resulting in a cohesive portfolio that feels both timeless and provocatively contemporary.
Project ODDA Magazine · A PIECE OF ME
In the striking series A Piece Of Me for ODDA Magazine, photographer Angelo Lamparelli masterfully navigates the intersection of fine art and high fashion to explore the fluidity of human identity. This editorial project functions as a visual deconstruction of the physique, utilizing a clean, minimalist studio aesthetic to push the boundaries of traditional portraiture. Through the lens of Lamparelli, the work channels an experimental spirit, employing techniques like rhythmic collage and tactile layering to transform the subjects into graphic elements. Stylist Simone Rutigliano anchors the narrative with eclectic choices—ranging from sheer, structured leather jackets to avant-garde, bead-heavy ensembles—that highlight a bold interplay of texture and form. Supported by the precise grooming of hair stylist Davide Perfetti and makeup artist Filippo Ferrari, the series captures an array of models, including Amath Diattara and Leon Claudel, within stark environments. Whether utilizing precise studio strobe setups or capturing figures in fluid motion, the imagery leans into a raw, fragmented approach that prioritizes silhouette over conventional pose. The result is a sophisticated examination of fashion that feels both clinical and visceral, emphasizing how clothing and the human form can be reassembled to challenge standard editorial perceptions. By integrating elements of manual craft, such as taped-together photographic strips and deliberate paint applications, the project transcends simple fashion photography, establishing itself as a cohesive, highly stylistic artistic statement.
ODDA Magazine · Chanel
This fashion film for ODDA Magazine highlights a collection of Chanel apparel and luxury accessories. The production features a minimalist setup with four models captured against a clean backdrop, emphasizing the intricate details of tweed handbags, statement jewellery, and layered bracelets. The visual approach leans into a cinematic aesthetic, utilizing analogue film-inspired textures and subtle grain to create a nostalgic tone. Wild Island Films managed the post-production and visual effects for the project.
Project ODDA Magazine · De Nederlandse Levensduur
De Nederlandse Levensduur for ODDA Magazine is a high-fashion editorial project that explores the intersection of traditional Dutch heritage and contemporary silhouettes. Photographed by Lemmie van den Berg, the series features model Maggie Maurer styled in an avant-garde collection of structured bonnets, intricate lace, and textured tweed suits. The imagery relies on a moody, minimalist studio aesthetic to emphasize the tactile quality of the garments, utilizing directional soft light to sculpt the subjects against dark, desaturated backdrops. Beyond the portraits, the series incorporates documentary-style imagery from the atelier, capturing the meticulous process of garment construction. With editing by David Martin, the project balances formal fashion portraiture with intimate behind-the-scenes details, such as scattered sewing tools and manual textile work. The result is a clean, conceptual narrative that highlights both the sculptural drape of the clothing and the craftsmanship inherent in the design.
Project ODDA Magazine · A "Hook up" With Time
A 'Hook up' With Time is a fashion editorial series for ODDA Magazine that explores the tension between sculptural tailoring and organic environments. Photographed by José Cuevas with styling by Simone Rutigliano, the project moves between controlled studio environments and lush outdoor settings, leaning into a minimalist aesthetic defined by clean lines and considered textures. The editorial, which features talent Paul Boche, Nikita Gnetnev, and Aleksander Lukowski, showcases a layered approach to menswear. The wardrobe incorporates intricate details, from avant-garde headpieces and sculptural capes to delicate jewelry and tactile knitwear. Throughout the series, the use of soft natural light and studio-based high-key lighting emphasises the construction of each garment, creating a cohesive visual narrative that balances earth-toned landscapes with sharp, clinical studio portraiture.
Project ODDA Magazine · The House of Dior
ODDA Magazine presents 'The House of Dior,' an editorial fashion series captured by photographer David Mesa. The project frames contemporary luxury tailoring within contrasting urban and intimate interior settings, moving between street-level compositions and quiet, warm-toned architectural backdrops. Featured model Erik Lemus-Calderon appears across the series, which emphasizes the interplay of structured designer apparel and accessories against everyday environments. Executed with a polished, raw aesthetic, the work leans into natural light, golden hour tones, and analogue film techniques to create a cohesive editorial narrative.
Project ODDA Magazine · ODDA Magazine #29 Fall/Winter 2025, Resort 2026 Covers
ODDA Magazine presents its Fall/Winter 2025 and Resort 2026 covers, highlighting a series of fashion editorials focused on high-end garment texture and minimalist art direction. Featuring Sterre Haket, the lead editorial photographed by William Darby utilizes clean, diffused lighting and translucent overlays alongside dalmatian dogs to define the issue's visual narrative. Additional covers, including a portrait of actress Anna Van Patten by Sophia Wilson, lean into soft light and naturalistic settings within a loft environment. The series maintains a consistent editorial aesthetic throughout, pairing varied designer silhouettes with bold typography and a clean, composed presentation.
Project ODDA Magazine · Leo Reich
Comedian and writer Leo Reich appears in this editorial feature for ODDA Magazine. Photographed by Stewart Bryden, the series explores a blend of tailored silhouettes and unconventional textures, set against minimal, bright interiors. The imagery utilizes natural light to emphasize a clean, editorial aesthetic. Styling, developed in collaboration with Charlie Cullen, anchors the portraiture with contrasting elements ranging from oversized outerwear to layered knits. The project leans into a minimalist visual language, allowing the subject to define the mood across multiple indoor settings.
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