MARFA
Featured MARFA projects
This week's top MARFA projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project MARFA · Kristen Stewart
Captured by photographer Zoë Ghertner, this editorial series for MARFA features actor Kristen Stewart in a range of outdoor, raw-aesthetic settings. The production utilizes natural light and tactile, industrial backdrops—from corrugated metal and chain-link fences to overgrown fields—to frame Stewart in a variety of high-fashion looks. Fashion styling by Emma Wyman centers on layered textures, contrasting tailoring, and vibrant color accents, complemented by Adir Abergel’s textured hair styling and Mai Quyhn’s understated makeup. Set design by Spencer Vrooman grounds the portraits in organic and industrial environments, with several frames incorporating analogue film techniques and mesh overlays to create an intimate, atmospheric quality.
Project MARFA · River loves to row
MARFA presents 'River loves to row,' a fashion editorial feature that captures a series of intimate and observational moments. The project leans into a narrative-driven style, documenting model River Klein across a sequence of urban street settings and quiet interior bedroom vignettes. Photographer Anders Edström captures the collection using analogue film, prioritising natural light to emphasise the tactile quality of the textiles—from plush shearling and high-shine satin to intricate silk ruffles. With fashion styling by Danny Reed, the work balances candid, raw composition with a polished editorial layout, resulting in a cohesive visual exploration of the seasonal garments.
Project MARFA · JUDIT POLGÀR
Marfa’s editorial feature on chess grandmaster Judit Polgár blends contemporary portraiture with archival research. The project leans into an editorial aesthetic, pairing modern photography with a documentary approach that explores the history of the sport through personal accounts and tournament records. The layout uses clean, minimalist typography and a structured, grid-based presentation to frame the narrative across multiple spreads. Photography by Valeria Herklotz employs a monochrome, analogue film technique to create a cinematic and grainy texture throughout the feature. The visual journey moves between intimate, soft-lit portraits of Polgár and wider documentarian frames, with hair styling by Tobias Sagner and makeup by Ischrak Nitschke providing a polished, quiet focus to the imagery.
Project MARFA · I said yes to the mess, Justine Parsons Marfa #24
MARFA presents a fashion editorial series featuring model Justine Parsons, captured in a collection of portraits that balance studio precision with lifestyle-inspired textures. The project leans into a minimalist aesthetic, utilizing soft light and subtle grain to define the visual tone across the layouts. Photography by Philippine Chaumont and Agathe Zaerpour anchors the editorial, which features styling by François Gravel. The imagery incorporates elements of natural light and desaturated color grading to frame the subject within both controlled studio settings and neutral domestic interiors.
Project MARFA · MARFA SS 2025
MARFA’s SS 2025 fashion editorial presents a series of evocative portraits and lookbook images set against an urban and coastal backdrop. The project, captured by photographer Selim Soysal and styled by Carolina Vidal Levesque, leans into an analogue aesthetic to document the seasonal collection. The series features model Agustina Sposato, utilizing natural light and earthy color palettes to emphasize the tactile quality of sheer lace, textured knits, and patterned fabrics. The compositions anchor the apparel against varied architectural motifs, including glass-block grids, brick exteriors, and sunlit seaside promenades, maintaining a consistent, retro-inflected editorial tone.
Project MARFA · Clunie Fretton
MARFA presents Clunie Fretton, an editorial series that documents the intersection of portraiture and artisan craftsmanship. Photographed by Jessica Madavo, the project leans into a documentary aesthetic to capture its subject within the tactile, textured environment of a working studio. Fashion editor and stylist François Gravel brings a clean, composed approach to the wardrobe, balancing structured everyday pieces against the raw, earthy backdrop of the workshop. Executed with analogue film techniques and natural light, the series emphasizes honest, candid interactions between the subject and her surroundings.
Project MARFA · Angelina Kendall
MARFA’s fashion editorial featuring model Angelina Kendall presents a series of studio-based portraits and coastal imagery. Photographed by Oliver Hadlee Pearch, the collection leans into a minimalist aesthetic, utilizing neutral grey backdrops and natural light to emphasize texture and form. Fashion editor and stylist Tamara Rothstein brings a varied palette to the production, ranging from lace lingerie to vibrant floral layers. The project relies on a polished, clean approach that shifts between rigid, linear studio compositions and candid, sun-kissed outdoor shots. Technical execution is supported by set design from Afra Zamara, hair styling by Tom Wright, and makeup by Mel Arter. The editorial blends highly structured, clean studio portraits with softer, saturated scenes, employing editorial and artistic techniques throughout.
Project MARFA · From her Cartier handbag, the chic, ...
MARFA presents a multi-faceted fashion campaign featuring model Georgia Martin. Photographed by Oliver Hadlee Pearch, the series leans into a raw, editorial aesthetic, juxtaposing structured luxury accessories against urban, textured backdrops. The project incorporates fashion styling by Linda Engelhardt, hair styling by Damien Boissinot, and makeup by Sandrine Cano Bock. Utilizing natural light, the imagery highlights a clean composition that emphasizes the subject's features, with casting direction provided by Simone Schofer.
Project MARFA · Veggies don't have phones - Fact. Th ...
MARFA presents an evocative fashion editorial series that draws on candid, observational aesthetics to showcase seasonal collections. Photographed by Olimpia Taliani de Marchio, the project leans into cinematic framing and natural light to document models Bruna Souza and Mila Beer in varied urban and garden settings. Working with creative direction from fashion editor and stylist Alexandra Gordienko, the imagery explores a tactile approach to styling. The shoot integrates editorial techniques including grainy film textures and clean, desaturated compositions, supported by hair styling from Michał Bielecki and makeup by Claire Urquhart.
Project MARFA · Good Friends
In the luxury fashion sector, the MARFA Good Friends campaign emerges as a masterclass in editorial minimalism, leaning into the power of tactile storytelling. Photographer Alice Neale crafts a series of striking visuals that emphasize the intersection of opulent materials and human intimacy. Throughout the collection, the imagery balances sharp, high-key studio lighting with the moody, organic softness of natural light to accentuate the collection’s intricate details. Whether capturing the dense, feathered textures of garments or the high-gloss intensity of a signature red lip, the work channels a polished, modern aesthetic that feels both accessible and aspirational. Styling by Vanessa Reid plays a pivotal role in the narrative, utilizing oversized silhouettes, structured black coats, and avant-garde accessories to create a sense of refined tension. Profiles by Claire Grech and Thomasin Waite provide the necessary detail to ensure each frame feels precise, with the styling and makeup working in concert to ground the conceptual elements. By incorporating techniques ranging from analogue film to clean studio strobe portraits, the project succeeds as a cohesive study in movement and fiber. This campaign serves as a testament to the brand's commitment to visual depth, resulting in a series that is as much about the emotion of the garment as it is about the fashion itself, proving that silence and structure are often the loudest stylistic statements.
Project MARFA · MARFA 25 Spring 2026 Covers
The latest edition of MARFA 25 Spring 2026 captures a masterclass in editorial minimalism, seamlessly blending high-concept fashion photography with a clean, sophisticated visual language. Across these covers, the project leans into a narrative of deliberate stillness, utilizing natural light to highlight the intricate textures of structured trench coats and translucent, floor-length gowns alike. By alternating between stark studio strobe environments and urban architectural backdrops, the collection achieves a versatile aesthetic that feels both grounded and aspirational. The creative vision is anchored by a collaborative spirit, featuring notable talent including Natalia Vodianova, whose presence adds a polished, classic sensibility to the series. The integration of playful, varied typography and recurring patterns in the layouts provides a subtle yet effective contrast to the otherwise restrained portrait work. With expert styling from figures like Andre Walker and Danny Reed, every image is meticulously composed to prioritize the interplay between the subjects and their environments. The result is an evocative fashion editorial that prioritizes quiet elegance over excess, emphasizing sharp tailoring and carefully curated accessories. By balancing individual character study with a cohesive artistic identity, the project successfully defines the current landscape of contemporary style publications, proving that thoughtful composition and subtle art direction remain the most powerful tools in modern print media.
Project MARFA · Wish You Were My Type
In the latest campaign for luxury fashion house MARFA, titled Wish You Were My Type, photographer Olimpia Taliani de Marchio crafts an evocative visual narrative that bridges the gap between structured high fashion and intimate, domestic nostalgia. This editorial series leans into a refined, sophisticated aesthetic, utilizing consistent natural light to emphasize the rich textures of tweed, pleated fabrics, and sharp architectural tailoring. By placing models Gertrud Rose and Kaat Van Herbruggen within ornate, period-inflected interiors—from rococo-inspired backgrounds to traditional floral wallpaper—the project creates a deliberate dialogue between modern silhouette and historical sentiment. The imagery functions as a masterclass in editorial minimalism, where the focus remains firmly on the interplay of material and mood. Casting director Simone Schofer anchors the campaign with a selection of talent that brings a serene, focused quality to the portraiture, while the meticulous hair styling by Alexandry Costa and makeup artistry by Lauren Bos ensure every detail feels intentional and polished. The resulting portfolio reads as a cohesive, high-end lifestyle study that honors the heritage of the brand while keeping its gaze firmly set on contemporary sartorial excellence. Every frame, whether capturing a subtle close-up of a tweed shoulder or a sweeping full-length silhouette on a wooden staircase, serves to elevate the luxury fashion house identity into a timeless, artfully curated experience.
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