MARFA
Featured MARFA projects
This week's top MARFA projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project MARFA · Kristen Stewart
Captured by photographer Zoë Ghertner, this editorial series for MARFA features actor Kristen Stewart in a range of outdoor, raw-aesthetic settings. The production utilizes natural light and tactile, industrial backdrops—from corrugated metal and chain-link fences to overgrown fields—to frame Stewart in a variety of high-fashion looks. Fashion styling by Emma Wyman centers on layered textures, contrasting tailoring, and vibrant color accents, complemented by Adir Abergel’s textured hair styling and Mai Quyhn’s understated makeup. Set design by Spencer Vrooman grounds the portraits in organic and industrial environments, with several frames incorporating analogue film techniques and mesh overlays to create an intimate, atmospheric quality.
Project MARFA · River loves to row
MARFA presents 'River loves to row,' a fashion editorial feature that captures a series of intimate and observational moments. The project leans into a narrative-driven style, documenting model River Klein across a sequence of urban street settings and quiet interior bedroom vignettes. Photographer Anders Edström captures the collection using analogue film, prioritising natural light to emphasise the tactile quality of the textiles—from plush shearling and high-shine satin to intricate silk ruffles. With fashion styling by Danny Reed, the work balances candid, raw composition with a polished editorial layout, resulting in a cohesive visual exploration of the seasonal garments.
Project MARFA · JUDIT POLGÀR
Marfa’s editorial feature on chess grandmaster Judit Polgár blends contemporary portraiture with archival research. The project leans into an editorial aesthetic, pairing modern photography with a documentary approach that explores the history of the sport through personal accounts and tournament records. The layout uses clean, minimalist typography and a structured, grid-based presentation to frame the narrative across multiple spreads. Photography by Valeria Herklotz employs a monochrome, analogue film technique to create a cinematic and grainy texture throughout the feature. The visual journey moves between intimate, soft-lit portraits of Polgár and wider documentarian frames, with hair styling by Tobias Sagner and makeup by Ischrak Nitschke providing a polished, quiet focus to the imagery.
Project MARFA · I said yes to the mess, Justine Parsons Marfa #24
MARFA presents a fashion editorial series featuring model Justine Parsons, captured in a collection of portraits that balance studio precision with lifestyle-inspired textures. The project leans into a minimalist aesthetic, utilizing soft light and subtle grain to define the visual tone across the layouts. Photography by Philippine Chaumont and Agathe Zaerpour anchors the editorial, which features styling by François Gravel. The imagery incorporates elements of natural light and desaturated color grading to frame the subject within both controlled studio settings and neutral domestic interiors.
Project MARFA · MARFA SS 2025
MARFA’s SS 2025 fashion editorial presents a series of evocative portraits and lookbook images set against an urban and coastal backdrop. The project, captured by photographer Selim Soysal and styled by Carolina Vidal Levesque, leans into an analogue aesthetic to document the seasonal collection. The series features model Agustina Sposato, utilizing natural light and earthy color palettes to emphasize the tactile quality of sheer lace, textured knits, and patterned fabrics. The compositions anchor the apparel against varied architectural motifs, including glass-block grids, brick exteriors, and sunlit seaside promenades, maintaining a consistent, retro-inflected editorial tone.
Project MARFA · Clunie Fretton
MARFA presents Clunie Fretton, an editorial series that documents the intersection of portraiture and artisan craftsmanship. Photographed by Jessica Madavo, the project leans into a documentary aesthetic to capture its subject within the tactile, textured environment of a working studio. Fashion editor and stylist François Gravel brings a clean, composed approach to the wardrobe, balancing structured everyday pieces against the raw, earthy backdrop of the workshop. Executed with analogue film techniques and natural light, the series emphasizes honest, candid interactions between the subject and her surroundings.
Project MARFA · Angelina Kendall
MARFA’s fashion editorial featuring model Angelina Kendall presents a series of studio-based portraits and coastal imagery. Photographed by Oliver Hadlee Pearch, the collection leans into a minimalist aesthetic, utilizing neutral grey backdrops and natural light to emphasize texture and form. Fashion editor and stylist Tamara Rothstein brings a varied palette to the production, ranging from lace lingerie to vibrant floral layers. The project relies on a polished, clean approach that shifts between rigid, linear studio compositions and candid, sun-kissed outdoor shots. Technical execution is supported by set design from Afra Zamara, hair styling by Tom Wright, and makeup by Mel Arter. The editorial blends highly structured, clean studio portraits with softer, saturated scenes, employing editorial and artistic techniques throughout.
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