Luncheon Magazine
Luncheon Magazine's avant-garde fashion editorials and portraiture across media and publishing
Featured Luncheon Magazine projects
This week's top Luncheon Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Luncheon Magazine · Less is More - Comme des Garçons Autumn/Winter 2025-26
Luncheon Magazine presents 'Less is More,' a fashion editorial feature showcasing Comme des Garçons’ Autumn/Winter 2025-26 collection. Captured by photographer Paolo Roversi, the series explores avant-garde sculptural tailoring and high-fashion millinery through a stark, editorial lens. The imagery utilizes low-key chiaroscuro lighting and a desaturated palette to emphasize the geometric volume and intricate fabric textures of the garments. The project features fashion styling by Robbie Spencer, who curated the structural silhouettes and dramatic accessories central to the shoot’s aesthetic. The visual narrative is supported by hair styling from Eugene Souleiman and makeup artistry by Aurore Gibrien, with casting directed by Mollie Dendle and manicure work by Hanae Goumri. The models appearing in the editorial are Ivy Stewart and Karyna Maziar.
Project Luncheon Magazine · Herstory
Luncheon Magazine presents 'Herstory,' an editorial fashion series that explores sculptural tailoring and high-contrast silhouettes. Photographed by Rafael Pavarotti with fashion editing and styling by George Krakowiak, the project utilizes minimalist studio sets to place focus on avant-garde textures and bold, saturated color palettes. The series features model Achol Kuir, with casting directed by Holly Cullen. Technique-wise, the work leans into a clean, graphic aesthetic, employing directional studio lighting to emphasize the interplay between form and fabric. Throughout the series, the imagery shifts between monochromatic palettes and striking color-blocking, highlighted by tactile details and maximalist accessories.
Project Luncheon Magazine · SPILL THE TEA
For the Spill The Tea project, Luncheon Magazine presents an editorial beauty series captured by photographer Zhong Lin. The work leans into macro and tactile aesthetics, focusing on high-gloss skin textures and conceptual portraiture. Each frame utilizes soft, directional light to highlight intricate detail, from natural freckles to precision makeup artistry. Featuring model Nadine Kirilova, the project brings together hair styling by Pierre Saint Sever and makeup by Valentina Li. Casting for the series was provided by Andrea Prato and Daniel von der Graf.
Project Luncheon Magazine · Service, Please!
Luncheon Magazine presents Service, Please!, a series of conceptual editorial portraits that explore avant-garde beauty and sculptural design. Photographed by Felix Cooper, the project features a range of theatrical, high-art styling that utilizes unconventional materials—from circuit boards and household objects to intricate fabric headpieces—to transform the subjects into surreal, performance-driven figures. Casting for the project was directed by Max Kallio. Through a mix of clean studio lighting and stark monochromatic backgrounds, the series emphasizes the interplay between face paint, detailed grooming, and bespoke props, creating a collection that leans into the intersection of fashion and experimental art.
Project Luncheon Magazine · Ensemble
Ensemble for Luncheon Magazine is a striking fashion editorial series that leans into architectural silhouettes and sculptural form. Photographed by Trinity Ellis, the project presents a study in high-contrast monochrome, using dramatic chiaroscuro lighting to define the exaggerated volumes and textures of the featured garments. The series features model Charlie Jones, whose movement and poses emphasize the interplay between sharp, clean lines and fluid, voluminous silhouettes. Styling by Vincent Pons anchors the avant-garde aesthetic, supported by precise hair styling from Ramona Eschbach and graphic makeup artistry by Anthony Preel. With set design by Felix Gesnouin and casting by Piotr Chamier, the production maintains a disciplined, minimalist visual language across its analogue-shot frames.
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