Model wearing a voluminous dark coat and hat against a grey seamless studio background for Luncheon Magazine

Model in a black pleated sculptural dress posing against a plain wall for Luncheon Magazine

Black and white editorial fashion photography showing a model in a dark sleeveless top against a white background.

Close-up split portrait of a model with dramatic eye makeup against a dark background for Luncheon Magazine

High-contrast silhouette of a model leaping in mid-air against a seamless gradient background wearing dark apparel and white trainers.

Model with dark bob haircut wearing a black and white checkered top and dark skirt against grey background.

Black and white editorial portrait of a model in black clothing posing with large graphic numbers overlaid against a light background

Model in an oversized sculptural jacket against a pale neutral background in high-contrast monochrome.

Model in dark voluminous trousers and jacket standing against a neutral studio backdrop

Model with dark styled hair wearing an oversized textured shaggy coat against a plain background

Model in flowing black fabric posing against a minimal white background for Luncheon Magazine

Model in a black high-collar leather coat against a grey studio backdrop, photographed by Trinity Ellis for Luncheon Magazine.

Large white numerals 08 against a solid black background revealing figures within each digit

Model in voluminous dark garment and white shoes performing dynamic poses against a grey backdrop in a 3x3 grid layout.

Model in layered structured outerwear against a neutral background for Luncheon Magazine

Luncheon Magazine Ensemble 2025

About

Ensemble for Luncheon Magazine is a striking fashion editorial series that leans into architectural silhouettes and sculptural form. Photographed by Trinity Ellis, the project presents a study in high-contrast monochrome, using dramatic chiaroscuro lighting to define the exaggerated volumes and textures of the featured garments. The series features model Charlie Jones, whose movement and poses emphasize the interplay between sharp, clean lines and fluid, voluminous silhouettes. Styling by Vincent Pons anchors the avant-garde aesthetic, supported by precise hair styling from Ramona Eschbach and graphic makeup artistry by Anthony Preel. With set design by Felix Gesnouin and casting by Piotr Chamier, the production maintains a disciplined, minimalist visual language across its analogue-shot frames.