Annabelle Magazine
Featured Annabelle Magazine projects
This week's top Annabelle Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Annabelle Magazine · Dog Walk
Dog Walk is a fashion editorial series produced for Annabelle Magazine that explores the intersection of portraiture and canine companionship. Photographer Magnus Lechner captures a diverse cast of subjects, ranging from children to elderly individuals, set against both clean, high-key studio backdrops and textured, concrete-heavy urban environments. The series leans into a mix of sharp, minimalist studio compositions and evocative, monochrome outdoor scenes. The styling focuses on tactile layers—including heavy tweed, shearling, and tailored outerwear—that complement the varied textures of the featured dogs. The production team, including hair stylist Gabriel de Fries and makeup artist Daniela Koller, maintains a refined aesthetic throughout, whether utilizing the crisp, soft light of a studio or the atmospheric, natural light of overcast city settings.
Project Annabelle Magazine · Suit Up!
Suit Up! is a fashion editorial series for Annabelle Magazine that explores the versatility of tailoring. Through a range of studio and urban settings, the work leans into sharp silhouettes and clean, minimalist compositions to elevate classic menswear-inspired staples. Photographer Peter Kaaden captures the collection with a mix of high-contrast flash and direct natural light, resulting in a series that feels both precise and graphic. The editorial features fashion direction by Nathalie de Geyter, with model Fanny Patarin showcasing structural layering and bold accessories. The project is rounded out by makeup artistry from Yoriko Fujita and deliberate, tactile set design by Clara Lasagna, incorporating techniques such as chiaroscuro and analogue-style film textures to define the aesthetic.
Project Annabelle Magazine · Modern Goth by Mattia Parodi
Modern Goth is a fashion editorial series produced for Annabelle Magazine, captured by photographer Mattia Parodi. Set against the stark, rippled landscape of desert sand dunes, the project explores the interplay between structured, dark silhouettes and the raw, earthy environment. The imagery makes frequent use of analogue film techniques and high-contrast monochrome palettes to emphasize sharp textures and architectural garment shapes. Fashion direction by Nathalie de Geyter defines the moody, minimalist aesthetic, featuring layers of black leather, intricate mesh, and dramatic ruffles worn by model Isabel Monsees. Throughout the series, natural light acts as a primary tool, casting long shadows that ground the subjects within the arid terrain. Makeup by Daniela Koller provides a clean, understated finish that aligns with the atmospheric, raw tone of the photography.
Project Annabelle Magazine · Kinderspiel by Marine Giraudo
Kinderspiel, a fashion editorial series for Annabelle Magazine, explores the intersection of high-end styling and naive illustration. Director Marine Giraudo overlays studio portraits with whimsical hand-drawn elements, blending clean photography with playful crayon, marker, and watercolour motifs. The series features model Cyrine Hassine, who anchors the minimalist compositions against stark white backgrounds. The visual narrative leans into a graphic, artistic aesthetic, often juxtaposing structured garments with eccentric props and layered, childlike doodles. Supporting the editorial vision, hair stylist Beth Shanefelter and makeup artist Miki Matsunaga provide a clean, polished look that balances the project's spirited, mixed-media technique.
Project Annabelle Magazine · Look Back
Annabelle Magazine presents Look Back, a fashion editorial series that explores structured silhouettes and textile contrast within minimalist interiors. The collection leans into clean architectural framing and soft, natural light to highlight the intricate tailoring of the garments. Photographer Luca Strano captures the series, featuring model Sophia Makibdji across a variety of domestic and urban settings. Fashion editor and stylist Tim Tobias Zimmermann drives the visual narrative, which incorporates makeup by Miki Matsunaga and set design by Haruka Kogure. The project was cast by Pina Marlene.
Project Annabelle Magazine · Meer in Sicht
Annabelle Magazine presents 'Meer in Sicht,' an editorial cover portrait featuring model Nia Liebler. The composition leans into a vertical, clean aesthetic, capturing a close-up profile against an open sky backdrop. Photographer Anna Victoria Best utilizes natural light to illuminate the scene, accentuating the heavy, textured patterns of the jacket. The creative output is shaped by the styling of Kristine Halken, with hair by Emilie Bromley and makeup by Abbie Nourse.
Project Annabelle Magazine · The Sea and Me
In The Sea and Me, Annabelle Magazine leans into the raw, evocative power of the coastline to deliver a high-fashion editorial campaign that expertly navigates the intersection of luxury fashion and the natural world. Through the lens of photographer Anna Victoria Best, the series captures model Nia Liebler against a backdrop of sun-drenched rocky shorelines and sparse, arid landscapes, creating a visual dialogue between sculptural garments and the unrefined textures of the environment. Fashion editor and stylist Kristine Halken masterfully balances the collection’s heavier, intricate elements—such as oversized tweed coats and chaotic corded fringe—against minimalist, clean-lined silhouettes. The project relies on natural light to ground its aesthetic, utilizing golden hour shifts and harsh, direct sunlight to accentuate the interplay of fabric and earth. With artful contributions from hair stylist Emilie Bromley and makeup artist Abbie Nourse, the aesthetic remains rooted in a stripped-back, contemplative minimalism. By pairing high-end designer pieces from houses like Miu Miu and Herno with the weathered reality of the coast, the feature moves beyond traditional portraiture, instead creating a cohesive editorial lifestyle narrative that feels both cinematic and grounded. This project serves as a sophisticated testament to how thoughtful styling and site-specific composition can transform a simple fashion spread into an immersive study of texture, light, and modern elegance.
Project Annabelle Magazine · Nomadsland
Nomadsland for Annabelle Magazine serves as a masterclass in atmospheric visual storytelling, repositioning high-end luxury fashion against the raw, uncompromising canvas of a remote desert landscape. Photographed by Nicolas Schnabel, the campaign masterfully navigates the tension between the structured elegance of high-fashion silhouettes and the vast, arid terrain of a rugged mountain ridge. The editorial relies on a deliberate use of natural light, alternating between high-contrast, sun-drenched frames and soft, diffused evening glows that render the clothing with tactile intensity. Throughout the series, the aesthetic leans into editorial minimalism, where the focus remains anchored on the interplay of fabrics—from crisp oversized shirting and fringe detailing to heavy, structured trench coats—against a backdrop of sedimentary rock and sparse scrubby foliage. Wataru Suzuki brings a disciplined approach to the hair styling, ensuring the clean lines and slicked-back silhouettes complement the desolate, cinematic environment. By incorporating techniques such as analogue film photography, the project achieves a timeless, grain-rich texture that feels both contemporary and grounded in tradition. The resulting narrative is one of isolation and introspection, where the subject acts as a silent drifter through a monumental, sun-bleached world. This work successfully elevates the fashion editorial format beyond mere product display, crafting an evocative lifestyle study that feels as expansive and enduring as the wilderness it occupies.
Project Annabelle Magazine · Annabelle Magazine November 14th, 2025 Cover
Annabelle Magazine features model Mauve Dupuy for their November 14th, 2025 cover. The editorial portrait captures a polished aesthetic, set against a neutral backdrop that highlights the contrast of a glossy black leather jacket. Photographer Louis Dewynter leads the visual direction, with fashion styling by Tim Tobias Zimmermann and makeup artistry by Kamila Vay. The final composition adopts a clean, vertical layout paired with the publication's signature masthead.
Project Annabelle Magazine · Annabelle Magazine November 28th, 2025 Cover
Annabelle Magazine features model Julia Rambukkana for the November 28th, 2025 cover. The editorial portrait captures the subject in a structured jacket detailed with multi-tonal yarn tassels, set against a warm, mottled backdrop. Creative director and fashion editor Nathalie de Geyter leads the visual direction, complemented by set design from Alina Totaro. The look is completed by sleek finger waves from hair stylist Erisson Musella and refined makeup artistry by Serena Congiu. The composition utilizes soft light to emphasize the tactile quality of the ensemble.
Project Annabelle Magazine · Catch Me
Catch Me is a fashion editorial series for Annabelle Magazine, defined by a focus on sharp tailoring and high-contrast silhouettes. The project leans into monochromatic studies and minimalist aesthetics, utilizing clean studio lighting to accentuate tactile details across a range of structured outerwear and leather apparel. Photographed by Louis Dewynter, the series channels a graphic sensibility, occasionally contrasting muted, architectural forms against saturated backdrops. Fashion editor and stylist Tim Tobias Zimmermann leads the visual curation, with makeup by Kamila Vay. The editorial features models Mauve Dupuy and Wang Fei, capturing a balance between soft lighting and bold, moody compositions.
Project Annabelle Magazine · Grande Finale
Grande Finale is a fashion editorial produced for Annabelle Magazine, centering on sculptural silhouettes and high-contrast studio aesthetics. Creative director and stylist Nathalie de Geyter crafts a series of portraits that explore textured layering and structured tailoring, utilizing a mix of monochrome and soft light palettes to emphasize intricate garment details. The project features model Julia Rambukkana, whose dynamic poses and retro-inspired finger waves anchor the editorial. The visual narrative is supported by refined set design from Alina Totaro, alongside grooming by hair stylist Erisson Musella and makeup artist Serena Congiu, collectively presenting a study in minimalist fashion photography.
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