T: The New York Times Style Magazine MENA
Featured T: The New York Times Style Magazine MENA projects
This week's top T: The New York Times Style Magazine MENA projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project T: The New York Times Style Magazine MENA · T: The New York Times Style Magazine ...
T: The New York Times Style Magazine MENA features Nora Attal on this editorial cover, captured in a warm, vaulted interior. The composition leans into the tactile contrast between sculptural fashion and rustic, earthenware-lined surroundings. Creative direction by Dane Stojanovic and photography by Avani Rai ground the shoot in a clean, vertical aesthetic. The imagery integrates hair styling by Jordan Robertson and makeup by Ricky Morandin to complement the architectural textures of the setting.
Project T: The New York Times Style Magazine MENA · Nora Attal - September cover story
Captured for the September cover story of T: The New York Times Style Magazine MENA, this editorial fashion feature places model Nora Attal within the historic, terracotta-hued landscapes of Morocco. Photographer Avani Rai leans into a cinematic, documentary-inspired aesthetic, pairing intricate, avant-garde silhouettes against traditional stone architecture and vibrant urban backdrops. The work utilizes a warm, earthy palette to emphasize texture and natural light. Creative direction by Dane Stojanovic anchors the visual narrative, which alternates between sculptural portraiture and candid, motion-filled street scenes. The project features grooming by hair stylist Jordan Robertson and makeup artist Ricky Morandin, whose work balances bold, high-fashion detailing with the surrounding environment. Shot on analogue film, the series captures a distinct interplay between contemporary luxury fashion and local heritage.
Project T: The New York Times Style Magazine MENA · Main Fashion
In this evocative fashion editorial for The New York Times Style Magazine MENA, titled Main Fashion, creative director Dane Stojanovic and photographer Jake Terrey construct a visual narrative that bridges the gap between high-concept luxury fashion and organic, documentary-style spontaneity. The series leans into editorial minimalism, utilizing the stark, geometric lines of traditional Middle Eastern stone architecture to frame a collection of voluminous, textured garments. Through the lens of an analogue film aesthetic, the work captures a sophisticated interplay between human movement and the quiet, grounding presence of domestic cats interspersed throughout the urban setting. The stylistic execution utilizes natural light to heighten the contrast within the compositions, often employing low-key chiaroscuro techniques to emphasize the sharp silhouettes of oversized tailoring, sheer embellishments, and layered fabrics. With styling by Carmelo Corvaia and makeup artistry by Manuel Losada, the project achieves a cinematic quality that elevates the subjects against weathered, neutral-toned walls. The photography oscillates between structured portraits and dynamic movement, ensuring the subjects appear both statuesque and deeply connected to their environment. By anchoring the avant-garde fashion pieces with the candid, documentary spirit of the stray cats, the team creates a compelling dialogue between modern luxury house aesthetics and the enduring, textured landscape of their surroundings, resulting in a series that feels both timeless and distinctly contemporary in its artistic sensibility.
Project T: The New York Times Style Magazine MENA · No Matter The Weather
In the striking fashion editorial No Matter The Weather for T: The New York Times Style Magazine MENA, the creative team navigates the intersection of historical grandeur and contemporary silhouette. Under the meticulous creative direction of Dane Stojanovic and captured through the lens of photographer Avani Rai, the project leans into a moody, cinematic atmosphere that transforms classical European streetscapes into a high-fashion stage. Featuring model Jade Baya, the series utilizes rigorous editorial minimalism to contrast avant-garde, structural garments—ranging from sculptural straw silhouettes to layered textile ensembles—against the weathered stone masonry and ancient arches of its setting. The execution relies heavily on the evocative interplay of natural light and shadow, with several frames employing low-key or chiaroscuro lighting to deepen the narrative tension. Fashion editor and stylist Carmelo Corvaia creates a visual dialogue where vibrant patterns and sleek textures hold their own against the imposing, rustic environments. Whether framed through rain-slicked windows or obscured by layered umbrellas, the work maintains a sophisticated composure. With hair styling by Mamrez Abbasi and production overseen by Steff Hawker, the editorial feels both timeless and urgent, proving that high fashion remains a constant even when set against the unpredictable and often somber backdrop of the elements, resulting in a cohesive, visually arresting portrait series.
Project T: The New York Times Style Magazine MENA · April main fashion
The April main fashion editorial for T: The New York Times Style Magazine MENA serves as a masterclass in architectural storytelling, blending the raw, weathered textures of rustic environments with the polished precision of high luxury fashion. Under the visionary guidance of creative director Dane Stojanovic, this project leans into an aesthetic of editorial minimalism, where the interplay between light and structure becomes as vital as the garments themselves. Photographer Vladimir Martí masterfully employs low-key chiaroscuro and sharp natural light to carve out dramatic silhouettes, turning every frame into a study of form and shadow. Whether the subjects are framed by recessed arches or rugged, stone-walled backdrops, the visual narrative remains cohesive and strikingly cinematic. Fashion editor and stylist Carmelo Corvaia curates an eclectic, high-contrast wardrobe that oscillates between sculptural velvet capes, intricate laser-cut lace, and shimmering metallic textures, all elevated by bold, oversized jewelry. The result is a series of evocative portraits that challenge traditional fashion photography by prioritizing geometric composition and the tactile contrast between fabric and environment. By harmonizing the soft, complex patterns of lace with the harsh, graphic lines cast by direct sunlight, the team has produced an editorial that feels both timeless and urgently contemporary, perfectly aligning with the magazine’s reputation for sophisticated and artistic visual journalism.
Project T: The New York Times Style Magazine MENA · T: The New York Times Style Magazine ...
In a commanding display of editorial storytelling, T: The New York Times Style Magazine MENA delivers a striking visual profile of professional athlete Ramla Ali. The project serves as a masterclass in portrait photography, bridging the gap between high-fashion aesthetics and the raw grit of athletic discipline. Photographer Ellen von Unwerth masterfully captures Ali against the backdrop of a sprawling, sandy desert landscape, where a large, cream-colored dome and a solitary palm tree frame the composition with architectural precision. This editorial shoot leans into a sophisticated narrative, utilizing crisp, directional natural light to highlight the intricate textures of a crystal-encrusted pillbox hat and bold, vertical multicolored stripes. With creative direction by Dane Stojanovic, the project successfully elevates the athlete into a sculptural figure, further refined by the precise fashion styling of Carmelo Corvaia. The collaboration showcases a seamless synergy between editorial intent and lifestyle portraiture, emphasizing the sharp juxtaposition of urban luxury elements against the serene, expansive environment. Jean-Luc Amarin on hair and Manuel Losada on makeup contribute to the polished, high-contrast aesthetic that defines this feature. By balancing delicate accessories with an uncompromising visual presence, the team creates an enduring image that speaks to both power and poise, cementing the brand's commitment to visual excellence within the global media landscape.
Project T: The New York Times Style Magazine MENA · T: The New York Times Style Magazine ...
For the March 2026 issue of T: The New York Times Style Magazine MENA, the editorial team presents a masterclass in high-end fashion photography that leans into the intersection of architectural structure and pure, unadulterated portraiture. Under the sharp creative direction of Dane Stojanovic, the project centers on model Yasmin Wijnaldum, whose presence commands the frame across two distinct visual explorations. The first image captures a synthesis of tradition and modernity, featuring Wijnaldum in a floor-length gown defined by intricate three-dimensional floral embroidery and bold puffed sleeves. Photographed with a precise studio strobe technique, the shot emphasizes the garment’s sculptural volume against a muted, textured backdrop. In contrast, the second portrait moves toward a more atmospheric territory, utilizing low-key chiaroscuro lighting to isolate the subject. Here, an oversized architectural hat frames Wijnaldum’s features, allowing the shadow-heavy composition to push the boundaries of editorial minimalism. The collaboration with fashion editor Carmelo Corvaia is instrumental, as the styling choices elevate the visual narrative to a level of calculated sophistication. By blending classic portraiture with contemporary high-fashion sensibilities, the magazine successfully explores the theme of The Makers through a refined, cinematic lens. This production stands as a testament to the power of deliberate art direction, where every shadow and stitch is curated to resonate within the fast-paced landscape of global media and entertainment.
Project T: The New York Times Style Magazine MENA · Yasmin Wijnaldum
In this sophisticated fashion editorial for T: The New York Times Style Magazine MENA, model Yasmin Wijnaldum becomes the canvas for a masterclass in structural elegance and monochromatic restraint. Under the sharp creative direction of Dane Stojanovic and captured through the lens of photographer Tarek Mawad, the series explores the intersection of high-fashion portraiture and architectural geometry. The visual narrative leans into a strictly curated black-and-white palette, allowing the focus to rest entirely on the intricate silhouettes, from voluminous tulle gowns to sharp, oversized leather tailoring. Techniques such as 35mm film and medium format photography ground the imagery, providing a tangible, raw texture that contrasts beautifully against the clinical, minimalist studio settings. Throughout the shoot, Mamrez Abbasi and Ricky Morandin contribute to the refined aesthetic, ensuring that slicked-back hair and clean, intentional styling highlight Wijnaldum’s features without distraction. By utilizing low-key chiaroscuro lighting, the team creates dramatic, elongated shadows that emphasize the sculptural nature of the garments, elevating each frame beyond standard portraiture. The project channels a timeless, editorial minimalism that prioritizes craft and composition, successfully translating luxury fashion into a series of graphic, powerful studies of form. This collaboration exemplifies a precise, high-contrast approach to visual storytelling, proving that when the focus is stripped down to its core components, the result is nothing short of arresting.
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