Entertainment Weekly

Entertainment Weekly · Furiosa DC with VFX V20

Entertainment Weekly · The Iron Claw - Digital Cover

Entertainment Weekly · Entertainment Weekly October 2026 Di ...

Entertainment Weekly presents a dramatic editorial cover feature for its October 2026 issue, leaning into a cinematic and suspenseful aesthetic. Captured by photographer Brian Bowen Smith, the portrait utilizes low-key lighting and high-contrast chiaroscuro techniques to establish a dark, moody tone. The feature centers on a portrait composition that evokes the style of a thriller or horror television profile. Production credits include hair styling by Clayton Hawkins, makeup artistry by Sabrina Bedrani, and manicures by Stephanie Stone.

Entertainment Weekly · Linda Cardellini is Mother (Voorhees)

Entertainment Weekly features actress Linda Cardellini in this editorial portrait series captured by photographer Brian Bowen Smith. The imagery utilises a low-key chiaroscuro aesthetic, blending studio settings with atmospheric outdoor environments to create a moody, cinematic tone. Throughout the series, Cardellini is styled in a range of textures, from metallic and satin gowns to detailed embellishments, set against architectural alcoves, weathered wood, and dark water. These compositions lean into a moody visual language, emphasised by soft light and high-contrast monochrome treatments. The production involved hair styling by Clayton Hawkins, makeup by Sabrina Bedrani, and manicures by Stephanie Stone.

Entertainment Weekly · Entertainment Weekly September 2026 ...

Entertainment Weekly presents an editorial cover feature for its September 2026 issue. The portrait photography highlights a central figure adorned in festive attire, using warm lighting to create a celebratory atmosphere. The vertical composition centers on a close-up portrait, framing the subject against a backdrop of soft pink balloons. Stephanie Stone provided manicurist services for the shoot.

Entertainment Weekly · Revisiting King’s first (prom) queen

For this feature in Entertainment Weekly titled Revisiting King’s first prom queen, the editorial series explores a cinematic narrative rooted in classic suspense. The portraiture leans into a moody, atmospheric aesthetic, employing low-key and chiaroscuro lighting techniques to sculpt the subjects against dark, enclosed domestic spaces. Each frame focuses on high-contrast compositions, utilising vintage vanity mirrors, rich colour grading in crimson and green, and evocative motion to capture a sense of psychological tension. The visual language bridges the gap between intimate character study and theatrical storytelling, with the inclusion of film grain and analogue-inspired textures reinforcing a nostalgic, dramatic tone. Manicuring for the feature was provided by Stephanie Stone.

Entertainment Weekly · Entertainment Weekly July 2026 Digit ...

For the July 2026 issue of Entertainment Weekly, photographer Max Montgomery delivers a compelling portrait that masterfully balances celebrity profile aesthetics with an atmospheric, cinematic sensibility. The cover art leans into a sophisticated, low-key chiaroscuro lighting scheme, using the interplay of warm, golden hues and deep shadows to transform the subject into a figure of intrigue. By partially obscuring the talent behind a series of sharp, vertical metal rods, the composition creates an immediate sense of intimacy while simultaneously maintaining a guarded, mysterious distance that feels perfectly suited for the publication's focus on high-stakes media and entertainment. This commercial portraiture avoids the overly polished look of traditional magazine covers, favoring a gritty, textured approach that rewards the viewer for looking closer at the subtle interplay between the soft natural light and the geometric constraints of the foreground elements. Candice Birns contributes to the production, ensuring the visual execution aligns with the editorial narrative promised by the provocative "FACE YOURSELF" headline. By prioritizing mood over literal clarity, this cover captures the essence of modern editorial design, proving that even within a legacy media brand, there remains significant space to experiment with light and shadow to create imagery that stops the reader in their tracks while effectively highlighting the subject's gravitas.

Entertainment Weekly · Clayface gets his close-up: Tom Rhys ...

In this evocative portrait series for Entertainment Weekly, photographer Max Montgomery captures actor Tom Rhys Harries in a study of cinematic tension that defies the standard conventions of celebrity editorial photography. The project, which highlights Harries' chameleon-like presence, leans heavily into chiaroscuro and moody lighting to create an atmosphere that feels both intimate and slightly subversive. Working in tandem with hair stylist Candice Birns, who brings a polished yet textured edge to the subject's look, the imagery moves fluidly between clean, sharp studio aesthetics and more experimental, raw compositions. Throughout the series, Montgomery utilizes techniques such as macro focus, intentional motion blur, and analogue-inspired film textures to strip away the artifice often found in high-profile shoots. The result is a nuanced exploration of character, where the interplay of deep green backdrops, warm golden light, and sharp silhouettes forces a quiet, pensive engagement from the viewer. Whether through the crisp clarity of a strobe-lit portrait or the ethereal, distorted refraction of a glass lens, the work succeeds in grounding the theatricality of the entertainment industry in a palpable, human reality. By prioritizing authentic texture over superficial gloss, the campaign elevates the editorial portrait, ensuring that each frame captures not just a face, but a fleeting, evocative moment of introspection that resonates long after the initial glance.

Entertainment Weekly · Scary Movie 6

For the highly anticipated promotional campaign for Scary Movie 6, Entertainment Weekly delivers a visual masterclass that leans into the genre's chaotic energy while maintaining a polished editorial aesthetic. Captured through the lens of photographer Isaac Anthony, the series of portraits features core cast members including Regina Hall, Marlon Wayans, Keenan Ivory Wayans, and Anna Faris. Each frame utilizes a bold, high-contrast color palette—marrying deep, saturated red velvet backdrops with sharp, cool-toned blue lighting—to create a striking chiaroscuro effect that feels both cinematic and intensely intimate. By stripping away traditional film marketing artifice in favor of minimalist styling, the project allows the raw, comedic expressions of the talent to anchor the viewer. The use of low-key lighting techniques elevates these images beyond standard promotional assets, positioning the franchise as a sleek, modern entry in the entertainment industry. Whether through the direct, wide-eyed gaze of the ensemble or the subtle, moody theater textures hidden in the backgrounds, the photography masterfully balances a playful, lifestyle-forward sensibility with professional-grade polish. This visual identity successfully bridges the gap between classic commercial media and contemporary editorial minimalism, ensuring the cast remains the focal point while building palpable anticipation for the upcoming theatrical release through a sophisticated and consistent visual language.

Entertainment Weekly · The Vampire Lestat by Taiye Godbody

For The Vampire Lestat, Entertainment Weekly commissioned a striking suite of editorial portraits that lean heavily into a dark, romantic, and hyper-cinematic aesthetic. Under the creative influence of fashion editor and stylist Dolly Pratt, the project utilizes a high-contrast visual language to transform its subjects into theatrical figures. By employing bold, low-key chiaroscuro lighting, the series carves out sharp, moody silhouettes against saturated gradients of red, blue, and orange. The photography is marked by a sophisticated mix of technical flair and raw intensity, often integrating experimental live-action techniques like multiple and double exposure to create ghostly, layered motion effects that feel both surreal and deeply emotive. The execution emphasizes textures—from the sheen of metallic fabrics and the grit of distressed leather to the deliberate styling of elaborate pussy-bow neckties and structured blazers. This deliberate interplay of shadow and light, combined with the polished, rhythmic energy of the group compositions, ensures that every frame feels like a deliberate piece of performance art. The resulting imagery moves beyond standard publicity stills, successfully channeling a stylized, evocative narrative that honors the theatrical nature of the subject matter while maintaining the sleek, professional polish expected of a major entertainment feature.

Entertainment Weekly · Viva New Vegas: Fallout stars go all ...

Entertainment Weekly channels the high-stakes allure of the wasteland for their latest feature, Viva New Vegas, a cinematic portrait series capturing the stars of the hit series Fallout. Photographer Abi Polinsky delivers a masterclass in editorial storytelling, utilizing studio strobe techniques to transform the cast into figures of retro-glamour set against a backdrop of neon-drenched casino kitsch. The project leans into a nostalgic, high-contrast aesthetic that feels both grounded in its source material and elevated by a distinct editorial minimalism. Fashion editor Michael Fusco expertly curates the wardrobe, pairing metallic gowns and faux fur stoles with western-inspired tailoring to bridge the gap between gritty survivalist themes and sophisticated high fashion. The interplay of low-key chiaroscuro lighting creates a moody, graphic intensity, particularly in the striking portraits of actor Ella Purnell, where sharp red accents slice through the darkness to highlight the heavy textures of her ensemble. Supported by precise styling from hair stylist John D and makeup artist Kelsey Deenihan, the imagery achieves a perfect equilibrium between the theatrical nature of the broadcast media landscape and the polished precision of premium photography. This series serves as a visually arresting exploration of character-driven editorial content, proving that even within the dust and decay of a post-apocalyptic narrative, there remains an undeniable space for vibrant, stylized iconography.

Entertainment Weekly · Furiosa Cover