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Albion Magazine

4 projects·0 creatives·

Featured Albion Magazine projects

This week's top Albion Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Two women seated on a bench waiting at a bus stop, wearing dark coats, captured in a desaturated editorial style. Project

Albion Magazine · Nothing Changes But The Name Of The Day

Nothing Changes But The Name Of The Day for Albion Magazine is a masterclass in observational storytelling, stripping back the gloss of traditional fashion media to reveal the quiet, rhythmic beauty of urban life. Through an intimate series of lifestyle and documentary-style portraits, the project leans into the mundanity of the bus stop, transforming transit hubs into stages for raw, cinematic character studies. Art directed by Andy Knappett, the visual narrative excels in its restraint, utilizing diffused natural light to highlight the rich textures of layered autumn outerwear—from faux-fur collars to structural leather trench coats. Vanessa Reid’s styling brings a grounded, everyday sensibility to the editorial, while the expert grooming by hair stylist Kim Rance and makeup artist Mel Arter emphasizes a candid, lived-in aesthetic. Featuring models like Katherine Vinten, the imagery oscillates between sharp, street-style portraiture and spontaneous reportage. Whether rendered in classic black and white or soft, muted color palettes, the series channels a poignant, observational quality that feels deeply human. With casting by Gabrielle Lawrence, the project succeeds by celebrating the intersection of public anonymity and personal identity, proving that even the most fleeting moments at an urban shelter possess an enduring, frame-worthy weight when captured with an authentic, documentary lens.

Two women wearing dark coats seated together on a bus stop bench for Albion Magazine Issue 2 cover. Project

Albion Magazine · ALBION II - Covers

The second installment of Albion Magazine, titled ALBION II, captures the raw, unfiltered essence of modern storytelling through a sophisticated editorial lens. Leaning into the nostalgic texture of 35mm film and the rhythmic grain of analogue photography, the collection functions as a curated visual essay that bridges lifestyle portraiture and high-end fashion documentation. Photographers Ava Van Osdol and Kingsley Ifill masterfully manipulate natural light to highlight structural silhouettes, from the sharp, minimalist lines of oversized shirting to the cinematic, sepia-toned stillness of a street-side vignette. With meticulous art direction from Andy Knappett, each spread utilizes graphic frames, white borders, and industrial barcodes to transform portraits into collectible, magazine-style artifacts. The project is elevated by the tactile contributions of fashion editors Karoline Robl, Louis Prier Tisdall, and Vanessa Reid, whose styling choices emphasize form and silhouette, allowing subjects—brought to life by models Anne Floor Wetemans, Freya Nutter, and Katherine Vinten—to inhabit a space of understated, quiet intensity. This project thrives on a raw, editorial minimalism that eschews distraction, favoring a desaturated, muted color palette that prioritizes texture over artifice. By blending the immediacy of medium format captures with a structured, rhythmic layout, Albion II asserts itself as a quintessential piece of media and entertainment design that feels both timeless and distinctly contemporary in its approach to the printed page.

A person in patterned trousers leans inside a dark hatchback car with an open door while vacuuming on a street curb. Project

Albion Magazine · Fixer Upper

Albion Magazine presents 'Fixer Upper,' a monochromatic fashion editorial that juxtaposes high-end styling with the utilitarian mundanity of automotive maintenance. Photographed by Patrick Bienert and art directed by Andy Knappett, the series features a model in elevated streetwear and tailored coats performing roadside repairs on vintage hatchbacks. The imagery leans into a gritty, documentary aesthetic, utilizing analogue film techniques to capture an observational atmosphere on quiet British residential streets. With styling by Katie Shaw, the project highlights contrast through the combination of sculptural heels and structured garments against the raw, mechanical setting of open engine bays and paved lots. Additional credit goes to hair stylist Moe Mukai and casting director Simone Schofer.

Woman in dark coat climbing onto the hood of a vintage hatchback car with an orange sticker on the windshield Project

Albion Magazine · ALBION I - Covers

ALBION I - Covers is an editorial project from Albion Magazine that showcases a series of high-end print publication covers. The collection leans into an observational aesthetic, utilizing analogue film and natural light to capture distinct, character-driven narratives across varied interior and outdoor settings. Each frame incorporates graphic elements such as bright stickers and barcodes, blending raw photography with clean layout design. The series features contributions from photographers Bryan Liston, Kiki Willems, Mitchell O'Neil, Patrick Bienert, and Will Scarborough. The visual identity of the project is shaped by fashion editors and stylists Andrew Sauceda, Gabrielle Marceca, and Katie Shaw, with art direction provided by Andy Knappett.