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Wonderland China

15 projects·0 creatives·

Featured Wonderland China projects

This week's top Wonderland China projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Close-up portrait of actress Zhou Paris wearing bold red lipstick framed by a textured red furry garment against a solid background. Project

Wonderland China · On and Off Screen-— Actress Zhou Paris

Wonderland China presents On and Off Screen, a fashion editorial series capturing actress Zhou Paris across a variety of settings. Through the lens of photographer Rambo Ding, the project explores high-fashion aesthetics and dynamic posing, utilizing techniques like multiple exposure to create surreal visual layering alongside more traditional portraiture. The series leans into editorial clean-style compositions, shifting between low-key chiaroscuro lighting and bright, high-key studio environments. The work emphasizes garment texture and precise beauty styling, ranging from retro-inspired sculpted hair to metallic and pastel makeup palettes.

Model in red lace dress holding an arrow and crouching against a pink studio background for Wonderland China Project

Wonderland China · Love

Wonderland China presents Love, a fashion editorial series that explores conceptual silhouettes through dynamic studio photography. The project leans into monochromatic color schemes and high-contrast staging to frame its subjects, utilizing graphic forms and theatrical props to build a minimalist narrative across the series. Photographed by Win Tam, the work features model Lin Xiangxiang in a range of structured apparel, spanning from vibrant lace dresses to textured, spherical garments. Styling by Shaliya Xu centers on precise, high-fashion silhouettes that interact with the clean, neutral studio environments. Hair styling by Yan Song complements the diverse wardrobe choices, from polished, glossy finishes to more understated arrangements. The result is a consistent visual story that prioritizes clean composition and saturated color accents, relying on natural light and soft lighting techniques to maintain an editorial aesthetic.

Black and white portrait of a woman wearing a textured tweed jacket and large floral necklace against a grey seamless background. Project

Wonderland China · Behind the screen, she rises

Wonderland China’s editorial project, "Behind the screen, she rises," presents a collection of fashion portraits and compositions centered on model Jiali Zhao. Photographer Shenyun Ren utilizes a blend of high-contrast monochrome aesthetics and moody, directional lighting to focus on the interplay of fabric textures and sculptural accessories. The series navigates between clean, architectural studio environments and tight, intimate framing to highlight contemporary apparel and polished leather details. The project features fashion styling by Shaliya Xu, who emphasizes the tactile qualities of tweed, denim, and glossy hardware. Through a combination of analogue film techniques and sharp, studio-based editorial visuals, the work maintains a consistent, high-fashion aesthetic across its vertical and horizontal compositions.

Man with dark hair and facial hair lying in a tiled bathtub wearing a blue jacket over a white t-shirt, photographed for Wonderland China. Project

Wonderland China · Wonderland China October 2026 Cover

Wonderland China taps actor So Ji-sub for its October 2026 issue, presenting a series of editorial portraits that lean into moody, cinematic storytelling. Photographer Yeongjun Kim frames the subject across varying environments, ranging from a stylized teal-tiled bathroom setting to an outdoor, daylight-drenched scene featuring raw, grainy textures. The creative direction emphasizes character through deliberate compositions and playful props, such as toy robots and scooters, which ground the editorial work. The session features production by Lee Kyung Kim and casting direction by Even Yu, utilizing an analogue film aesthetic to achieve its cool, atmospheric visual identity.

Wide-angle fisheye portrait of a man seated on outdoor metal stairs between buildings, wearing a grey sweater and black trousers. Project

Wonderland China · As Agent Kim Reactivated marks his p ...

Wonderland China presents an editorial fashion portrait series captured by photographer Yeongjun Kim. This collection leans into observational and cinematic storytelling, employing techniques such as fisheye distortion, natural light, and grainy textures to frame the subject across various urban and studio environments. The imagery transitions between structured, moody compositions and relaxed, candid portraits. The series features a range of detailed styling, from pinstriped tailoring and layered knits to textured leather and patterned accessories. By utilising both clean studio backdrops—including chalkboard-lined walls—and weathered outdoor alleyways, the work maintains a consistent, raw aesthetic. The production was supported by casting director Even Yu and producer Lee Kyung Kim.

Four women in puffer jackets posing inside a vintage convertible car for Wonderland China magazine cover Project

Wonderland China · Wonderland China October 2026 Cover

Wonderland China’s October 2026 cover features a dynamic editorial composition centered on four subjects in puffer jackets. The shoot integrates automotive elements, positioning the talent inside a vintage convertible car set against a muted backdrop. Photographer Xiuyu Chang employs directional lighting and a high-contrast monochrome palette to emphasize the textural details of the outerwear. The layout incorporates bold yellow typography, balancing the editorial fashion aesthetic with graphic design. Hair styling by Han Bin and makeup by Beata Xu further define the dramatic, cinematic mood of the frame.

Model Qun Ye wearing a tan high-neck jacket and patterned skirt leaning against a white architectural pillar. Project

Wonderland China · Ye riqun

Wonderland China presents Ye Riqun, a fashion editorial series featuring model Qun Ye. Captured by photographer Xiuyu Chang, the project explores high-contrast styling and structured silhouettes across a range of interior and outdoor environments. The visual narrative utilizes clean editorial framing and natural light to emphasize garment texture and tonal depth. Hair styling by Xiang Zi complements the diverse wardrobe, shifting between sleek, controlled studio aesthetics and relaxed, textured outdoor compositions. The series employs low-key chiaroscuro and monochrome techniques to isolate the subject, balancing ornate accessories with minimalist architectural surroundings.

Jay Park seated in a shimmering black suit behind a CRT television displaying his face on a Wonderland China magazine cover. Project

Wonderland China · Wonderland China September 2026 x JA ...

Wonderland China's September 2026 cover story features musician Jay Park, captured in a series of editorial portraits. The visual approach leans into a graphic aesthetic, incorporating bold, brush-style typography across high-key, neutral studio compositions. Photographer Mok Jung Wook frames Park alongside a vintage CRT monitor, introducing a technical layer to the imagery. The production was supported by casting director Even Yu and producer Lee Kyung Kim, resulting in a vertical layout tailored for print media.

Jay Park posing in an open black jacket and white tank top in a polaroid-style portrait for Wonderland China. Project

Wonderland China · JAY PARK: Stillness in Motion

Wonderland China’s 'JAY PARK: Stillness in Motion' is a fashion-focused editorial series featuring musician Jay Park. The project explores the intersection of portraiture and technical art, utilising retro CRT monitors as both props and visual framing devices to create a multi-layered aesthetic. Photographer Mok Jung Wook captures the artist in a series of studio settings that oscillate between clean, minimal backgrounds and moody, high-contrast compositions. The imagery employs a variety of techniques, including monochrome processing and lo-fi digital textures, to maintain a cohesive visual narrative. The production was supported by casting director Even Yu and producer Lee Kyung Kim.

Model wearing a sheer white corset top, printed satin skirt, and red tights against a solid blue studio backdrop. Project

Wonderland China · The House We Wear

In The House We Wear, Wonderland China presents a sophisticated exploration of contemporary identity, blending the boundaries between luxury fashion houses and modern lifestyle aesthetics. This editorial project channels a refined, minimalist sensibility, utilizing a balanced interplay of vibrant color palettes and stark, architectural geometry to elevate the subject. Throughout the series, the photography by Rambo Ding demonstrates a masterclass in control, alternating between high-key lighting for pristine clarity and directional studio strobe setups that accentuate the tactile nuances of high-fashion fabrics. Models Jingwen Jia and Yiqian Sun anchor the narrative, their poised, intentional movements interacting with sculptural furniture and reflective mosaic surfaces to create an atmosphere of curated calm. The visual language leans into editorial minimalism, with imagery that often features sharp silhouettes and deliberate styling, ranging from sheer, translucent textures to structured tailoring and intricate knitwear. By integrating macro portraiture that captures intimate cosmetic details, the project moves beyond traditional fashion portraiture to a more nuanced study of form and tactile surface. The result is a series that feels both contemporary and timeless, showcasing a high-fashion ethos that prizes clean compositions and textural richness. Each frame serves as a testament to the power of deliberate visual pacing, resulting in a cohesive portfolio that reinforces the brand's position at the forefront of creative fashion direction.

Model in a black dress and high boots posing against a white background for Wonderland China Project

Wonderland China · The fashion attitude of the new gene ...

Wonderland China explores the restless spirit of modern youth in this expansive fashion editorial, which captures the raw, kinetic energy of the new generation through a sophisticated lens. The project leans into a multifaceted visual narrative, shifting between the stark, high-key clarity of studio minimalism and the moody, cinematic depths of chiaroscuro lighting. By masterfully juxtaposing industrial motifs like chain-link fencing and scorched fabric with the tactile luxury of rhinestone-embellished gowns and structured leather tailoring, the series creates a deliberate tension between the raw and the refined. Throughout the collection, photographer Joy514 employs precise studio strobe techniques to amplify textural contrasts, while the inclusion of performance-driven poses from talent like Hannah Vincent brings a layer of defiant, contemporary attitude to every frame. The aesthetic oscillates between dynamic motion blur and static, angular portraits, effectively framing the models not just as clothing displays, but as archetypes of a current cultural moment. With an editorial approach that embraces both gritty urban textures and polished, high-fashion silhouettes, Wonderland China delivers a powerful visual statement on self-expression. This work succeeds by balancing technical rigor with a spontaneous, almost chaotic energy, resulting in a cohesive portfolio that reads as both timeless and urgently relevant within the luxury fashion landscape.

Model Santa Valentina in a glossy black leather coat holding a bundle of wheat on a mound of soil in a studio. Project

Wonderland China · WONDER FASHION

Wonderland China presents WONDER FASHION, a high-concept fashion editorial series that interrogates the relationship between sculptural silhouettes and organic, tactile elements. Photographed by Shutong Zuo and styled by Monica Zeng, the project utilizes a stark studio environment to foreground avant-garde apparel ranging from heavy wool outerwear to delicate lace and feather accents. The visual narrative leans into a moody, high-contrast aesthetic, frequently employing chiaroscuro lighting and grainy analogue film techniques to emphasize raw textures. Model Santa Valentina anchors the series, moving through a range of rigorous, expressive poses that mirror the project's interest in structured form and earthy materiality. From the use of dried soil and straw as compositional anchors to the inclusion of subtle, deliberate props, the series prioritizes minimalist composition and sharp contrast. The resulting imagery is a rigorous exploration of texture and style, documented with the precision of contemporary editorial photography.