Logo
The Metalhead Magazine
Industries

The Metalhead Magazine

6 projects·0 creatives·

Featured The Metalhead Magazine projects

This week's top The Metalhead Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Model Corinne Murray posing in a voluminous brown draped garment with textured white sleeves against a black background. Project

The Metalhead Magazine · Criollo

Criollo is a fashion editorial series featured in The Metalhead Magazine that explores the intersection of traditional craft and avant-garde structure. Photographed by Alejandro Arrias and David Bravo, the project leans into a moody, painterly aesthetic, utilizing tactile surfaces and earthy palettes to frame its subjects. Styling by Edgar Lopez centers on complex layering, incorporating intricate crochet, raw fringe, and sculptural braided hairpieces. The visuals draw on surrealist still-life motifs—including botanical prints, citrus, and religious iconography—to create an atmosphere that feels simultaneously grounded and conceptual. With a heavy emphasis on chiaroscuro and soft directional lighting, the series emphasizes the interplay between soft textile volumes and rigid, architectural garment forms.

Monochrome six-frame sequence of a male model posing in dark shorts, knee socks, and a heavy knit sweater against a white backdrop. Project

The Metalhead Magazine · Nel & Ale

Nel & Ale is a fashion editorial series commissioned by The Metalhead Magazine. The work leans into a minimalist studio aesthetic, utilizing a monochromatic palette and sharp chiaroscuro lighting to elevate the physical form and garment construction. Photographers Leonardo Bornati and Alessandro Pompili collaborate across the series, shifting between high-contrast portraits and candid contact sheet sequences. The editorial captures a range of styles, from rugged, tobacco-inflected character studies to refined tailoring, featuring structured suit jackets and intricate fabric details. Executed with clean, even lighting and analogue film sensibilities, the project balances raw, athletic poses with carefully curated sartorial elements.

Model Akuel Malong posing in a dark off-the-shoulder dress against a dark panel backdrop in Residual Light. Project

The Metalhead Magazine · Residual Light

Residual Light is a fashion editorial series for The Metalhead Magazine, captured by photographer Leonardo Bornati and featuring model Akuel Malong. The project explores form and silhouette, anchoring its aesthetic in moody, high-contrast imagery that prioritizes sculptural silhouettes and minimalist compositions. Throughout the series, Bornati utilizes chiaroscuro and directional light to define the subject against both stark and textured studio backdrops. The work is defined by its monochromatic palette and low-key lighting, emphasizing the tactile qualities of the wardrobe and the tailored structures of the garments.

Man standing on a concrete walkway in front of a modern building wearing a sleeveless grey hoodie and distressed wide-leg jeans. Project

The Metalhead Magazine · Split

Split, a compelling editorial project for The Metalhead Magazine, masterfully channels the raw energy of urban youth culture through a series of evocative, high-contrast black-and-white portraits. Captured with an authentic documentary sensibility, the work leans heavily into the stark geometry of modernist architectural backdrops, utilizing the clean lines of concrete plazas and brutalist facades to frame the human form. Through the collaborative lens of photographer Igor Vavilov and the keen sartorial eye of fashion editor and stylist Daniil Kudryavtsev, the project presents a series of studies on form, posture, and texture. The imagery, frequently shot on 35mm film, utilizes natural light to create soft lens flares and moody chiaroscuro effects that heighten the project's cinematic quality. Rather than relying on traditional fashion tropes, the styling emphasizes utilitarian layers, distressed denim, and patterned textiles, grounding the aesthetic in a tactile, street-ready reality. The subjects are positioned in dynamic, occasionally surreal poses that break from convention, emphasizing the interplay between the individual and their physical environment. By prioritizing a grainy, analogue texture, Split offers a deliberate departure from polished digital perfection, favoring a gritty, minimalist aesthetic that feels both immediate and timeless. The result is a cohesive visual narrative that effectively bridges the gap between high-fashion editorial and raw, observational street portraiture.

Shirtless man with alternative goth makeup and studded jewelry holding a black cat against a plain studio wall. Project

The Metalhead Magazine · Ghosts

Ghosts is a sprawling editorial feature for The Metalhead Magazine that explores the intersection of subcultural aesthetics and high-fashion portraiture. Photographed by Daniil Kudryavtsev, the series leans into a moody, gothic sensibility, blending raw urban environments with intricate, avant-garde styling. The project utilizes high-contrast flash and monochrome techniques to accentuate the tactile qualities of the wardrobe, which features layered metallic chains, sheer lace, grommet-studded leather, and elaborate harnesses. Through a combination of gritty outdoor street scenes and controlled studio portraiture, the narrative evokes a dramatic, dark aesthetic while maintaining a sharp focus on texture and ornamentation.

Close up portrait of a young man with a buzz cut wearing a white patterned shirt against an outdoor building background. Project

The Metalhead Magazine · Slavescence

Slavescence is a fashion editorial produced for The Metalhead Magazine, featuring a series of portraits and full-length shots captured on location. The series leans into a raw, urban aesthetic, utilizing natural light and desaturated tones to emphasize industrial textures and layered apparel. Photographer Greg Mikrut and fashion editor Daniil Kudryavtsev highlight a mix of patterned shirts, oversized outerwear, and distressed garments set against concrete facades and residential architecture. The work incorporates elements of analogue film photography, resulting in a moody and atmospheric documentation of style.