Teeth Magazine
Featured Teeth Magazine projects
This week's top Teeth Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Teeth Magazine · Made to be Blue
Made to be Blue is a fashion editorial produced for Teeth Magazine, captured by photographer Olenka Kotyk. Featuring model Yulu Serao, the series explores structural silhouettes and urban subterranean environments through a desaturated and cool-toned aesthetic. The project channels a cinematic mood, utilizing low-key chiaroscuro lighting and layered reflections to create depth within confined architectural spaces. By integrating elements like VHS-style lo-fi textures and analogue film techniques, the editorial balances contemporary fashion portraiture with a nostalgic, moody atmosphere.
Project Teeth Magazine · The Chair
The Chair is a fashion editorial series produced for Teeth Magazine that explores the intersection of sculptural form and minimalist design. Captured by photographer Michelle Du Xuan, the project utilizes clean compositions and natural light to frame a series of structured silhouettes against stark studio backdrops and rustic stone surfaces. Featuring hair styling by Mayu Morimoto and makeup by Hind Sousan, the editorial focuses on precise styling details, from textured leather ensembles to sheer, minimalist layering. The series emphasizes architectural lines, with the chair serving as both a functional element and a central motif throughout the imagery.
Project Teeth Magazine · BOND
BOND is a fashion editorial series commissioned by Teeth Magazine. Photographed by Ege Emistekin, the project explores the interplay between formal menswear silhouettes and expansive, rural landscapes. The series utilizes an observational, documentary-style approach, favouring natural light to highlight the varied textures of knitwear, tailored jackets, and crisp cotton shirting. Set against a backdrop of open meadows, wooded forest clearings, and quiet country roads, the editorial leans into a desaturated aesthetic. The imagery employs clean compositions that emphasize a sense of isolation and movement, further heightened by the use of analogue film techniques. By juxtaposing structured garments with the organic geometry of nature and weathered architectural elements, the project creates a quiet, contemplative narrative across its series of portraits and full-length studies.
Project Teeth Magazine · Alla Stazione
In Alla Stazione, Teeth Magazine delivers a masterclass in editorial fashion photography, successfully anchoring high-concept luxury aesthetics within the raw, utilitarian confines of industrial transit spaces. Through the lens of photographer Byron Mollinedo, the project traverses a visual landscape of gas stations and semi-trailers, using the stark geometry of concrete and steel to frame a series of bold, tactile silhouettes. Model Emese Nyiro serves as the central anchor for this narrative, moving through sun-drenched environments with a sense of deliberate, cinematic confidence that elevates the surrounding architecture. The execution relies heavily on the specific grit and warmth of 35mm film, which serves to bridge the gap between polished luxury and the gritty realism of a transient lifestyle. With hair styling by Alexander Markart and makeup artistry by Tanja Friscic, the imagery leans into a high-contrast dialogue between soft, voluminous textures—think fuzzy clutches and fringed fabrics—and the sharp, minimalist lines of the wardrobe. By embracing natural light and the classic analogue aesthetic, the project avoids the sterility of modern studio work, instead crafting an evocative, layered editorial that feels both nostalgic and distinctly contemporary. It is a compelling study of how luxury fashion can command space, transforming mundane industrial backdrops into a high-end visual stage that celebrates both material detail and structural form.
Project Teeth Magazine · On Patina, Ritual, and the Life of O ...
In a striking editorial collaboration for Teeth Magazine, titled On Patina, Ritual, and the Life of O, the creative lens of photographers Saty + Pratha captures a masterclass in quiet introspection and architectural harmony. This portrait-driven series leans into an aesthetic of deliberate restraint, utilizing natural light to elevate the subject’s presence within a series of meticulously sparse, contemporary interiors. By prioritizing the tactile qualities of heavy wool overcoats and fuzzy knit sweaters, the imagery transcends traditional fashion storytelling to explore the intersection of human posture and environmental stillness. The work is defined by a consistent use of editorial minimalism, where the clean, rhythmic geometry of industrial grid windows provides a structural counterpoint to the organic softness of the subject. A cinematic quality permeates each frame, enhanced further by the choice of 35mm film in select shots, which introduces a subtle, authentic grain that grounds the series in a timeless atmosphere. Through a sophisticated interplay of shadow and texture, Saty + Pratha create a space for contemplation, inviting the viewer to engage with the silent dialogue between the body and the built environment. It is a nuanced meditation on presence and ritual, where every garment and piece of wooden furniture is positioned to amplify a profound sense of calm, ultimately delivering a visual experience that is as thoughtful as it is aesthetically precise.
Project Teeth Magazine · Set in Opposition
Set in Opposition for Teeth Magazine is a sophisticated fashion editorial that masterfully explores the intersection of strategy and style. By utilizing a high-contrast monochrome palette, the project channels the rigid structure of a chess match into a series of striking visual narratives. The imagery leans into a minimalist aesthetic, where the geometric precision of a chessboard grid provides a backdrop for avant-garde couture. Through a blend of fine art composition and commercial polish, the project employs techniques like double exposure and digital VFX to fragment the human form, mirroring the strategic placement of chess pieces. Models Kirandeep Chahal and Laetitia Thalien embody this tension, moving through neutral, sparse environments that prioritize the tactile quality of the textiles. With the detailed makeup artistry of Charlie Murray accentuating the sharp, contemporary silhouettes, the work succeeds in balancing soft, natural light with clinical studio strobe setups. The resulting editorial portrait series reads as a contemplative dialogue between the organic elegance of the subjects and the mathematical starkness of their setting. Each frame is a deliberate study in balance, where the juxtaposition of raw, fringed hems against polished surfaces creates a compelling, modern tension that challenges traditional fashion photography conventions. This project stands as a testament to the power of clean, focused design in high-end editorial storytelling.
Project Teeth Magazine · Scarlet Dawn
Scarlet Dawn is a fashion editorial feature for Teeth Magazine that explores juxtaposition through a series of portraits. The collection moves between intimate studio settings, where low-key chiaroscuro lighting highlights accessories, and outdoor environments framed by weathered stone architecture. Throughout the project, the styling by Joe van O emphasizes tactile fabric contrasts, pairing dark leather and wool with voluminous faux fur. The series leans into a moody aesthetic, incorporating analogue film techniques and natural light to ground the subject matter. These editorial portraits prioritize texture and tonal depth, oscillating between clean, subdued compositions and images defined by gritty, cinematic light leaks.
Project Teeth Magazine · Becoming the Tree
For 'Becoming the Tree,' Teeth Magazine presents a multi-part fashion editorial exploring organic forms through a surreal, earthy lens. Featuring model Grace Monfries, the series leans into an atmospheric woodland setting to highlight experimental silhouettes and textured knitwear. Captured by photographer Marcus Sabah, the imagery relies on natural light to emphasize the interplay between structural garments and the surrounding forest environment. The portraiture features hair styling by Flavien Hymonnet, with casting direction by Max Kallio.
Project Teeth Magazine · Where do ships go?
Where do ships go? is a fashion editorial series for Teeth Magazine that explores nautical themes through a surreal and tactile lens. Photographed by Elena Sokolova, the imagery utilizes natural light to frame model Victoria Gakhariya against a backdrop of urban waterfronts, industrial architecture, and vessel-focused textures. The series leans into a nostalgic aesthetic, captured primarily on analogue film. Through close-up portraits and environmental compositions, the project emphasizes sculptural accessories and layered textiles, contrasting the soft, grainy light of the docks with high-contrast color palettes and architectural lines.
Project Teeth Magazine · Tèo de 5 a 7
Tèo de 5 a 7 is a fashion editorial produced for Teeth Magazine, captured by photographer Luisa Pagani. The series juxtaposes high-texture apparel against neoclassical architectural settings and lush, organic park environments. Utilizing analogue film, the work leans into a gritty, nostalgic aesthetic defined by soft natural light and visible grain. The editorial follows model Teo Comon across a sequence of varied settings, balancing the structure of classical stone colonnades with the ephemeral backdrop of blossoming cherry trees.
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