Russh
Featured Russh projects
This week's top Russh projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Russh · The Youth are at the Gates
Russh presents 'The Youth are at the Gates,' a fashion editorial defined by minimalist aesthetics and clean lines. Shot by photographer Olivia Frølich, the series utilizes an interior studio setting to foreground tactile textures and contemporary silhouettes against stark, white architectural backdrops. The imagery features model Olivia Petronella Palermo, with hair styling by Philip Fohlin and makeup by Kamila Vay. The project leans into a restrained, clean visual language, employing natural light to highlight the intricate details of the garments, ranging from oversized shirting to textured knitwear and voluminous outerwear.
Project Russh · Oh! Devon
Russh magazine features influencer Devon Lee Carlson in the editorial series 'Oh! Devon.' Captured by photography duo Tatiana and Karol, the project leans into a nostalgic, analogue aesthetic, utilizing natural light and deliberate light leaks to create an ethereal, intimate atmosphere. Across a series of portraits and still lifes, the imagery explores textural fashion and architectural framing. The production features hair styling by Ruby Howes and makeup artistry by Leana Ardeleanu, emphasizing clean, luminous skin and relaxed, authentic styling throughout the editorial.
Project Russh · Love
The "Love" project for Russh is a fashion editorial series captured by photographer Jake Terrey. The collection explores human connection through a sequence of studio portraits and location-based shots, characterising intimacy through interplay between subjects. Employing a clean, minimalist aesthetic, the imagery shifts between high-contrast monochrome and natural light portraiture. The series leans into editorial techniques, utilising deliberate studio lighting and analogue film textures to highlight the structured silhouettes and varied fabrications of the seasonal garments.
Project Russh · Won't Dim These Lights
Russh magazine presents 'Won't Dim These Lights,' a fashion editorial that explores varied silhouettes and textile-focused ensembles. Captured by photographer Coni Tarallo, the series highlights dynamic material choices ranging from fiery red plumage and sheer black lace to micro-pleated cream fabrics and voluminous puff sleeves. The imagery leans into a tactile aesthetic, utilizing natural light to define shape and structure against both urban and architectural backdrops. Featuring model Emmi Freeman, the editorial balances architectural rigor with soft, atmospheric compositions. The production team includes casting direction by Neill Seeto, with hair styling by Levi Monarch and makeup by Rei Tajima, maintaining a clean and minimalist beauty approach that keeps the focus on the garments and detailed gold accessories. Each frame is shot in a vertical format, emphasizing a grounded, editorial mood throughout.
Project Russh · Inside the Quiet - Ryan Brabazon's intimate return to the Sydney Swans
Inside the Quiet documents the Sydney Swans through a raw, observational lens. Photographer Ryan Brabazon explores the atmosphere of professional Australian rules football, shifting focus away from the pitch to capture the candid, contemplative moments that define the athlete’s experience. The series leans into a documentary aesthetic, utilizing analogue film with visible metadata and sprocket markings to create a tactile sense of realism. The work prioritizes low-key lighting and monochrome palettes, emphasizing the textures of the locker room and the physical toll of the game.
Project Russh · Cut & Paste
Cut & Paste is a fashion editorial feature produced for Russh. The project focuses on a clean, studio-based aesthetic, utilizing a collage-style layout to highlight luxury garments and accessories through multi-paneled spreads. The editorial captures model Luca Biggs in a series of minimalist portraits and dynamic poses against neutral backdrops. The work emphasizes garment textures, ranging from knitwear and tweed to pleated fabrics and leather, paired with gold statement accents. The execution relies on bright, natural light and a refined art direction that separates photographic elements with deliberate border outlines. Creative contributions for the project include hair styling by Joel Phillips and makeup by Kamila Vay, with casting directed by Neill Seeto.
Project Russh · RUSSH COVER
This editorial series for Russh magazine, captured by photographer Tim Ashton, presents a collection of high-fashion portraits that emphasize silhouette and texture. The work leans into a clean aesthetic, utilizing a minimalist white backdrop to draw focus to the subject's dynamic movement and intricate garment details. Featuring model Abény Nhial, the imagery employs soft, natural light to highlight the construction of various pieces, from sheer patterned dresses to tailored outerwear. The editorial framing utilizes bold typography and high-contrast compositions to establish a signature, sophisticated visual language.
Project Russh · We Live in Time
Fashion publication Russh explores layered textures and graphic knitwear in 'We Live in Time.' Photographed by Derek Henderson, the editorial series leans into a tactile aesthetic, balancing bold, multicolored patterns and embroidery/needlework against candid architectural settings. Fashion stylist Sarah Starkey curates the wardrobe, which incorporates oversized knits, vibrant graphic tops, and unexpected color palettes. Captured using natural light, the editorial maintains a clean, straightforward visual identity that emphasizes the craftsmanship of the garments against both industrial and urban backdrops.
Project Russh · March 2025
The Russh March 2025 editorial issue captures a series of contemporary fashion portraits through the lens of photographer Jake Terrey. The project employs a mix of clean studio aesthetics and outdoor industrial backdrops, utilizing natural light to highlight tailored silhouettes and textured garments. The series features styling by Thomas Townsend, with hair styling by Jesse Wakenshaw and make-up by Carly Lim. Throughout the vertical editorial collection, the work leans into monochrome and desaturated color palettes, occasionally incorporating analogue film techniques to emphasize structured suiting and bold knitwear.
Project Russh · Zinnia Kumar
This fashion editorial feature for Russh magazine showcases model Zinnia Kumar in a series of studio portraits that emphasise tactile fabrics and minimalist art direction. Photographed by Mia Rankin, the session balances structured tailoring with ethereal, layered jewelry details. The imagery relies on natural light and clean, desaturated backdrops to bring a contemporary edge to classic styling. Fashion stylist Hannah Cooper curates a wardrobe that ranges from sheer, draped garments to structured tweed, often punctuated by prominent pearl accessories. The creative execution is defined by damp-look hair styling from Madison Voloshin and polished, subtle makeup by Isabella Schimid, resulting in a cohesive, refined aesthetic across the editorial spread.
Project Russh · Not Yours
Not Yours is an editorial fashion project featured in Russh magazine, showcasing a series of intimate beauty portraits. The work leans into a minimalist aesthetic, utilizing clean, tight framing to emphasize skin textures and experimental makeup applications. Photographer Claudia Smith and creative director Justin Woo lead the visual execution, with make-up artist Anne Timper contributing defined, graphic styling. The series employs natural light and analogue film techniques to create a consistent, desaturated look across the portraits, set against neutral studio backgrounds.
Project Russh · I Am Love
Russh presents I Am Love, a fashion editorial featuring musician Troye Sivan. The series leans into a clean, minimalist aesthetic, balancing relaxed poses with deliberate studio compositions that highlight contemporary apparel. Photographer Tim Ashton captures the subject across a range of vibrant and neutral backdrops, utilizing natural light to define the textures of the wardrobe. With creative direction from Justin Woo, the imagery integrates casual elements with refined fashion styling by Charlotte Agnew. Grooming by make-up artist Gillian Campbell and hair stylist Sophie Roberts provides a polished finish, utilizing editorial techniques to maintain a sharp, consistent visual narrative throughout the project.
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