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Troye Sivan lying down wearing white trousers and a white tank top against a pale sky background
Troye Sivan wearing a white tank top with hand on cheek against a grey studio background for Russh I Am Love editorial
Troye Sivan seated wearing a black graphic t-shirt and lavender trousers against a gradient backdrop for Russh.
Troye Sivan in a black t-shirt posing against a solid purple backdrop for Russh editorial
Troye Sivan wearing a black crop top and yellow cap against a grey backdrop for Russh magazine
Troye Sivan wearing a white t-shirt and light denim jeans against a solid blue background for Russh magazine.
Troye Sivan wearing a yellow cap and black top with yellow nail polish against a grey studio backdrop
Troye Sivan posing in a black crop top and purple wide-leg jeans against a solid purple backdrop for Russh I Am Love
Troye Sivan wearing a black bucket hat and white graphic tank top against a plain grey backdrop for Russh magazine.
Troye Sivan in denim jacket and jeans posing against a purple background for Russh I Am Love editorial
Troye Sivan wearing a black tank top in a minimalist studio setting for Russh
Troye Sivan lying down wearing white trousers and a white tank top against a pale sky background
Troye Sivan wearing a white tank top with hand on cheek against a grey studio background for Russh I Am Love editorial
Troye Sivan seated wearing a black graphic t-shirt and lavender trousers against a gradient backdrop for Russh.

Russh I Am Love 2023

About

Russh presents I Am Love, an editorial fashion series featuring talent Troye Sivan. Photographed by Tim Ashton, the project leans into a minimalist aesthetic, utilising clean studio backgrounds and a vibrant, earthy colour palette to frame the subject. Fashion stylist Charlotte Agnew anchors the production with a selection of contemporary apparel, including layered silver jewellery, denim, and graphic separates. The execution is supported by hairstylist Sophie Roberts and make-up artist Gillian Campbell, who maintain a consistent, polished look throughout the series. The work makes use of natural light and analogue film techniques to create a refined, understated visual tone.

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