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Lampoon Magazine

23 projects·0 creatives·

Featured Lampoon Magazine projects

This week's top Lampoon Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Model Raya Martigny wearing a blue skirt suit and white top, leaning back in a chair on a studio set for Lampoon Magazine. Project

Lampoon Magazine · Lampoon MECCANO by Walter Pierre

In the striking editorial series Lampoon MECCANO, photographer Walter Pierre crafts an evocative visual narrative that bridges the gap between high fashion and installation art. Commissioned by Lampoon Magazine, the project explores the tension between the human form and restrictive, geometric environments. By positioning model Raya Martigny within narrow glass display cases and structured wooden frameworks, Pierre channels a sense of confinement that feels both clinical and deeply intimate. The aesthetic relies on editorial minimalism and a deliberate, austere palette, where the interplay of light and shadow is paramount. Technique plays a central role in the storytelling, with the series moving fluidly between crisp, high-key studio strobe compositions and moody, analogue 35mm film captures that emphasize the raw textures of skin and fabric. The art direction, bolstered by the precise set design of Clement Pelisson, transforms everyday objects like craft paper, structured tailoring, and household items into sculptural elements. Supported by the deliberate styling of Stefaniya Chekalina, the hair work by Jesper Hallin, and the refined makeup artistry of Anga Borodina, each frame feels like a curated study of proportion. Ultimately, this collaboration leans into a cinematic visual language that challenges traditional portraiture, presenting a collection that is as much a technical exercise in composition as it is a compelling fashion statement.

Black and white photograph of a perforated dried palm leaf casting a shadow against a plain background. Project

Lampoon Magazine · Erase and Rewind, Lampoon Soap issue 32

Erase and Rewind, a feature for issue 32 of Lampoon Soap, is an editorial project that explores textural narratives through a series of minimalist still life and portrait studies. Captured by photographer Lara Giliberto with set design by Camille Pouyat, the imagery navigates the relationship between organic forms and human anatomy. The project leans into a clean, monochromatic aesthetic across its vertical compositions. Techniques including hard and soft lighting are used to heighten the tactile qualities of the subjects, ranging from botanical specimens and sculpted soaps to intimate skin details. By juxtaposing everyday objects like mended stone and pressed flora with deliberate studio arrangements, the work maintains a consistent, sculptural focus.

Model in fringed tunic and slouchy white boots standing against a neutral studio backdrop for Lampoon Magazine Project

Lampoon Magazine · resilient

Resilient is a fashion editorial project produced for Lampoon Magazine, showcasing a series of portraits that lean into clean, minimalist aesthetics. The collection utilizes directional studio lighting to emphasize sculptural silhouettes and the tactile quality of high-fashion textiles, from metallic foils to structured knits. Photographer Boris Ovini leads the visual direction, working alongside fashion editor and stylist Niki Pauls to curate a narrative of architectural poise. The series features model Charlotte Tomas across various studio setups, supported by hair stylist Nelson Vercher and makeup artist Hind Sousan. Casting for the project was managed by Jordan Mergirie, resulting in a cohesive, high-key editorial display.

Close-up portrait of model Connor Newall with a neutral expression against a plain background for Lampoon Magazine. Project

Lampoon Magazine · Between us three

Between us three is an editorial project for Lampoon Magazine that explores contemporary menswear through a series of stark, sculptural portraits and industrial-set compositions. Photographed by Antonino Cafiero, the series leans into a monochromatic aesthetic, utilizing natural light and clean studio setups to emphasize the tactile qualities of layered fabrics and structured silhouettes. The project features model Connor Newall alongside a cast of male talent, with fashion styling and editing by Adrian Bernal. Set design by Thibault Muñoz provides a raw, minimalist backdrop, ranging from weathered concrete interiors to neutral, desaturated studio environments. Grooming by hair stylist Eduardo Bravo and makeup artist Miki Matsunaga contributes to the refined, deliberate mood of the collection.

Man with beard wearing a black sweater over a striped shirt against a white backdrop for a magazine cover story. Project

Lampoon Magazine · Cover story with Mathis Chevalier

For this Lampoon Magazine cover story, photographer Byron Spencer captures talent Mathis Chevalier in a series of monochromatic editorial portraits. The session explores sculptural silhouettes and high-contrast studio forms, utilizing clean compositions and chiaroscuro lighting to emphasize the tactile details of the fashion wardrobe. The project features fashion styling by Andrea Colace, who oversees the aesthetic direction. The visual look is rounded out by hair styling from Eduardo Bravo and makeup artistry by Hind Sousan, focusing on expressive, minimalist textures across a range of studio setups.

Two models posing together for a magazine cover with bold typography against a neutral grey studio background Project

Lampoon Magazine · Lampoon Magazine #34 Fall/Winter 202 ...

Lampoon Magazine presents its Fall/Winter 2024 editorial, a clean and minimalist fashion feature captured by photographer Sally Moore. The session leverages soft studio light to document a pairing of models, Constanze Van Rosmalen and Paolo Grebic, within a controlled, neutral environment. The series prioritizes high-contrast textures through deliberate styling and composition. By focusing on a modern aesthetic, the editorial uses vertical framing to emphasize the interaction between the subjects and the magazine’s signature serif typography.

A blonde woman in a brown suit leaning against a doorway facing a fair-haired man in black sparkly trousers for Lampoon Magazine. Project

Lampoon Magazine · photography Sally Moore

Captured by photographer Sally Moore, this editorial for Lampoon Magazine presents a collection of intimate, narrative-driven vignettes. The series features models Constanze Van Rosmalen and Paolo Grebic in domestic and studio settings, leaning into a nostalgic, cinematic atmosphere. The imagery is defined by a soft visual tone, employing natural light and grainy textures to highlight the tactile details of the fashion and surroundings. Throughout the collection, the subjects engage in quiet, everyday activities and composed portraits. The wardrobe ranges from structured tailoring to textured evening wear, often set against backgrounds of traditional home interiors or understated studio backdrops. The work is shot on analogue film, resulting in a cohesive aesthetic that prioritises observational, candid-style storytelling.

Two male performers in matching brown garments balancing in symmetry inside a circular ring of black coiled cables on a white studio background. Project

Lampoon Magazine · Lampoon MECCANO - Dynamic Issue

For the Lampoon MECCANO Dynamic Issue, photographer Spyros Rennt and fashion editor Alessandro Travaini collaborate on a series of arresting images that redefine the intersection of human anatomy and industrial utility. This editorial campaign functions as a tactile exploration of form, channeling an aesthetic of brutalist minimalism where the body becomes an extension of the surrounding hardware. Set against stark, expansive studio backdrops, the visuals utilize a blend of studio strobe and natural light to emphasize the interplay between organic skin, sheer fabrics, and rigid objects like coiled electrical cables, vintage television monitors, and metallic tools. The project leans into a highly disciplined, almost sculptural approach, as seen in the symmetrical framing of intertwined subjects and the raw, unadorned portraits that anchor the collection. By juxtaposing fine art sensibilities with the vocabulary of modern fashion photography, Rennt creates a series that feels both clinical and intensely intimate. The technical execution—marked by clean lines, high-contrast rubber flooring, and considered, layered styling—serves to highlight the materiality of the clothing while maintaining a sharp, graphic focus. Ultimately, the work transcends traditional portraiture, presenting a series of composed moments that prioritize textural depth and geometric balance, successfully capturing the essence of a dynamic, industrial-inspired visual narrative through a refined, contemporary editorial lens.

Pink wax sculptural bust of a head resting on a small wooden three-legged stool in a minimalist studio. Project

Lampoon Magazine · Goshka Macuga

In this evocative feature for Lampoon Magazine, the work of artist Goshka Macuga is brought to life through a lens that masterfully blurs the boundary between fine art and editorial photography. Under the skilled eye of photographer Sandra Seaton, the project explores the interplay of materiality and space, anchoring its conceptual vision in a series of deliberate compositions. The visuals rely on the recurring presence of plaster and wax ceramics or sculpture, set against stark, minimalist backdrops that allow the textures of both the art and the wardrobe to take center stage. Through the use of natural light and precise studio strobe setups, the imagery channels an intellectual, often surrealist aesthetic that feels both raw and highly curated. Whether highlighting a mannequin in a folding chair or a subject holding a mask, the editorial frames emphasize a clean, monochromatic discipline that resonates with the high-fashion sensibilities of the publication. The integration of geometric superimpositions and playful, found-object assemblies further elevates the narrative, positioning the artist within a space of deep contemplation and creative process. This project effectively serves as a visual meditation on the objecthood of human figures and the organic, tactile nature of contemporary sculpture, delivering a sophisticated blend of portraiture and high-end artistic documentation that feels entirely at home in the magazines, media & entertainment sphere.

Sculptural tower installation of stacked cork discs, blue patterned cylinders, and small spheres on a light surface. Project

Lampoon Magazine · Lampoon x Hermes

In a striking collaboration between Lampoon Magazine and Hermès, this project elevates the definition of luxury accessories by transposing high-end design into the realm of conceptual fine art. Photographed by Clémentine Passet, the series masterfully leans into editorial minimalism, eschewing standard commercial tropes in favor of sculptural storytelling. The visuals feature a precise interplay of industrial materials and delicate craftsmanship, where the brand's iconic bags and jewelry are treated as architectural elements rather than mere products. Pierre-Alexandre Fillaire provides an essential contribution as the set designer, constructing environments that range from vibrant blue backdrops to stark, cardboard-lined modules. This creative direction emphasizes tactile contrast, juxtaposing the smooth grain of olive and tan leather against the raw, industrial textures of brushed metal, cork, and foam blocks. By utilizing a mix of instant Polaroid aesthetics and polished studio strobe lighting, the work achieves a cinematic quality that feels both experimental and refined. The project succeeds in framing fashion as an avant-garde pursuit, inviting viewers to appreciate the geometric silhouette and modular potential of the collection through a lens that prizes form over function. Through this intentional, quiet approach to product editorial, the collaboration successfully bridges the gap between commercial fashion imagery and gallery-worthy art installation, proving that even the most established luxury goods can be reimagined with fresh, sculptural perspectives.

Monochrome polaroid style portrait of Veronica Yoko Plebani against a plain white background for Lampoon Magazine. Project

Lampoon Magazine · Veronica Yoko Plebani — flag bearer ...

In this evocative series for Lampoon Magazine, photographer Alessandro Oliva masterfully documents the presence of athlete and flag bearer Veronica Yoko Plebani through a lens of editorial minimalism. The project, which leans into the aesthetic of analogue film and 35mm film photography, strips away the noise of high-concept production to prioritize the raw, unadorned humanity of its subject. With art direction from Sara Ferraris, the visuals navigate a stark dichotomy between clean, white-walled studio spaces and deep, absorbing black voids. The styling by Alessandro Travaini elevates the narrative, balancing utilitarian black boots and structural capes with the subtle sheen of silk and intricate lace textures, while hair and makeup by Andrea Severino Sailis maintain a polished, neutral focus that complements the subject's steady, direct gaze. By utilizing the tactile charm of instant or Polaroid-style formats alongside the classic depth of medium format captures, the series avoids the sterile nature of digital gloss, instead favoring a documentary approach that feels both timeless and intimate. Each frame functions as a quiet study of character, whether through the sharp interplay of light against a vibrant red sweater or the soft, desaturated quality of a vintage-inspired portrait, ultimately creating a cohesive editorial campaign that honors the grace and grit of its subject through a refined and authentic photographic perspective.

Five male models in tailored suits and tinted sunglasses posing against a plain background for a Lampoon Magazine fashion editorial Project

Lampoon Magazine · MR. GIORGIO ARMANI A TRIBUTE

Lampoon Magazine presents a multi-faceted fashion editorial, MR. GIORGIO ARMANI A TRIBUTE, documenting the evolution of classic menswear silhouettes. Photographer Angelo Formato captures the collection through a blend of studio portraiture and street-style imagery, emphasizing sharp tailoring and structured garments. The project utilizes a mix of editorial techniques, ranging from analogue film aesthetics to retro-inspired compositions. The layout features varied configurations, including grid-based panels and double-page spreads, that contrast clean studio lighting with layered, nostalgic visuals to evoke a timeless sartorial narrative.