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Black and white photograph of a perforated dried palm leaf casting a shadow against a plain background.
A smooth cracked stone held together by an adhesive bandage resting on a dark textured background.
Close-up portrait of two human knees with textured reddish skin marks above white ribbed socks against a solid grey studio background.
Close-up portrait focusing on a person's torso marked with small hand-drawn circles around spots against a plain background.
Clear glass figurine of a religious figure standing upright on a pale textured cubic pedestal against a blue textured backdrop.
A vertical bundle of dried white sage leaves wrapped tightly with white twine against an off-white background.
Carved floral cream soap bar resting inside an open metal tin container on textured white fabric.
A white cross-shaped textured soap rests on a patterned pink fabric surface for Lampoon Magazine.
Close-up rear view of a person wearing pale underwear with acupuncture needles placed across the skin and fabric.
Black and white photograph of a perforated dried palm leaf casting a shadow against a plain background.
A smooth cracked stone held together by an adhesive bandage resting on a dark textured background.
Close-up portrait of two human knees with textured reddish skin marks above white ribbed socks against a solid grey studio background.

Lampoon Magazine Erase and Rewind, Lampoon Soap issue 32 2025

About

Erase and Rewind, a feature for issue 32 of Lampoon Soap, is an editorial project that explores textural narratives through a series of minimalist still life and portrait studies. Captured by photographer Lara Giliberto with set design by Camille Pouyat, the imagery navigates the relationship between organic forms and human anatomy. The project leans into a clean, monochromatic aesthetic across its vertical compositions. Techniques including hard and soft lighting are used to heighten the tactile qualities of the subjects, ranging from botanical specimens and sculpted soaps to intimate skin details. By juxtaposing everyday objects like mended stone and pressed flora with deliberate studio arrangements, the work maintains a consistent, sculptural focus.

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