Harper's Bazaar Serbia
Featured Harper's Bazaar Serbia projects
This week's top Harper's Bazaar Serbia projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Harper's Bazaar Serbia · Pisma Iz India
Pisma Iz India is a fashion editorial series produced for Harper's Bazaar Serbia, documenting a high-contrast dialogue between contemporary tailoring and traditional Indian architecture. Photographed by Amer Mohamad and styled by Marko Mrkaja, the series utilizes natural light to bridge the gap between minimalist silhouettes and the tactile, ornate textures of historical sites and local markets. The project leans into an earthy, warm color palette, contrasting structured black garments with the intricate frescoes, floral tapestries, and stone masonry of the environment. Techniques such as analogue film and layered composition create a sense of place that avoids traditional travel tropes, favoring a grounded, cinematic approach to editorial storytelling.
Project Harper's Bazaar Serbia · Harper's Bazaar Serbia October 2025 Cover
Harper's Bazaar Serbia marks its anniversary with a series of editorial covers photographed by Amer Mohamad. The project leans into neoclassical architecture and highly structured compositions, utilizing natural light to frame its subjects against weathered stone archways and ornate, tiled backdrops. Fashion editor Marko Mrkaja leads the styling, curating a visual narrative that oscillates between minimalist all-black ensembles and vibrant, textured layering. The editorial photography integrates bold typography, anchoring the vertical imagery within the magazine's recognizable design language.
Project Harper's Bazaar Serbia · Divine Beauty
The Divine Beauty editorial for Harper's Bazaar Serbia centers on a series of fashion-forward portraits featuring model Bella Harris. Captured by photographer Diego Larez, the project leans into an outdoor, minimalist aesthetic that emphasizes high-contrast silhouettes and sculptural textures. The editorial utilizes natural light throughout, moving between coastal landscapes and rugged, stone-walled environments. Stylistically, the shoot alternates between soft, breezy movement and structured, monochromatic compositions, incorporating editorial techniques such as analogue film to ground the visuals in an earthy, tactile quality.
Project Harper's Bazaar Serbia · Harper's Bazaar Serbia June 2025 Cover
Harper's Bazaar Serbia presents its June 2025 art issue through a series of diverse editorial covers. The collection captures a refined blend of high-fashion portraiture and graphic experimentation, leaning into clean studio aesthetics and stark monochrome compositions. The project features model Britt Oosten in a series of structured looks, including a sculptural black velvet gown and an intricately embroidered cream skirt. Photography duties were shared by Amer Mohamad and Jingxiong Qiao, with fashion editing and styling led by Marko Mrkaja, Nour Bou ezz, and Polina Shabelnikova. The team is rounded out by hair stylist Alan Antoine and makeup artist Andrey Sebaoun. The visual direction utilizes minimalist ink illustrations and vibrant paint-poured textures to anchor the art-focused edition.
Project Harper's Bazaar Serbia · Terapija Bojama
Terapija Bojama is an editorial fashion feature for Harper's Bazaar Serbia that explores high-contrast product design through a series of saturated, minimalist spreads. The project employs a clean studio aesthetic to focus on the interplay between luxury accessories and fluid textures. Photographer Amer Mohamad and fashion editor Polina Shabelnikova collaborate to transform static items—including footwear, eyewear, and handbags—into sculptural pieces defined by their vibrant color palettes and glossy, dripping finishes. Utilizing macro photography and controlled studio lighting, the series emphasizes the material qualities of each subject. The spreads integrate bold typography and negative space, leaning into an editorial layout that prioritizes clean composition and saturated, chromatic shifts across both footwear and accessories.
Project Harper's Bazaar Serbia · Harper's Bazaar Serbia October 2026 ...
Harper's Bazaar Serbia presents an editorial cover featuring a striking portrait characterized by extensive blue body paint and high-contrast styling. The composition utilizes a minimalist white backdrop to focus attention on the subject's form and the reflective quality of the featured gold jewelry. Photographer and creative director Amer Mohamad leads the visual execution, emphasizing smooth textures through clean lighting. The imagery integrates typography alongside the subject, maintaining the polished, vertical aesthetic standard for the publication's October 2026 edition.
Project Harper's Bazaar Serbia · Deep Blue
Deep Blue is a fashion editorial project produced for Harper's Bazaar Serbia. The series centers on a monochromatic exploration of blue tones, utilizing bold color palettes and high-contrast textures to define the aesthetic. Creative direction and photography were led by Amer Mohamad. The imagery employs clean studio lighting and vertical compositions, often incorporating wet-look hair styling and avant-garde accessories to contrast against minimal white and desaturated backgrounds.
Project Harper's Bazaar Serbia · Haute Couture Fashion Carosel
Harper's Bazaar Serbia presents 'Haute Couture Fashion Carousel,' a high-fashion editorial featuring model Ayak Veronica Bior. The series showcases intricate couture craftsmanship, highlighting long, elaborately embroidered gowns and dramatic silhouettes against a minimalist backdrop. Photographed by Tom Marvel, the imagery employs clean, natural light to accentuate the rich textures of the garments. The project features styling by Brendan Cannon, with hair by Linh Nguyen and makeup by Romero Jennings, maintaining an earthy and editorial aesthetic throughout.
Project Harper's Bazaar Serbia · Harper's Bazaar Serbia July 2026 Cover
Captured with an eye for romantic depth, the Harper's Bazaar Serbia July 2026 cover radiates a sophisticated charm that expertly balances organic textures with high-fashion sensibilities. Photographer Tom Marvel masterfully utilizes natural light to illuminate model Ajok Madel, who stands as a striking focal point against a weathered wooden doorway draped in dense, cascading ivy and delicate peony blooms. The project, which exemplifies high-end editorial photography, leans into a lush, pastoral narrative enhanced by the meticulous set design of Stockton Hall. Styled by Brendan Cannon, the look is defined by a voluminous floral-print skirt paired with a clean, textured top and bold pink heels that inject a modern pop of color into the frame. Every element, from the deliberate framing to the soft, even lighting, underscores an editorial aesthetic that feels both grounded and aspirational. The collaboration is further refined by the precise contributions of makeup artist Renee Garnes and manicurist Casey Herman, whose work adds a seamless polish to the ensemble. By grounding the subject within this curated, foliage-heavy environment, the cover achieves a balanced composition that feels quintessential for the fashion magazine industry, offering a thoughtful contrast between the architectural rigidity of the backdrop and the fluid, vibrant personality of the styling.
Project Harper's Bazaar Serbia · Harper's Bazaar Serbia July-August 2 ...
Captured under the soft, golden glow of a Mediterranean summer, the latest editorial cover for Harper's Bazaar Serbia serves as a masterclass in textures and tonal styling. Photographer Stefan Imielski utilizes natural light to wash over the frame, grounding the high-fashion aesthetic in a relaxed, coastal reality. The central image features a model positioned against a metal promenade railing, creating a striking contrast between the industrial structure and the lush, layered details of her wardrobe. Curated by fashion editor and stylist Tania Tuka, the ensemble leans into a sophisticated earth-toned palette, pairing a ribbed beige cardigan—elevated by a dense, architectural feathered collar—with an olive-green leather skirt and matching handbag. This editorial composition expertly balances the polish of traditional magazine media with the breezy, unscripted atmosphere of a resort getaway. The addition of a beaded headband provides a subtle, refined accessory that anchors the look, while the background architecture and sun-drenched beach scene provide a narrative of effortless escapism. By avoiding overt artifice, the project achieves a timeless lifestyle quality that feels both aspirational and deeply rooted in the current season, perfectly capturing the essence of a modern, globetrotting editorial aesthetic for the July-August issue.
Project Harper's Bazaar Serbia · Harper's Bazaar Serbia July/August ...
In a striking departure from traditional high-fashion portraiture, the July/August issue of Harper's Bazaar Serbia captures a distinct visual narrative that blends athletic utility with editorial minimalism. Photographers Luka Bošković and Stefan Stojanov masterfully utilize studio strobe lighting to create a clean, high-contrast aesthetic that draws immediate focus to the subjects form. The cover features model Mijo Mihaljcic, whose composed, enigmatic presence anchors the composition against a stark, off-white studio backdrop. By juxtaposing unexpected aquatic accessories, such as translucent blue swim fins and a technical leg strap equipped with a diving knife, against the model's wet, slicked hair and minimalist attire, the creative team leans into a rugged yet polished aesthetic. This editorial choice subverts common magazine tropes, moving away from purely glamorous depictions toward an industrial, almost cinematic portrayal of the human physique. The sharp, bold black typography overlays the frame with rhythmic precision, balancing the organic curves of the model with clean lines that reinforce the magazine brand's identity within the media and entertainment landscape. Through this deliberate exercise in styling and controlled environment photography, the team has delivered a compelling cover that demands attention through its quiet intensity and rigorous attention to detail, proving that even the most stark, minimalist studio sets can yield a powerful and provocative narrative.
Project Harper's Bazaar Serbia · Into the Deep
Into the Deep, a compelling fashion editorial for Harper's Bazaar Serbia, masterfully blurs the lines between high-end luxury fashion and the utilitarian world of scuba diving. Captured through the lens of photographers Luka Bošković and Stefan Stojanov, the project leans into a rigorous editorial aesthetic, defined by clean, minimalist studio environments and deliberate high-key lighting. The imagery features model Mijo Mihaljcic, whose neutral, steady gaze and slicked-back, wet-look hair serve as the common thread connecting a series of portraits that juxtapose sleek swimwear with technical gear like buoyancy compensator vests, snorkel masks, and diving fins. By integrating these aquatic motifs into a structured studio setting, the work channels a distinct visual tension between the organic, damp textures of the subject and the crisp, matte surfaces of professional diving equipment. Utilizing a mix of natural light and precise studio strobe setups, the series maintains a consistent, polished look that elevates simple black bikinis and utility belts into a broader conceptual statement. The result is a series of portraits that feel simultaneously athletic and avant-garde, emphasizing the sculptural beauty of the human form against a muted color palette. This project succeeds in transforming standard fashion tropes into a cohesive narrative, proving how editorial minimalism can successfully reinterpret functional objects into high-fashion accessories while remaining inherently wearable and visually striking.
Explore other brands
Explore Visie’s leading industries, projects, and the talented creatives representing them.
