Grazia International
Featured Grazia International projects
This week's top Grazia International projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Grazia International · Yseult cover story
Grazia International captures French artist Yseult in a sweeping editorial cover story that channels a raw, cinematic aesthetic. The project leans into high-contrast monochrome portraiture, foregrounding the structural interplay between avant-garde silhouettes—including feathered headpieces, voluminous faux fur, and studded leather—and the human form. Executed with a focus on tactile materiality, the series uses diffused studio lighting and a deliberate grainy, analogue-inspired finish to create a sense of timelessness. The portraiture oscillates between intimate close-ups that highlight detailed beauty styling and dynamic, full-length compositions that underscore the sculptural quality of the wardrobe.
Project Grazia International · Grazia International September 2025 Covers
The September 2025 covers for Grazia International feature portraits of Yseult and Julia Fox, captured in a high-contrast monochrome aesthetic. The series, overseen by creative director Dane Stojanovic, employs a stark, editorial visual language that emphasizes sculptural forms and deliberate layering. Photographer Tarek Mawad utilizes cinematic techniques and analogue film textures to frame the subjects against neutral studio backdrops. The imagery incorporates artistic motion blur and chiaroscuro lighting, balanced by fashion editing from Jonathan Huguet. Key contributors include hair stylists Jean-Luc Amarin and John Novotny, makeup artist Clotilde Puvis de Chavannes, and manicurist Juan Alvear, with production led by Jean-Marc Mondelet and Steff Hawker.
Project Grazia International · Dark Waters
Dark Waters is a fashion editorial series for Grazia International, defined by a focus on structural silhouettes and tactile material contrast. Led by creative director Dane Stojanovic and photographer Jack Waterlot, the series moves through a spectrum of studio lighting, from high-contrast chiaroscuro to soft, even diffusion. The imagery captures model Lily Chapman in a variety of high-fashion ensembles, ranging from sheer lace and feathered outerwear to sculptural, fan-pleated gowns. Techniques such as intentional motion blur and subtle analogue film grain add a sense of movement and texture to the otherwise minimalist compositions. Grooming by hair stylist Jean-Luc Amarin and makeup artist Anna Sadamori anchors the project in a polished, editorial aesthetic.
Project Grazia International · Les Plumes: Chanel
Grazia International showcases the Les Plumes: Chanel jewellery collection in a monochromatic editorial feature. The project leans into a minimalist, graphic aesthetic, utilising high-contrast silhouettes and sculptural textures to highlight the intricate detailing of the high jewellery. Photographer Vladimir Martí and creative director Dane Stojanovic orchestrate a series of studio portraits and still-life compositions. Featuring model Skarla Ali, the series integrates monochrome styling with sharp chiaroscuro lighting to elevate the interplay between soft plumage and structured diamond pieces. The editorial is further refined by hair stylist Jean-Luc Amarin and makeup artist Anna Sadamori, who contribute to the precise, high-key framing of the jewellery. The project maintains a consistent focus on formal composition and textural contrast throughout the shoot.
Project Grazia International · Dior FW 25
Grazia International showcases the Dior FW 25 collection through a sophisticated fashion editorial series. The project, captured by photographer Stefano Sciuto under the creative direction of Dane Stojanovic, explores the intersection of classical interior architecture and contemporary sculptural design. The imagery utilizes a monochrome palette, balancing hard light and soft, diffused natural light to accentuate intricate lace textures, ruffled silhouettes, and structured metallic accessories. Featuring models Cherine Hanique and Kathia Nseke, the editorial leans into a polished, layered aesthetic. The composition emphasizes depth, using domestic settings—ranging from wooden spiral staircases to ornate fireplaces—to frame the apparel. Supporting the visual narrative, hair stylist Sofien Semmache and makeup artist Anna Sadamori maintain a refined, minimalist aesthetic that allows the detailed craftsmanship of the Dior collection to remain the primary focus.
Project Grazia International · Julia Fox cover story
Grazia International showcases actor Julia Fox in a high-contrast, monochrome cover story that focuses on avant-garde silhouettes and sculptural fashion design. Photographed by Tarek Mawad with creative direction by Dane Stojanovic, the editorial leans into moody, chiaroscuro lighting and surrealist motifs to highlight intricate textile details. The series features a range of theatrical styling, from towering, conical updos by hair stylist John Novotny to sharp, stiletto-pointed manicures by Juan Alvear. The studio-based production utilizes a clean, minimalist aesthetic to emphasize architectural shapes and high-concept garment construction throughout the spread.
Project Grazia International · Beyond the Passageway
Beyond the Passageway is a fashion editorial series produced for Grazia International, showcasing a collection of avant-garde looks and sculptural silhouettes. Photographed by Rambo Ding and featuring model Shengjie Yang, the project explores high-fashion styling through dramatic textural contrasts and precise, theatrical makeup artistry. The series channels a clean editorial aesthetic across various studio environments, utilizing both monochromatic palettes and vibrant, saturated gradients. Techniques such as low-key chiaroscuro lighting and subtle analogue film grain add depth to the compositions, emphasizing the intricate folds and geometric forms of the wardrobe.
Project Grazia International · The Solace You Seek
The Solace You Seek is a high-fashion editorial production for Grazia International, defined by a minimalist approach to coastal landscapes and geological textures. Photographed by Stefano Sciuto under the creative direction of Dane Stojanovic, the series utilizes natural light and high-contrast environments—ranging from deep limestone sea caves to sun-bleached cliff formations—to frame model Dasha Abdulova. The visual narrative relies on clean, architectural lines and organic shapes to balance the soft, flowing silhouettes of the featured wardrobe. With production by Jean-Marc Mondelet and hair styling by Jean-Luc Amarin, the project maintains a consistent earthy aesthetic across varied exterior locations. The work leans into a cinematic, editorial style, employing chiaroscuro and raw, desaturated tones to create a sense of scale against the Mediterranean-inspired seascape.
Project Grazia International · The Ascending Dragon
Grazia International explores traditional craftsmanship and heritage in The Ascending Dragon, a fashion editorial set against the rugged, karst-filled landscapes of Vietnam. Through a lens that prioritizes organic textures and architectural scale, the project integrates local artisanal elements—including woven bamboo traps and traditional fishing vessels—with contemporary high-fashion silhouettes. Photographer Avani Rai and creative director Dane Stojanovic utilize natural light to ground the editorial in an observational, intimate tone. The visual narrative moves between expansive, moody outdoor environments and tight, textural portraits, blending an earthy color palette with monochrome grading. Hair styling by Jean-Luc Amarin complements the structural and organic aesthetic, drawing on filmic techniques to emphasize the raw, tactile connection between the subject and the setting.
Project Grazia International · The Laws Of Attraction Cover shoot
Grazia International explores a bold, avant-garde aesthetic in their recent feature, The Laws Of Attraction. This fashion editorial series centers on intricate, industrial-inspired styling that pairs sharp, sculptural silhouettes with extensive facial hardware and dramatic metallic adornments. Through a series of tightly framed portraits, the project leans into a high-contrast visual language that balances aggressive textures with refined luxury elements. Captured by photographer Esra Sam under the creative direction of Dane Stojanovic, the series utilizes dynamic, moody lighting techniques that shift between saturated warm tones and cold, atmospheric shadows. The execution draws heavily on an analogue film aesthetic, incorporating heavy grain and stark monochrome grading to enhance the collection's gritty, edgy tone. Production was overseen by Jean-Marc Mondelet, with makeup artistry by Emily Clayton contributing to the project's precise and textured character.
Project Grazia International · Back to the future
Back to the Future for Grazia International is a conceptual fashion editorial that blends mid-century aesthetics with vintage technology. Photographed by Mattia Guolo with creative direction by Jean-Marc Mondelet, the series features models styled alongside period-accurate props, including rotary telephones, ornate carved furniture, and vintage computer monitors. The imagery employs monochrome and desaturated tones to create a cohesive, graphic aesthetic. Through the use of clean studio lighting and layered patterns, the project highlights the interplay between luxury accessories and tactile studio backdrops. The editorial features hair by Jean-Luc Amarin, makeup by Anna Sadamori, and manicures by Nafissa Djabi, ensuring a highly polished look across both vertical and horizontal compositions.
Project Grazia International · Take it outside
Take it outside is an extensive fashion editorial produced for Grazia International, blending contemporary menswear with natural, atmospheric environments. Photographed by Stefano Sciuto, the series leans into a tactile and observational aesthetic, utilizing natural light and monochromatic film techniques to emphasize the raw textures of woven knits, tailored suits, and weathered outdoor settings. Featuring model Robin Avignon, the project moves through park landscapes, riverbanks, and rustic waterfronts. Fashion editor Anna Castan curates a layered style, pairing patterned knitwear and graphic-print tops with structured outerwear and wide-leg trousers. The series also extends into curated still life, framing luxury leather accessories against organic elements like grass and wood to underscore the project's quiet, cinematic mood. The production was managed by Jean-Marc Mondelet, who also oversaw casting.
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