Dazed Magazine
Dazed Magazine's avant-garde fashion editorials and cultural portraiture across print media
Featured Dazed Magazine projects
This week's top Dazed Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Dazed Magazine · By Eloise Parry
In this evocative series for Dazed Magazine, photographer Eloise Parry curates a narrative that blurs the lines between public editorial fashion and private, interior intimacy. The project, deeply rooted in the luxury fashion sector, moves fluidly between the untamed, organic textures of a wooded landscape and the crisp, controlled minimalism of a modern bedroom. By leaning into an editorial style that prioritizes natural light, Parry captures a series of portraits that feel simultaneously candid and meticulously staged. Key to this aesthetic is the creative contribution of fashion editor and stylist Zara Mirkin, who utilizes structured silhouettes, fringe-laden garments, and monochromatic palettes to anchor the visual storytelling. Hair stylist Sarah Jo Palmer and makeup artist Lauren Reynolds lean into a clean, understated finish that allows the interplay of reflections and shadow to take center stage. Through the lens, models Ivy Stewart and Jamay Williams embody a cool, detached elegance that complements the architectural framing of the settings. The use of reflective surfaces and sharp, high-contrast compositions creates a sense of voyeuristic discovery, inviting the viewer into a space where fashion meets psychological reflection. This work transcends traditional portraiture by transforming high-fashion styling into a study of light, texture, and physical presence, ultimately reinforcing the magazine’s reputation for pushing the boundaries of contemporary visual culture with a distinct and polished sensibility.
Project Dazed Magazine · Good 4 U
In the vibrant editorial feature Good 4 U for Dazed Magazine, the intersection of high fashion and athletic culture is explored through a lens of surrealism and movement. Photographer Mark Peckmezian masterfully captures this tension, placing high-end luxury garments—characterized by voluminous tulle, intricate textures, and avant-garde silhouettes—directly onto the unlikeliest of runways: the soccer pitch. Under the creative vision of Fashion Director Imruh Asha, the project elevates the aesthetic by juxtaposing the delicate, layered fabrics of evening gowns against the grounded, high-contrast environment of a manicured sports field. The narrative thrives on dynamic energy, utilizing a high-speed freeze technique to suspend models in mid-air or mid-stride, effectively blurring the lines between elite sports and high-concept editorial minimalism. Key creative contributions from hair stylist Christian Eberhard and makeup artist Rebecca Wordingham ensure that the sleek, modern styling remains cohesive across the diverse cast, which includes Elodie Souverain, Jolène Jansen, and Peng Chang. Utilizing soft natural light to enhance the saturated, warm color palette, the shoot leans into a performative quality where red cards and soccer balls become sophisticated props. This project successfully bridges the gap between the rigid structures of the fashion world and the fluid, spontaneous nature of athletics, resulting in a visually arresting lifestyle narrative that feels both performative and deeply grounded.
Project Dazed Magazine · Total Eclipse
Total Eclipse for Dazed Magazine serves as a masterclass in editorial fashion photography, pushing the boundaries of portraiture through a sophisticated interplay of light and texture. Photographed by Casper Kofi, the series moves effortlessly between the extremes of high-key clarity and the moody depth of chiaroscuro lighting. By utilizing studio strobe setups to carve out sculptural forms, the project leans into a minimalist aesthetic that prioritizes the interplay between the human silhouette and avant-garde luxury garments. Fashion Editor and Stylist Patrick Welde curates a selection of pieces that emphasize structural integrity, from translucent vinyl trench coats to textured wraps, ensuring each frame functions as a study in material contrast. Whether isolating a subject against a stark white backdrop or submerging them in a deep, cinematic shadow, the imagery captures a poised, graphic intensity. The collaboration benefits significantly from the meticulous beauty work of Hair Stylist Michael Delmas and Makeup Artist Lisa Michalik, who ensure that the focus remains anchored on the model, Libby, as she commands the space with an arresting, direct gaze. This body of work reinforces the editorial authority of the publication, transforming standard fashion portraiture into a series of stark, high-contrast explorations that highlight the narrative power of shadow, form, and precision styling in the contemporary luxury sector.
Project Dazed Magazine · Put me in a Spell
Dazed Magazine’s 'Put me in a Spell' is a fashion editorial that explores avant-garde tailoring and high-shine textures. Photographed by Suffo Moncloa, the project utilizes moody, low-key lighting and chiaroscuro techniques to emphasize structural silhouettes and complex layering. Fashion editor Mirko Pedone curates an aesthetic defined by dramatic contrasts, integrating elements such as wire eyewear and intricate headpieces to build a futuristic visual narrative. The series features models Bakary Cisse and Youssef Rocha, with grooming by hair stylist Ryo Narushima and makeup artist Thierry Do Nascimento. The production is supported by set design from Pierre-Alexandre Fillaire and casting direction by Andrea Prato and Daniel von der Graf, resulting in a cohesive editorial series captured with raw, analogue film aesthetics.
Project Dazed Magazine · Yellow Flicker Beat
Yellow Flicker Beat is a fashion editorial series for Dazed Magazine, captured by photographer Mark Peckmezian. The series utilizes moody, low-key lighting and cinematic framing to document an ensemble of models within an intimate, nightlife-inspired setting. The project channels a raw, energetic aesthetic through the interplay of warm stage lighting and deep shadows. Fashion director Imruh Asha curates a collection of diverse textures, from metallic gowns to casual knitwear, while choreography by Benjamin Jonsson and casting by Holly Cullen drive the dynamic, motion-focused compositions. Hair by Naoki Komiya and makeup by Anne Sophie Costa maintain a balanced, polished look amidst the gritty, atmospheric environment. The series is presented through a mixture of analogue film and live-action techniques.
Project Dazed Magazine · Māori Futures
Māori Futures is an expansive editorial project for Dazed Magazine that explores cultural identity through a blend of contemporary fashion and observational documentary photography. Shot by Erika Kamano, the series moves across diverse landscapes—from stark volcanic sand dunes to coastal meadows—to frame its subjects within both traditional and modern contexts. The project leans into a raw, cinematic aesthetic, often employing natural light to highlight textures ranging from traditional facial tattoos and woven cloaks to layered streetwear. Working with fashion editor and stylist Zara Mirkin and hair stylist Matt Benns, the team constructs a visual narrative that balances expressive, documentary-style portraiture with deliberate, clean-lined editorial composition. The result is a contemplative look at indigenous heritage and the future, captured with a grainy, analogue film sensibility that enhances its atmospheric mood.
Project Dazed Magazine · Cortisa Star
Dazed Magazine presents a portrait-led fashion editorial featuring entertainer Cortisa Star. Captured by photographer Ben Taylor, the series employs natural light to emphasize raw skin texture and intimate, tactile details across a range of domestic and neutral settings. Fashion editor and stylist Peghah Maleknejad centers the wardrobe on muted, textured layers, including structured wool suiting and knitwear. The clean aesthetic is further defined by hair styling from Erol Karadağ and makeup artistry by Julian Stoller, focusing on soft, earthy tones that complement the project's grainy, editorial look.
Project Dazed Magazine · Fallen Fruit
Fallen Fruit is an editorial feature for Dazed Magazine that explores themes of texture and intimacy through a series of minimalist portraits. Photographed by Ola Rindal, the project emphasizes a tactile sensibility, utilizing soft light and a desaturated palette to highlight translucent fabrics, condensation, and delicate details. The editorial centers on model Ebba Bostrom, with fashion styling provided by Laëtitia Gimenez Adam. The production maintains a clean aesthetic across its vertical compositions, supported by hair styling by Joe Burwin and makeup by Satoko Watanabe. Casting was managed by Ben Grimes, with additional manicure work by Sylvie Vacca.
Project Dazed Magazine · Fashion East
Dazed Magazine commemorates the 25th anniversary of Fashion East with an expansive editorial feature. Photographed by Thurstan Redding, the series documents a diverse ensemble of models and designers, blending avant-garde fashion with neoclassical architectural settings. The production features fashion direction by Imruh Asha and styling by Nell Kalonji. The imagery utilizes clean composition and natural light to showcase a variety of textures, ranging from structured leather and knitwear to voluminous gowns. Casting, overseen by Mischa Notcutt, centers on an ensemble that includes Ajak Dhieu, Alva Claire, Kerlual Thak, Miles Buckle, and Noah Bates. Technical execution is supported by set designer Samuel Overs, hair stylist Kiyoko Odo, and makeup artist Siobhan Furlong. The spreads often lean into monochrome palettes and analogue film techniques, emphasizing sculptural silhouettes within high-ceilinged, minimalist interiors.
Project Dazed Magazine · Vivian Wilson, the uncensored issue
Dazed Magazine presents 'Vivian Wilson, the uncensored issue,' an editorial feature centering on model Vivian Wilson. The series relies on an intimate, candid approach, utilising natural light and a clean visual style to document the subject across a mix of interior and exterior settings. Photographer Brianna Capozzi captures the portraiture, with fashion styling by Linda Engelhardt. The aesthetic is defined by its editorial focus and the inclusion of analogue film techniques, drawing out textures within the frame, from architectural wood grain to lace detailing on accessories.
Project Dazed Magazine · Dazed Magazine Autumn 2025 Covers
Dazed Magazine presents its Autumn 2025 covers, a series of editorial portraits featuring entertainer Lorde. Captured by photographers Ilya Lipkin and Wera Nowak, the imagery leans into a high-key, monochrome aesthetic that draws focus to sculptural silhouettes and sharp, structured tailoring. The project was shaped by fashion director Imruh Asha, alongside fashion editors Georgia Pendlebury and Zara Mirkin. The production integrates precise studio lighting and clean compositions, complemented by movement direction from Ryan Chappell and set design by Julia Dias. Cast by Ben Grimes, the covers showcase detailed beauty and styling contributions from hair stylists Gabriel de Fries and Matt Benns, makeup artists Leana Ardeleanu and Maud Laceppe, and manicurists Liia Zotova and Sylvie Vacca.
Project Dazed Magazine · Skepta By Pieter Hugo
Dazed Magazine presents a portrait series featuring musician Skepta, captured by photographer Pieter Hugo. The editorial work focuses on a sequence of contrasts, transitioning from raw, industrial architectural environments to controlled, tactile interior settings. Throughout the series, the imagery leverages natural light and a grainy texture to define the subject's presence against diverse urban and domestic backdrops. Fashion Editor and Stylist Zara Mirkin defines the visual narrative through layered sportswear and leather ensembles, complemented by set design from Samuel Overs. The production was overseen by Editorial Director Kacion Mayers and Editor-in-Chief Ib Kamara.
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