American Vogue
American Vogue's definitive fashion editorials, celebrity profiles, and cultural features
Featured American Vogue projects
This week's top American Vogue projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project American Vogue · Dakota Johnson’s New World
American Vogue’s profile, Dakota Johnson’s New World, serves as a high-end editorial feature centered on actor Dakota Johnson. Through a series of carefully composed portraits, the project employs an aesthetic that bridges clean minimalism with bold color saturation. Photographer Larissa Hofmann captures the subject across diverse environments, utilizing a mix of natural light and studio flash to transition between the serene cool tones of an outdoor pool and the stark, moody atmosphere of monochromatic studio setups. Creative direction by Raúl Martinez ensures a cohesive visual language throughout the feature, further defined by fashion styling from Tonne Goodman that emphasizes fabric texture and architectural silhouettes. Technical execution relies on editorial vertical and horizontal framing, with select imagery utilizing analogue film to achieve its refined, artistic finish. The production is supported by contributions from hair stylist Mark Townsend, makeup artist Georgie Eisdell, manicurist Emi Kudo, and set designer Kelly Infield.
Project American Vogue · American Vogue September 2026 Cover
For the highly anticipated American Vogue September 2026 cover, the publication masterfully balances high-end luxury fashion with an infectious sense of modern youth and kinetic energy. Captured through the lens of legendary photographer Steven Meisel, the editorial image features model Kaia Gerber and actor Homer Gere striding forward in a synchronized, purposeful motion that defines the season's forward-looking aesthetic. Creative director Raúl Martinez orchestrates a clean, disciplined visual language, set against a flat, neutral grey studio background that allows the intricate textures of the clothing—ranging from a multi-patterned jacket to a sharp navy blazer—to command full attention. The project leans into a polished editorial minimalism, utilizing soft light to achieve an even, flattering glow that grounds the commercial appeal of the cover. By pairing the technical precision of Meisel’s live-action technique with the expert curation of fashion editor Spencer Singer, the composition evokes a sense of effortless momentum. The finished piece stands as a testament to collaborative excellence, seamlessly integrating bold serif typography with a sophisticated, contemporary wardrobe. Every element, from the deliberate styling to the crisp framing, speaks to a vision of luxury that feels both grounded and aspirational, cementing this cover as a definitive moment for the industry at large.
Project American Vogue · The Get
For American Vogue's editorial series The Get, photographer Larissa Hofmann and stylist Tom Guinness explore a surreal juxtaposition of alpine culture and city life. The campaign features a collection of vertical and horizontal fashion editorials that place high-performance ski gear against the stark, Brutalist architecture and busy streets of an urban environment. Utilizing crisp hard light and saturated color palettes, the series highlights a blend of technical sportswear and elevated tailoring. The imagery incorporates various production techniques, including analogue film and subtle VFX, to create a sharp, graphic aesthetic across all compositions. Lead styling by Tom Guinness is supported by hair from Shiori Takahashi and makeup by Thom Walker, with set design by Afra Zamara. The editorial features model Angelina Kendall, appearing alongside a diverse cast to bridge the gap between luxury fashion and winter athletic utility.
Project American Vogue · Inside Cristiano Ronaldo and Georgin ...
For this intimate feature in American Vogue, photographer Juergen Teller captures the private and public worlds of Cristiano Ronaldo and Georgina Rodriguez with a lens that is both revealing and deeply polished. Moving beyond the typical glossy celebrity profile, the feature leans into an editorial lifestyle narrative, blending high-glamour portraiture with candid, lived-in moments. Under the editorial guidance of Chloe Malle, the series traverses disparate environments, from the high-end, minimalist lines of a private gym to the serene, light-filled corners of a modern church. Teller makes masterful use of natural light, allowing soft illumination to define the textures of skin and the intricate sparkle of diamond jewelry, while hair stylist Fernando Torrent ensures a sharp, deliberate finish to every frame. The imagery oscillates between the kinetic energy of an athletic training session and the quiet, solemn reverence of religious devotion, creating a dual portrait of discipline and faith. By employing live-action technique and macro detailing, the project constructs a multifaceted identity for the couple that feels grounded despite its elevated subject matter. It is a sophisticated visual study that balances architectural precision with human emotion, ultimately transforming the couple’s routine into a narrative of profound personal and professional synchronicity.
Project American Vogue · Michael Rider
In this sophisticated editorial feature for American Vogue, designer Michael Rider steps into the spotlight, captured with precision through the lens of legendary photographer Annie Leibovitz. The portrait series expertly navigates the intersection of high-fashion storytelling and grounded, minimalist realism, offering an intimate look at the creative force behind the label. Across the collection, Leibovitz leans into a clean, restrained visual language that emphasizes the architecture of the space as much as the subject himself. In one composition, Rider sits centered within an elegantly paneled, pale green room, where soft natural light accentuates the monochromatic stillness of the scene. In another, the tone shifts toward an industrial aesthetic, with the designer leaning against a silver ladder in a spacious, high-ceilinged environment that highlights the tactile quality of his cobalt blue chore jacket. The styling, elevated by the subtle artistry of makeup artist Elodie Barrat, maintains a neutral, authentic expression that anchors the viewer throughout the shoot. By combining editorial rigor with a seemingly effortless portrait technique, the series functions as a masterclass in modern profile imagery. The project avoids unnecessary artifice, instead letting the composition, lighting, and the designer's own quiet confidence define the narrative of a visionary at work.
Project American Vogue · Coming Home
Coming Home for American Vogue is a masterful editorial campaign that bridges the gap between historical reverence and contemporary fashion, centering on the enduring spirit of Southern heritage. Through the lens of photographer Tyler Mitchell, the project functions as a visual homage to Texas culture, moving seamlessly from the precise, geometric discipline of university marching bands to the soulful, communal life found within local church settings. Fashion Editor and stylist Carlos Nazario curates a narrative defined by editorial minimalism and high-fashion contrast, juxtaposing the rugged, industrial reality of denim and leather with the ethereal delicacy of white lace and intricate, ruffled gowns. By incorporating techniques such as cinematic chiaroscuro and high-key studio strobe photography, the work transcends simple portraiture to capture the tactile textures of cultural identity. The editorial benefits significantly from the creative contributions of hair stylist Lucas Wilson and makeup artist Michaela Bosch, whose work grounds the ethereal subjects in a natural, radiant aesthetic. Anchored by the presence of models Erin Wasson, Ruth Deng, and Sara Grace Wallerstedt, the campaign leans into a documentary-style reportage that celebrates unity, equestrian tradition, and the pride of place. Ultimately, Coming Home reads as a sophisticated cultural tapestry, offering a polished, nuanced reflection on modern heritage that is as technically precise as it is emotionally resonant.
Project American Vogue · Celine by Michael Rider - Ways of Seeing
In Celine by Michael Rider - Ways of Seeing, American Vogue presents a masterclass in modern luxury fashion that feels both nostalgic and distinctly contemporary. Captured by photographer Francesc Planes, this fashion campaign leans into the architectural rigor of the house while embracing an authentic, human-centric energy. By utilizing natural light as a primary narrative tool, the series transforms urban environments into curated stages where clothing takes on a sculptural quality. Stylist Malina Joseph Gilchrist expertly juxtaposes the collection’s vibrant palettes against minimalist backdrops, relying on sharp tailoring and high-contrast accessories to create a bold, editorial aesthetic. The casting—featuring Aliocha Schneider, Angelina Kendall, Libby Taverner, and Yar Aguer—brings a relaxed, approachable sophistication to these complex silhouettes. From the graphic impact of abstract floral prints to the tactile allure of leather and faux-fur, every detail is articulated through precise composition. With the collaborative support of hair stylist Karim Belghiran and makeup artist Karin Westerlund, the imagery maintains a polished consistency that channels classic portraiture while remaining firmly rooted in the current moment. This project serves as a compelling exploration of texture and light, proving that even the most structured high-fashion ensembles can feel effortlessly alive when viewed through such an intentional and cinematic lens, ultimately reasserting the brand's enduring influence within the luxury fashion sector.
Project American Vogue · Gracie Abrams
In a striking visual feature for American Vogue, musician Gracie Abrams steps into the spotlight, defined by an aesthetic of editorial minimalism and modern architectural grandeur. Photographed by Larissa Hofmann, the series leans into the interplay between organic human movement and rigid, geometric settings, utilizing high-key lighting and natural light to emphasize both texture and silhouette. Fashion editor Jorden Bickham curates a wardrobe of bold, saturated hues and shimmering sequins, ranging from silk slip dresses to intricate, knotted gowns that provide a vibrant counterpoint to the stark, curved surfaces of the location. The imagery reads as a sophisticated exploration of form, with set design by Patience Harding creating expansive, light-filled environments that elevate the portraiture. Hair stylist Tamas Tuzes and makeup artist Emi Kaneko complement the clean, cinematic tone, framing Abrams in a series of intimate, candid, and direct poses that capture her multifaceted presence. By balancing the clinical purity of white architectural structures with the warmth of the Los Angeles skyline, the project establishes a cohesive, high-contrast narrative. Whether through the lens of a studio strobe or the shifting golden hour, the resulting visuals stand as a definitive showcase of contemporary fashion photography, blending refined editorial technique with a sense of approachable, modern lifestyle portraiture that centers on the subject’s singular, expressive evolution.
Project American Vogue · The After-After-Party
In The After-After-Party, American Vogue captures the elusive, quiet magic of the morning following a high-fashion whirlwind. Moving away from the frenetic energy of the runway, this editorial project leans into the intimate, unscripted reality of luxury fashion. Photographer Sebastian Faena masterfully utilizes natural light to bathe subjects in a soft, airy glow, elevating the domestic setting of a hotel suite into a sophisticated visual narrative. Styled by Tabitha Simmons, the imagery blends couture sensibilities with the disheveled comfort of post-celebration life, featuring models including Abby Champion, Amelia Gray, and Paloma Elsesser in a series of candid, lifestyle-focused portraits. The aesthetic is defined by its clever juxtaposition of high-end texture—fluffy pink coats and intricate lace ruffles—against the mundane debris of an indulgent breakfast or a casual video game session. Throughout the series, the interplay between plush interiors and urban cityscapes creates a rhythmic sense of place, while the inclusion of playful elements like plush toys and fast food adds a layer of genuine human personality. The result is an editorial spread that feels both aspirational and deeply relatable, showcasing how the industry interprets the intersection of leisure and luxury. By focusing on these quiet, humanizing moments, the project offers a refreshing take on the modern fashion campaign, proving that the most compelling stories often happen when the cameras are turned off and the party finally fades.
Project American Vogue · The Met Committee
For The Met Committee, American Vogue delivers a masterclass in editorial portraiture, capturing a sense of high-fashion theater that feels both timeless and deeply avant-garde. Under the visionary lens of photographer Annie Leibovitz and the sharp creative direction of Raúl Martinez, this series leans into a cinematic aesthetic that celebrates the interplay between sculpture and the human form. With styling by Law Roach, the imagery masterfully integrates high-concept luxury fashion with intimate, human storytelling. Whether utilizing the dramatic tension of low-key chiaroscuro lighting or the soft, ethereal qualities of natural light, the campaign transforms its subjects into living art. From the presence of Gwendoline Christie in intricate metallic gowns to the raw, athletic grace of models like Lauren Wasser, every frame is meticulously composed to emphasize texture and movement. Montana Pugh’s minimalist set design provides a grounded backdrop, allowing the elaborate silhouettes and rich material palettes to dominate the frame. The collaboration between the photography and creative teams results in a series that is as much a statement on modern identity as it is on couture. These portraits serve as a definitive study of the editorial style, leveraging studio strobe techniques to highlight the complex embellishments of the garments while maintaining a moody, refined atmosphere that defines the current luxury landscape.
Project American Vogue · Young Hollywood
For this latest installment of American Vogue’s Young Hollywood series, the publication leans into the power of high-end editorial portraiture to capture the next generation of industry disruptors. Photographer Tyler Mitchell masterfully orchestrates a series of striking visuals that rely on intense color theory and structural precision. By utilizing vibrant, solid studio backdrops ranging from saturated red and orange to deep navy, the project emphasizes a clean, minimalist composition that allows the intricate details of luxury fashion to take center stage. The styling, curated by fashion editor Carlos Nazario, moves fluidly between architectural knitwear, heavily embellished sequin textures, and sophisticated tailoring. This editorial project avoids the clutter of elaborate sets, opting instead for a consistent application of studio strobe lighting to ensure that every fold, ruffle, and pattern is rendered with crisp, tactile clarity. Featuring a diverse cast of rising stars—including actors Dominic Sessa and Whitney Peak alongside entertainer PinkPantheress—the series channels a polished, modern aesthetic that feels both curated and candid. With meticulous contributions from hair stylists Sonny Molina and Tsuki, alongside makeup artistry from Raoul Alejandre, the project creates a cohesive visual identity that defines contemporary portrait photography. Each frame serves as a study in contrast, proving that when the focus is squarely on personality and form, the result is an enduring masterclass in luxury fashion storytelling.
Project American Vogue · Center of Attention - A'ja Wilson
In a striking convergence of high-fashion editorial and professional athleticism, American Vogue captures basketball powerhouse A'ja Wilson in a series of intimate portraits that redefine the intersection of style and sport. Photographer Joshua Woods utilizes natural light to frame Wilson amidst lush, tropical landscapes, creating a cinematic atmosphere that highlights her commanding physical presence. Under the meticulous eye of fashion editor and stylist Max Ortega, the editorial narrative deftly balances sartorial elegance with Wilson's identity as an elite athlete. The styling intentionally bridges two worlds, juxtaposing glossy, structured tailoring and vibrant leather midi skirts against the raw utility of a classic basketball and modern sneakers. This portrait series leans into editorial minimalism, allowing the organic textures of bamboo forests and dense foliage to serve as a grounding backdrop for Wilson’s grace and stature. By eschewing typical sports photography tropes, the work centers on a sophisticated aesthetic that emphasizes her profile, sharp silhouettes, and confident posture. Each frame is composed to celebrate the synergy between human performance and luxury fashion, resulting in a cohesive visual project that reads as both timeless and urgently modern. Through intentional composition and the thoughtful selection of attire, the team crafts an evocative study of strength, proving that the court and the high-fashion editorial set are far closer than they appear.
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